Download - DRSTI_BHEDAH
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Bprecepts & practice
2
003
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Solu
tions
o=f EsoE!
mccd DEuEsfklcd mE;r hzEuEsfkl fvcrfuls GuEsfklEvgJ=s ; lEE ;wJ DJuEsfklcd
mco=f!
JrECE& mgjvEjrJld mEvo& mcJrECEcd
fJfv/EsiE!
vE'd/EjEs lguE/Ecd ; D/f;lEfJfvM;/s DEM;/sR osJlEhs mco=fjd GoElE
Di Bhed (Glances)
samam lokitam sc prlokta nimilite |ullokitnuvtte ca tath caiva-avalokitam ||
According to the Abhinaya Darpana, movements of the eyes are classified into eight.
SamalokitaScPrlokitaNimlitaUllokitaAnuvttaAvalokita
Let us now look at the applications of these eye movements.
vkaam suranrvat snandam samavkaam |
To gaze evenly without blinking with a pleasant expression on the face like a celestial damsel, is sama.
nyrambhe tulym c yanyacintvinicaye |carye devatarpe samadtir udht |
Classificaiton of Eye movements
Sama Di
Viniyoga
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Bprecepts & practice
2
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Applications:
Applications:
Sama Di is used to depict the followingnyrambhe: Beginning of Dancetulyam: Balanceanya cint: To gauge another's thoughtsvinicaye: To Decidecarye: Surprisedevatrpe: Image of God
alokitam bhavet subhramaam sphuta vkam |
To turn the gaze quickly and intently is lokita Di
kulla cakra bhramane sarvavastu pradarane |yacym ca prayoktavyam lokita nikaam ||
lokita Di is used to depict the following
kullacakrabhramae: Movement of Potter's wheelsarvavastu pradarane: Looking at all objects aroundyacym: Begging
svasthne tiryagkram apgavalanam kramt |sc dtir iti jey ntyastraviradai ||
To look obliquely out of the corners of the eyes without moving the head is Sc
DEuEsfklo=f!
DEuEsfklcd EJsld DEMEgEzcCEcd Hg' JrECEcd
fJfv/EsiE!
kuEu ;k EzcCEs mJRJlg hzoMERvs /EE/Ecd ; hz/Es>/cd DEuEsfklfvjrECEcd
mE;ro=f!
JEEvs fl/RiEEkEjcd DhEJuvcd kcEld mE;r o=fjd Ffl %s/E vE'd/MEE$EfJMEEjow!
lokita Di
Sc Di
Viniyoga
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Bprecepts & practice
2
003
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tions
fJfv/EsiE!
F&fiEls Mcg m&hMEsR MEju/s MEgk c=lEwmt;vE/Ecd ; kE/ERCEEcd vE'd/s mE;r fvjrECEcd
hzEuEsfklo=f!
hzEuEsfklcd hfj%s/cd ;uv& hEREEiE/Es!
fJfv/EsiE!
GE/Es! hER/Esjd Jlg fvosRMEs ; hzm&fpls ;uvs ygfpE[d/s ; hzuEsfklfvjrECEcd
Viniyoga
Viniyoga
igite maru saspare aralakye uke smtau |scanym ca krym nye sc nirkanam ||
Applications:Sc Di is used to depict the following
igite: Suggestionmarusamspare: Twirling one's moustachearalakye: Taking aim with an arrowuke: Parrotsmtau: Recollectionscanyam: To suggest or indicate
pralokitam parijeyam calanam prvabhgayo |
To move the eyes from side to side, is Pralokita
ubhayo prvayor vastu nirdee ca prasajite |calane buddhijdye ca pralokitanirkaam ||
Pralokita Di is used to depict the following
ubhayo prvayorvastu nirdee: To denote things located on both sidesprasamjite: Excessive affectioncalane: Movementbuddhijye: Idiocy
Pralokita Di
Applications:
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Bprecepts & practice
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003
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Solu
tions
crfulo=f!
o=sjd DERfJkEmsv crfulE o=fjd FRfjlE
fJfv/EsiE!
DEMErfJEs hEjJM/s phs /Evs vcklEw GcEos mtco=Ew ; crfulE o=fjrfjlE
GuEsfklo=f!
GuEfklcd Ffl %s/cd TJREEiEs fJuEskvcd
fJfv/EsiE!
JpEiEzs iEEshgjs osJcC[us htJRpcfv DEwv/s ;fozkEoEJfh GuEsfkl fvjrECEcd
Nimlita Di
Ullokitta Di
dter ardha vike namlit dir rit |
ve pravaye jape dhyne namasktau |unmde skmadau ca mlit drirrit ||
To glance through half opened eyes is Nimlita
Nimlita Di is used to depict the following
ve: Snakepravaye: To be subject to another's willjape: Prayerdhyne: Meditationnamasktau: Salutationunmde: Lunacyskmadau: Keen observation
ullokitam iti jeyam rdhvbhage vilokanam |
To glance upwards intensely is ullokitta
dhvajgre gopure devamanau prvajanmani |aunnatye candrikadvapi ullokita nirkaam ||
Viniyoga
Viniyoga
Applications:
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Bprecepts & practice
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Application:
Applications:
Ullokitta Di is used to depict the following
dhvajgre: Top of a flaggopure: Temple towerdevamanale: Heavenprvajanmani: Previous birthaunnatye: Heightcandrikdve: Moonlight
urdhvdho vkanam vegat anuvttam itritam |
To glance upwards & downwards in rapid succession is Anuvtta
kopa dtau priymantre-apianuvtta nirkaam ||
Anuvtta Di is used to depict the following
kopadau: Angry glancepriymantre: Inviting look
adhastd-daranam yat tat avalokitam ucyte |
DvgJ=o=f!
TJEREEs JrECE& JsiEEld DvgJ=cd Flrfjlcd
fJfv/EsiE!
kEsho=Ew fhz/Ec$Es DvgJ= fvjrECEcd
DJuEsfklo=f!
DElEod oMERcd /ld lld DJuEsfklcd G/ls
fJfv/EsiE!
:E/EuEsk fJ;Ejs ; ;/ER/Ecd h"vcs
Anuvtta Di
Avalokita Di
Viniyoga
Viniyoga
Dfh
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Bprecepts & practice
2
003
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Solu
tions
JEEJuEskvs /Evsfh DJuEsfklcd G/ls chyloke vicre ca caryym pahanarame ||svgavalokane yanepi avalokitam ucyte |
To glance downwards in an intense manner is Avalokita.
Avalokita Di is used to depict the following
chyaloke: Looking at one's shadowvicre: Reflectioncaryym: Practicepananarame: Studysvgvalokane: Looking at one's limbs
Applications:
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Bprecepts & practice
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Pronounciation guide for the Transliteration
GUTTURAL(pronounced from throat)
PALATAL(pronounced from palate)
vowels
plain
aspirate
nasal
vowels
plain
aspirate
semi-vowel
sibilant
a
kg
khghh
as in butas in father
as in kinas in good
as in sinkholeas in leghornas in hand
as in encore
i
cj
chjh
y
s
as in tinas in teeth
as in churchas in judge
as in coachhorseas in hedgehog
as in you
as in sure
RETROFLEX(pronounced with tip of tongue curled up)
vowels
plain
aspirate
nasal
semi-vowel
sibilant
hh
r
as in sabre
as in cartas in ardent
as in carthorseas in fordham
as in friend
as in rib
as in hush
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Bprecepts & practice
2
003
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DENTAL(pronounced with tip of tongue against upper teeth)
plain
aspirate
nasal
semi-vowel
sibilant
td
thdh
n
l
s
as in theatreas in they
as in witheldas in buddha
as in boon
as in lip
as in sun
LABIAL(pronounced with lips)
vowels
plain
aspirate
nasal
u
pb
phbh
m
as in bullas in rule
as in patas in bee
as in uphillas in abhor
as in man
GUTTRAL AND PALATAL
GUTTRAL AND LABIAL
DENTAL AND LABIAL
NASAL
ASPIRATE
vowel
vowel
semi-vowel
or makes preceding vowel nasal
makes preceding vowel aspirate
eai
as in preyas in aisle
oau
as in goas in cow
v as in van
Drsti Bhedah (Glances)Sama DrstihAlokita DrstihSaci DrstihPralokita DrstihNimilita DrstihUllokita DrstihAnuvrtta DrstihAvalokita Drstih
Pronounciation Guide