drsti_bhedah

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B precepts & practice © 2003 Swathi Soft Solutions o=fÕ ¦EsoE! mccd DEuEsfklcd mE;r hzEuEsfkl fvcrfuls Ù G¬uEsfklEvgJ=…s ; l¨EE ;wJ DJuEsfklcd ÙÙ mco=fÕ! JrªECE& mgjvEjrJld mEvõo& mcJrªECEcd Ù fJfv/EsiE! vE'd/Ej‘¦Es lguE/Ecd ; Dõ/f;õlEfJfvM;/s Ù DEM;/sR osJlEühs mco=fÕjd GoE÷lE ÙÙ Ù Di Bhed (Glances) samam lokitam sc prlokta nimilite | ullokitnuvtte ca tath caiva-avalokitam || According to the Abhinaya Darpana, movements of the eyes are classified into eight. Sama lokita Sc Prlokita Nimlita Ullokita Anuvtta Avalokita Let us now look at the applications of these eye movements. vkaam suranrvat snandam samavkaam | To gaze evenly without blinking with a pleasant expression on the face like a celestial damsel, is sama. nyrambhe tulym c yanyacintvinicaye | carye devatarpe samadtir udht | Classificaiton of Eye movements Sama Di Viniyoga

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  • Bprecepts & practice

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    o=f EsoE!

    mccd DEuEsfklcd mE;r hzEuEsfkl fvcrfuls GuEsfklEvgJ=s ; lEE ;wJ DJuEsfklcd

    mco=f!

    JrECE& mgjvEjrJld mEvo& mcJrECEcd

    fJfv/EsiE!

    vE'd/EjEs lguE/Ecd ; D/f;lEfJfvM;/s DEM;/sR osJlEhs mco=fjd GoElE

    Di Bhed (Glances)

    samam lokitam sc prlokta nimilite |ullokitnuvtte ca tath caiva-avalokitam ||

    According to the Abhinaya Darpana, movements of the eyes are classified into eight.

    SamalokitaScPrlokitaNimlitaUllokitaAnuvttaAvalokita

    Let us now look at the applications of these eye movements.

    vkaam suranrvat snandam samavkaam |

    To gaze evenly without blinking with a pleasant expression on the face like a celestial damsel, is sama.

    nyrambhe tulym c yanyacintvinicaye |carye devatarpe samadtir udht |

    Classificaiton of Eye movements

    Sama Di

    Viniyoga

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    Applications:

    Applications:

    Sama Di is used to depict the followingnyrambhe: Beginning of Dancetulyam: Balanceanya cint: To gauge another's thoughtsvinicaye: To Decidecarye: Surprisedevatrpe: Image of God

    alokitam bhavet subhramaam sphuta vkam |

    To turn the gaze quickly and intently is lokita Di

    kulla cakra bhramane sarvavastu pradarane |yacym ca prayoktavyam lokita nikaam ||

    lokita Di is used to depict the following

    kullacakrabhramae: Movement of Potter's wheelsarvavastu pradarane: Looking at all objects aroundyacym: Begging

    svasthne tiryagkram apgavalanam kramt |sc dtir iti jey ntyastraviradai ||

    To look obliquely out of the corners of the eyes without moving the head is Sc

    DEuEsfklo=f!

    DEuEsfklcd EJsld DEMEgEzcCEcd Hg' JrECEcd

    fJfv/EsiE!

    kuEu ;k EzcCEs mJRJlg hzoMERvs /EE/Ecd ; hz/Es>/cd DEuEsfklfvjrECEcd

    mE;ro=f!

    JEEvs fl/RiEEkEjcd DhEJuvcd kcEld mE;r o=fjd Ffl %s/E vE'd/MEE$EfJMEEjow!

    lokita Di

    Sc Di

    Viniyoga

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    fJfv/EsiE!

    F&fiEls Mcg m&hMEsR MEju/s MEgk c=lEwmt;vE/Ecd ; kE/ERCEEcd vE'd/s mE;r fvjrECEcd

    hzEuEsfklo=f!

    hzEuEsfklcd hfj%s/cd ;uv& hEREEiE/Es!

    fJfv/EsiE!

    GE/Es! hER/Esjd Jlg fvosRMEs ; hzm&fpls ;uvs ygfpE[d/s ; hzuEsfklfvjrECEcd

    Viniyoga

    Viniyoga

    igite maru saspare aralakye uke smtau |scanym ca krym nye sc nirkanam ||

    Applications:Sc Di is used to depict the following

    igite: Suggestionmarusamspare: Twirling one's moustachearalakye: Taking aim with an arrowuke: Parrotsmtau: Recollectionscanyam: To suggest or indicate

    pralokitam parijeyam calanam prvabhgayo |

    To move the eyes from side to side, is Pralokita

    ubhayo prvayor vastu nirdee ca prasajite |calane buddhijdye ca pralokitanirkaam ||

    Pralokita Di is used to depict the following

    ubhayo prvayorvastu nirdee: To denote things located on both sidesprasamjite: Excessive affectioncalane: Movementbuddhijye: Idiocy

    Pralokita Di

    Applications:

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    crfulo=f!

    o=sjd DERfJkEmsv crfulE o=fjd FRfjlE

    fJfv/EsiE!

    DEMErfJEs hEjJM/s phs /Evs vcklEw GcEos mtco=Ew ; crfulE o=fjrfjlE

    GuEsfklo=f!

    GuEfklcd Ffl %s/cd TJREEiEs fJuEskvcd

    fJfv/EsiE!

    JpEiEzs iEEshgjs osJcC[us htJRpcfv DEwv/s ;fozkEoEJfh GuEsfkl fvjrECEcd

    Nimlita Di

    Ullokitta Di

    dter ardha vike namlit dir rit |

    ve pravaye jape dhyne namasktau |unmde skmadau ca mlit drirrit ||

    To glance through half opened eyes is Nimlita

    Nimlita Di is used to depict the following

    ve: Snakepravaye: To be subject to another's willjape: Prayerdhyne: Meditationnamasktau: Salutationunmde: Lunacyskmadau: Keen observation

    ullokitam iti jeyam rdhvbhage vilokanam |

    To glance upwards intensely is ullokitta

    dhvajgre gopure devamanau prvajanmani |aunnatye candrikadvapi ullokita nirkaam ||

    Viniyoga

    Viniyoga

    Applications:

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    Application:

    Applications:

    Ullokitta Di is used to depict the following

    dhvajgre: Top of a flaggopure: Temple towerdevamanale: Heavenprvajanmani: Previous birthaunnatye: Heightcandrikdve: Moonlight

    urdhvdho vkanam vegat anuvttam itritam |

    To glance upwards & downwards in rapid succession is Anuvtta

    kopa dtau priymantre-apianuvtta nirkaam ||

    Anuvtta Di is used to depict the following

    kopadau: Angry glancepriymantre: Inviting look

    adhastd-daranam yat tat avalokitam ucyte |

    DvgJ=o=f!

    TJEREEs JrECE& JsiEEld DvgJ=cd Flrfjlcd

    fJfv/EsiE!

    kEsho=Ew fhz/Ec$Es DvgJ= fvjrECEcd

    DJuEsfklo=f!

    DElEod oMERcd /ld lld DJuEsfklcd G/ls

    fJfv/EsiE!

    :E/EuEsk fJ;Ejs ; ;/ER/Ecd h"vcs

    Anuvtta Di

    Avalokita Di

    Viniyoga

    Viniyoga

    Dfh

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    JEEJuEskvs /Evsfh DJuEsfklcd G/ls chyloke vicre ca caryym pahanarame ||svgavalokane yanepi avalokitam ucyte |

    To glance downwards in an intense manner is Avalokita.

    Avalokita Di is used to depict the following

    chyaloke: Looking at one's shadowvicre: Reflectioncaryym: Practicepananarame: Studysvgvalokane: Looking at one's limbs

    Applications:

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    Pronounciation guide for the Transliteration

    GUTTURAL(pronounced from throat)

    PALATAL(pronounced from palate)

    vowels

    plain

    aspirate

    nasal

    vowels

    plain

    aspirate

    semi-vowel

    sibilant

    a

    kg

    khghh

    as in butas in father

    as in kinas in good

    as in sinkholeas in leghornas in hand

    as in encore

    i

    cj

    chjh

    y

    s

    as in tinas in teeth

    as in churchas in judge

    as in coachhorseas in hedgehog

    as in you

    as in sure

    RETROFLEX(pronounced with tip of tongue curled up)

    vowels

    plain

    aspirate

    nasal

    semi-vowel

    sibilant

    hh

    r

    as in sabre

    as in cartas in ardent

    as in carthorseas in fordham

    as in friend

    as in rib

    as in hush

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    DENTAL(pronounced with tip of tongue against upper teeth)

    plain

    aspirate

    nasal

    semi-vowel

    sibilant

    td

    thdh

    n

    l

    s

    as in theatreas in they

    as in witheldas in buddha

    as in boon

    as in lip

    as in sun

    LABIAL(pronounced with lips)

    vowels

    plain

    aspirate

    nasal

    u

    pb

    phbh

    m

    as in bullas in rule

    as in patas in bee

    as in uphillas in abhor

    as in man

    GUTTRAL AND PALATAL

    GUTTRAL AND LABIAL

    DENTAL AND LABIAL

    NASAL

    ASPIRATE

    vowel

    vowel

    semi-vowel

    or makes preceding vowel nasal

    makes preceding vowel aspirate

    eai

    as in preyas in aisle

    oau

    as in goas in cow

    v as in van

    Drsti Bhedah (Glances)Sama DrstihAlokita DrstihSaci DrstihPralokita DrstihNimilita DrstihUllokita DrstihAnuvrtta DrstihAvalokita Drstih

    Pronounciation Guide