jaiva dharma 2

Upload: maria-celeste-camargo-casemiro

Post on 07-Apr-2018

235 views

Category:

Documents


0 download

TRANSCRIPT

  • 8/3/2019 Jaiva dharma 2

    1/162

    Nel tardo 1890 stata scritta un'unica ed eloquente novel-la spirituale da parte di uno dei pi prolifici e popolari scrit-tori della Brahma-Madhva-Gauya Sampradya

    Sua Divina Graziarla Bhaktivinoda hkura

    presenta

    Jaiva-dharmaLa Natura Essenziale

    dellAnima

    Seconda Parte

    Dalla traduzione di

    r rmad Bhaktivednta NryaaMahrja

    Copyright Gauya Vednta Samiti

    @ @ 6 K O 2 @ 6 X ?

    ? J @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @6 K ? g O 2 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 1 ?

    W & @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ 6 K ? ? O 2 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ L

    7 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ) X ?

    ? J @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ) X

    W & @ @ @ @ ( M I 4 @ @ @ 0 M ? e ? I 4 @ @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M ? e ? I 4 @ @ @ 0 M I ' @ @ @ @ @ ) X ?

    ?O & @@ @ @( Y ? I 4 @@ @ @@ @ @@ 0 M ? V '@ @ @@ @ )X

    ? W2 @@ @@ @@ H I '@ @@ @( M V '@ @@ @@ )X ?

    W &@ @@ @@ @5 ? ? V' @@ (Y ? ? V' @@ @@ @) X

    ? W& @@ @@ @@ 0Y ? V 40 Y V '@ @@ @@ )X ?

    W & @ @ @ @ @ ( M ? ? V ' @ @ @ @ @ ) X

    7 @ @ @ @ @ ( Y V ' @ @ @ @ @ ) X ?

    ? J @ @ @ @ @ ( Y ? ? V ' @ @ @ @ @ 1 ?

    W & @ @ @ @ ( Y V ' @ @ @ @ @ L

    7 @ @ @ @ ( Y ? O 2 @ @ @ @ 6 K ? V ' @ @ @ @ 1

    @ @@ @@ H W 2@ @@ @@ @@ @6 K N @@ @@ @L ?

    ? J@ @@ @5 ? 7 @@ @@ @@ @@ @@ @6 Xh f ? 3 @@ @@ 1?

    ? 7@ @@ @H ? @ @@ @@ @@ @@ @@ @@ )X ?h e ? N@ @@ @@ ?

    J @@ @@ @ ? @6 Xe @ @@ @@ @@ @@ @@ @@ @) Xh f @ @ @ @@ ?

    ? O& @@ @@ @ ? @@ 1e @ @@ @@ @@ @@ @@ @@ @@ )X ?h e 3 @@ @@ @6 K

    ?W 2 @@ @ @@ @ @@ 5 ? @ @@ L ?@ @ @@ X ?? W @@ @ @@ @ @@ 1 ?h e N @ @ @@ @ @@ @ 6X ? h f

    O& @ @@ @ @@ @ @@ H J @ @@ ) Ke ? B @ @@ @ Y@ @ @@ @ @@ @ Lh e ? @ @ @@ @ @@ @ @) K h f

    W2 @ @@ @ @@ @ @@ @ @? ? W &@ @ @@ @ @? ? J@ @ @@ ? @@ @ @@ @ @@ 1 h e ? @ @ @@ @ @@ @ @@ @ 6X h e

    ? W& @ @ @ @ @@ @ @ @ @@ @ ? ? 7 @ @ @ @@ @ @ ? ?' @ @ @ @? @ @ @ @ @@ @ @ @ L? h ? @ @ @ @@ @ @ @ @ @@ @ ) X ?h

    W& @ @@ @ @@ @ 0M ? J @ @@ @ @@ @ @? ? V' @ @5 ? @@ @ @@ @ @@ @ 1? I 4 @@ @ @@ @ )X h

    ? W& @@ @@ @@ 0M ? 7 @@ @@ @@ @@ ?e V 40 YJ @@ @@ @@ @@ @@ ? I '@ @@ @@ )X ?g

    ? 7@ @@ @@ (M ? @ @@ @@ @@ @@ ?f ? O& @@ @@ @@ @@ @@ ? ? V' @@ @@ @) Xg

    J @@ @@ @( Y @ @@ @@ @@ @@ ?? W2 @@ @@ @@ @@ @@ @@ @@ ? V '@ @@ @@ )X ?f

    ? W& @@ @@ (Y ? @ @@ @@ @@ @5 ?W &@ @@ @@ @@ @@ @@ @@ @@ ? ? V' @@ @@ @) Xf

    W &@ @@ @( Y @ @@ (? 4@ 0Y ?7 @@ @@ @@ @@ @@ @@ @@ @@ ? V '@ @@ @@ )X ?e

    ? O& @@ @@ @H ? @ @@ Hg @ @@ @@ @@ @@ @@ @@ @@ @@ ? ? V' @@ @@ @) Xe

    ? O2 @@ @@ @@ 5 @ @@ ?g @ @@ @@ @@ @@ @@ @@ @@ @5 ? V '@ @@ @@ )K ?

    ? W2 @ @@ @@ @@ (Y @ @@ @@ @@ @@ @@ @@ @@ ( Y? ? V' @@ @@ @@ @

    ? * @ @ @ @ @ @ @ 0 Y ? @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ H V ' @ @ @ @ @ @

    ? N @ @ @ @ @ ( M ? 3 @ @ @ @ @ @ @ @ @ @ @ @ @ 5 ? ? V ' @ @ @ @ @

    3 @ @ @ @ H V ' @ @ @ @ @ @ @ @ @ @ @ 0 Y W 2 @ N @ @ @ @ @

    N @ @ @ @ ? ? V 4 @ @ @ @ @ @ @ @ 0 M ? W & @ @ ? @ @ @ @ 5

    ? @ @ @ @ ? ? I 4 @ @ @ @ 0 M ? ? O & @ @ @ ? @ @ @ @ H

    ? @ @ @ @ ? ? W 2 @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? O & @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? O 2 @ @ @ @ @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? 3 @ @ @ @ @ @ @ @ @ @ @ @ @ @ 5 ? @ @ @ @ L

    ? @ @@ @? ? O2 @@ @@ @@ @e N @ @@ @ @@ @@ @@ @@ @ @H ? @@ @@ 1

    ? @ @@ @? ? O 2@ @@ @@ @@ @ @L ?? 3@ @@ @@ @@ @@ @@ @ @? ? @@ @@ @

    ? @@ @@ ? ? W2 @@ @@ @@ @@ @@ @1 ?? N@ @@ @@ @@ @@ @@ @@ ? ? @@ @@ @

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @@ ? ? @@ @@ @

    ? @@ @@ L ? W& @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @5 ?? W2 @@ @ ? @@ @@ 5

    ? @@ @@ 1 W &@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @H ?? 7@ @@ @ J @@ @@ H

    ? @@ @@ @ ? W& @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @e J @@ @@ @ 7 @@ @@ ?

    ? 3@ @@ @L ? W &@ @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @e 7 @@ @@ @ ? J@ @@ @@ ?

    ? N@ @@ @) X 7 @@ @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ 5e @ @@ @@ @ ? 7@ @@ @5 ?

    @ @@ @@ 1 ? J@ @@ @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ H? J@ @@ @@ @ J @@ @@ @H ?

    3@ @ @@ @ L? W & @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ 5? ? J@ @ @@ @ @@ @ @@ @ ?? 7 @@ @ @@ 5 ? W &@ @ @@ 5 e

    N@ @ @@ @ )X 7 @ @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ H? ? 7@ @ @@ @ @@ @ @@ 5 ?? @ @@ @ @@ H ? 7 @@ @ @@ H e

    ? @ @ @ @ @ @ , ? J @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 5 e ? @ @ @ @ @ @ @ @ @ @ @ H ? J @ @ @ @ @ 5 ? ? @ @ @ @ @ @ ? e

    J@ @ @@ @ (Y W & @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @H e J @ @@ @ @@ @ @@ @ @e 7 @ @@ @ @H ? ? 3 @@ @ @@ L e

    7@ @ @@ ( Y? 7 @ @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ 5? ? W& @ @@ @ @@ @ @@ @ 5e @ @ @@ @ 5 ? V '@ @ @@ 1 e

    ?J @ @@ @ @H ? J @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @( Y ?? 7 @@ @ @@ @ @@ @ @@ H ?J @ @@ @ @H V ' @@ @ @L ?

    ?7 @ @@ @ 5? W & @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @H e J @@ @ @@ @ @@ @ @@ 5 ?? 7 @@ @ @5 ? ? N @@ @ @1 ?

    ?@ @ @@ @ H? 7 @ @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ 5? ? W& @ @@ @ @@ @ @@ @ @H ? J@ @ @@ ( Y? @ @ @@ @ ?

    ? @@ @@ @ ? J@ @@ @@ @@ @@ @@ @@ @@ @@ @@ (Y ?? 7@ @@ @@ @@ @@ @@ 5e 7 @@ @@ H 3 @@ @@ ?

    ? @@ @@ 5 W &@ @@ @@ @@ @@ @@ @@ @@ @@ @( Ye J @@ @@ @@ @@ @@ @( Y? J@ @@ @5 ? N @@ @@ L

    ?@ @ @@ H ? W &@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @( Y ?? W &@ @ @@ @ @@ @ @@ @ H? ? 7@ @ @( Y ? ? @ @@ @ 1

    ? @@ @@ ? ? 7@ @@ @@ @@ @@ @@ @@ @@ @@ @@ He ? 7@ @@ @@ @@ @@ @@ 5e J @@ @( Y ? @@ @@ @

    ? @@ @@ ? J @@ @@ @@ @@ @@ @@ @@ @@ @@ @5 ?e J @@ @@ @@ @@ @@ @( Y? W& @@ (Y ? ? @@ @@ @

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @@ @@ (Y ?? W& @@ @@ @@ @@ @@ @H ?? 7@ @( Y ? @@ @@ @

    ? @@ @@ ? ? 7@ @@ @@ @@ @@ @@ @@ @@ @@ @( Ye W &@ @@ @@ @@ @@ @@ 5e ? @@ 0Y ? ? @@ @@ @

    ? @@ @@ ? J @@ @@ @@ @@ @@ @@ @@ @@ @@ 0Y ?? W& @@ @@ @@ @@ @@ @( Y ? @@ @@ 5

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @@ (M ?e W &@ @@ @@ @@ @@ @@ (Y ? ? @@ @@ H

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ @@ @( Ye ? W &@ @@ @@ @@ @@ @@ (Y ? @@ @@ ?

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @@ (Y ?e W &@ @@ @@ @@ @@ @@ (Y ? ? @@ @@ ?

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ @@ @0 Yf 7 @ @@ @@ @@ @@ @@ 0Y ? @@ @@ ?

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @0 Mg @ @@ @@ @@ @@ @( M ? @@ @@ ?

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ @( Mh 3 @@ @@ @@ @@ 0Y ? ? @@ @@ L

    J @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ 0Y ?h V 4@ @@ @@ 0M ? ? @@ @@ 1

    7 @ @ @ @ ? W & @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M ? ? @ @ @ @ @

    ? J @ @ @ @ @ @ 6 X ? O & @ @ @ @ @ @ @ @ @ @ @ @ 0 M ? W 2 @ @ @ @ @ @

    ? @@ @ @@ @@ @) X? h e ? W 2@ @@ @ @@ @@ @@ @@ 0 M? ? W& @@ @@ @@ @

    I 4@ @@ @@ @) Xh e O &@ @@ @@ @@ @@ @0 M ? W2 @@ 6? 2@ @e O @? 2@ @@ @6 X W &@ @@ @@ @@ @

    I' @ @@ @ @) X ?g O 2 @@ @ @@ @ @@ @ @0 M @ @ @@ @ @@ @ ?7 @ @@ @ @@ @ @? @ @@ @ @@ @ @@ @ 1 7 @ @@ @ @@ 0 M?

    ?V ' @@ @ @@ 1 ?f W 2 @@ @ @@ @ @@ 0 M ? J @@ @ @@ @ @@ ? @@ @ @@ @ @@ @ ?@ @ @@ @ @@ @ @@ @ ? J @@ @ @@ ( M? e

    V' @ @@ @ @L f 7 @ @ @ @@ 0 M ? @ @@ @ @@ @ @@ ? @@ @ @@ @ @@ @ ?@ @ @@ @ @@ @ @@ @ W & @@ @ @( Y f

    ?V ' @@ @ @) X ?e @ 0 M? ? N @@ @ @@ @ @5 ? @@ @ @? @ @@ @ ?@ @ @@ @ @@ @ @@ @ ? W &@ @ @@ ( Y? f

    V '@ @@ @) K ? W2 6X ?h @ @@ @@ @( Y? @@ @@ @@ @@ 5? @@ @@ @@ @0 M W &@ @@ @( Yg

    ? N@ @@ @@ @6 X W &@ @) K? O@ ?f @ @ 0 ?4 0Y ?? @@ @@ @@ @( Y ? O& @@ @@ @H ?g

    3 @@ @@ @@ )K ?h f ? W& @@ @@ @@ @@ ?h f ? @ @ 0? 4@ 0Y ? ? O2 @@ @@ @@ 5h

    V '@ @@ @@ @@ 6K ?h e ? 7@ @@ @@ @@ @5 ? ? O2 @@ @@ @@ @( Yh

    ? V4 @@ @@ @@ @@ @@ @@ ?g J @@ @@ @@ @@ (Y ? ? @@ @@ @@ @@ @@ @@ 0Y ?h

    ? I' @@ @@ @@ @@ @@ ?f ? W &@ @@ @@ @@ @H ? @@ @@ @@ @@ @@ (M ?h e

    V 4@ @@ @@ @@ @@ Lf ? 7 @@ @@ @@ @@ 5? ? @@ @@ @@ @@ @0 Yh f

    ? I4 @@ @@ @@ 1f J @ @ @@ @@ @ @( Y? J @@ @@ @ @@ 0M h g

    ? @ @ @ @ @ e ?W & @ @ @ @ @ @ @ @ H 7 @ @ @ @ ?

    ? @@ @@ @L ?W &@ @@ @@ @@ @ 5? @ @@ @@ ?

    ? 3@ @@ @1 ?7 @@ @@ @@ @@ ( Y? ? J@ @@ @5 ?

    ? N@ @@ @@ X@ @@ @@ @@ @( Y W &@ @@ @H ?

    3 @ @ @ > @ @ @ @ @ @ @ @ ( Y ? 7 @ @ @ @ @

    N @ @ V @ @ @ @ @ @ @ @ ( Y ? J @ @ @ @ @ 5

    ? @ @ @ @ @ @ @ @ @ @ ( Y ? W & @ @ @ @ ( Y

    W @ @ @ @ @ @ @ ( Y ? W & @ @ @ @ @ H ?

    ? W & @ @ @ @ @ @ ( Y ? O & @ @ @ @ @ 5

    ? 7 @ @ @ @ @ @ @ Y W 2 @ @ @ @ @ @ ( Y

    J @@ @@ @@ @@ @@ 6X ? W 26 X ? W& @@ @@ @@ (Y ?

    ? W& @@ @@ @@ @X @@ @) X ? O& @@ )K ? W &@ @@ @@ @0 Y

    W& @ @@ @ @@ ( R@ @ @@ @ 1 ? O 2@ @ @@ @ @6 K ? 7 @ @@ @ @( M

    7@ @ @@ @ @( Y ?3 @ @@ @ @ ? O 2@ @ @@ @ @@ @ @@ 6 K? @ @ @@ @ (Y ?

    ? J @ @ @ @ @ @ ( Y e V ' @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ( Y

    W & @ @ @ @ @ ( Y ? e ? V ' @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ H ?

    ? W & @ @ @ @ @ ( Y g N @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M I 4 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ 5

    ? 7 @ @ @ @ @ @ H ? g ? 3 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M f I 4 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ( Y

    J @@ @ @ @ @5 h ? N @ @ @@ @ @ 0 ? 4@ @ @ @ @@ @ @ 0 M? h ? I 4 @ @ @@ @ @ @ @0 M I 4 @ @@ @ @ H ?

    ? W & @ @ @ @ @ ( Y h e @@ 0 M ? I 4 @

    W & @ @ @ @ @ ( Y ?

    ? W & @ @ @ @ @ ( Y

    ? 7 @ @ @ @ @ ( Y ?

    J @ @ @ @ @ ( Y

    ? W & @ @ @ @ ( Y ?

    W & @ @ @ @ ( Y

    ? W & @ @ @ @ ( Y ?

    W & @ @ @ @ ( Y

    7 @@ @ @ ( Y? W 2 @ @ f @ @ @ @ @ @ g ? W 2 @ @? e ? O 2 @ @ @@ @ @ @ @6 K ? ? @ @@ @ @ @ ?g W 2 @ @

    ? J@ @ @ @ (Y 7 @ @ @ L? e 3 @ @ @ @ @L ? f ? 7 @ @ @? ? W 2 @@ @ @ @ @ @@ @ @ @ @@ ? 3 @ @ @@ @ ? g 7 @ @ 5

    W &@ @ @ ( Y? ? J @ @ @ @1 ? e N @ @ @ @@ 1 ? f ? @ @ @ 5 ? W & @ @@ @ @ 0 M I4 @ @ @ @5 ? N @ @ @@ @ L g @ @ @ H

    ? W& @ @ @ ( Y ? 7 @ @ @ @@ ? e ? 3 @ @ @@ @ ? f J @ @ @ H ? 7 @ @ @@ ( M ? f I ' @ H e 3 @ @ @ @ 1f ? J @ @ @?

    W &@ @ @ ( Y ? ? @ @ @ @ @@ L e ? N @ @ @@ @ L f 7 @ @ 5 ? J @ @ @ @@ H g ? V ' ? e N @ @@ @ @ L ? e ? 7@ @ 5 ?

    ?W & @@ @ (Y J @ @@ @ @@ 1 f 3 @ @ @@ 1 f @ @ @ H? 7 @@ @ @5 ? h f ? @ @@ @ @1 ? e J@ @ @H ?

    W& @ @@ 0 Y? 7 @ @@ @ @@ @ L? e N @ @@ @ @e ? J @@ 5 ?? @ @@ @ @H ? h f ? 3 @@ @ @@ ? e 7@ @ 5

    ?W & @@ ( M? ? J @@ @ ?@ @ @@ 1 ?e ? @ @@ @ @L ? ?7 @ @H ? J@ @ @@ @ ? N @@ @ @@ L e @@ @ H

    W& @ @( Y ? 7 @@ 5 ?@ @ @@ @ ?e ? 3 @@ @ @1 ? J@ @ @e 7 @ @ @@ @ 3 @ @@ @ 1? J @@ @ ?

    ?W & @@ ( Y? ? @ @@ H ?3 @ @@ @ Le ? N @@ @ @@ ? 7@ @ 5e @ @ @ @@ @ N @ @@ @ @? 7 @@ 5 ?

    W& @ @( Y J @ @@ e V @ @@ @ 1f @ @ @@ @ ?@ @ @H e 3 @ @@ @ @g ? @ @@ @ @f ? @ @@ @ @? @ @@ H ?

    ?W & @@ ( Y? 7 @ @@ @ @@ @ @@ @ @L ? e 3@ @ @@ @ @@ 5 ?e N @ @ @@ @ g ? @ @@ @ @f ? 3 @@ @ @@ @ @5

    W &@ @ 0 Y ? J @ @ @@ @ @ @ @ @@ @ @ 1 ? e N @@ @ @ @ @ @H ? e ? @ @ @ @@ L ? f ? @ @ @ @ @ f ? N @ @ @ @ @ @ @H

    ?W & @( M ? 7 @@ ( Mf @ @ @@ @ ?e ? 3 @@ @ @@ @ f ? 3 @ @@ @ )X f ? @ @ @ @@ g 3 @ @@ @ @@ ?

    W& @ (Y ? J @ @@ H ?f @ @ @@ @ Le ? N @@ @ @@ 5 f ? N @ @@ @ @) X ?e ? @ @@ @ @g N @ @@ @ @5 ?

    & @0 Y 7 @@ @g 3 @@ @@ 1f @ @ @ @@ Hg 3 @@ @@ @) Ke ? @@ @@ @g ? @@ @@ @H ?

    ? @ @ @@ 5g N @@ @@ @L ?e 3 @@ @@ ?g V 4@ @@ @@ @@ @@ @@ @@ @g ? 3@ @@ 5

    ? @ @ @0 Yg ? @@ @@ @@ ?e V 4@ @@ ?h I 4@ @@ @@ @@ @@ @@ @g ? V4 @0 Y

  • 8/3/2019 Jaiva dharma 2

    2/162

    SOMMARIOPrefazione di r rmad BhaktiprajnaKeava Gosvm Mahrja . . . . . . . . . . . . . . . . . . . . . . . . . i

    Capitolo Tredici . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11Prama e PrameyaCapitolo Quattordici . . . . . . . . .. . . . . . . . . . . . . . . . . . . 41Prameya: akti-TattvaCapitolo Quindici . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69Prameya: Jva-TattvaCapitolo Sedici . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Prameya: La jva e MyCapitolo Diciassette . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111Prameya: La liberazione della jva da My

    Capitolo Diciotto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135Prameya: Bhedbheda-TattvaCapitolo Diciannove . . . . . . . . . . . . . . . . . . . . . . . . . . 161Prameya: Abhidheya-TattvaCapitolo Venti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187Prameya: Abhidheya-Vaidh-Sdhana-BhaktiCapitolo Ventuno . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

    Prameya: Abhidheya-Rgnug-Sdhana-BhaktiCapitolo Ventidue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237Prameya: Prayojana-TattvaCapitolo Ventitre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255Prameya: r-Nma-TattvaCapitolo Ventiquattro . . . . . . . . . . . . . . . . . . . . . . . . . 273Prameya: Nma-ApardhaCapitolo Venticinque . . . . . . . . . . . . . . . . . . . . . . . . 287Prameya: Nmbhsa

    Volumi di rla Bhaktivednta Nryana Mahrja:In inglese:

    Vaiavism (Real & apparent)

    Going Beyond VaikuhaBhakti-rasyana

    Venu-gtr Bhakti-rasmta-sindhu-bindu

    r Mana-ikar Prabandhval

    Bhakti-tattva-viveka

    r Navadvipa-mandala-parikramar Vraja-mandala-parikramaPinnacle of Devotion

    r UpademtaSrimad Bhagavad-Gita

    Jaiva-dharmaSrila Bhaktiprajnana Kesava Gosvami Maharaja, his life and teachings

    In italiano:Il Nettare della Govinda-ll

    Andare oltre VaikuhaLa vera concezione di Sri Guru tattva

    Lessenza di tutte le istruzioniLettere di Srila Prabhupada dallAmerica a Srila Narayana Maharaja

    Raggi di ArmoniaJaiva-dharma

    I lettori interessati possono scrivere a:International Gauya Vednta Pubblications

    r Keavaj Gauya MahMathur (U.P.) 281001 India - Tel. 0091-565-502334

    Associazione Vaisnava Gauya VedntaCantone Salero 5 - 13865 Curino (BI) Italia

    Tel. 015-928173 - CC Postale: 10130136www.gaudiya.net/avgv - e-mail: [email protected]

  • 8/3/2019 Jaiva dharma 2

    3/162

    rla Bhaktivinoda hkura un intimo ed eterno com-pagno del salvatore delle moltitudini dell'et di Kali, ac-nandana r Caitanya Mahprabhu. Dopo che gli associatidi r Gaurahari, come i Sei Gosvm, r Kadsa Ka-virja, r Narottama hkura e rla Visvantha Cakra-vart hkura ebbero lasciato questo mondo e furono en-trati nei loro passatempi non manifesti, i cento anni che se-guirono vengono considerati un periodo oscuro per la lineadei Gauya Vaiava. Durante questo periodo non appar-ve nessun potente crya nella linea Gauya che potesse

    portare avanti, come era stato fatto in precedenza, gli inse-gnamenti di rman Mahprabhu nella loro forma pura.In quel momento cruciale, nell'anno 1838, vi fu un even-

    to fortunato, rla Saccidnanda Bhaktivinoda hkuranacque in una famiglia ben educata e di cultura nel villag-gio di Vranagara vicino a r Navadvpa dhma, nel Ben-gala occidentale.

    Egli inaugur una nuova epoca per la linea GauyaVaiava: scrisse un centinaio di libri autorevoli e chiari sul-la scienza della bhakti in Sanscrito, Bengali, Hindi, Ingleseed altre lingue ancora.

    In questo modo egli ristabil l'integrit della nostra lineaGauya e per questa mirifica opera i Gauya Vaiava ri-marranno per sempre in debito con lui.

    Nell'era moderna rla Bhaktivinoda hkura ha riav-viato il bhakti-bhgrath o flusso del fiume di pura devo-zione (uddha-bhakti). Per questo motivo egli viene ricor-dato con affetto anche come 'Settimo Gosvm'.

    rla Bhaktivednta Nryaa Mahrja

  • 8/3/2019 Jaiva dharma 2

    4/162

  • 8/3/2019 Jaiva dharma 2

    5/162

  • 8/3/2019 Jaiva dharma 2

    6/162

    Jaiva-dharma

    CAPITOLO TREDICIPrama e Prameya

    Nel tardo pomeriggio, all'ora delgo-dhli, quando l'aria satura di polvere sollevata dagli zoccoli delle mucche chetornano alla stalla, Vrajantha giunse a rvsngana. Si se-

    dette sopra un rialzo all'ombra delle fitte foglie di un albe-ro bakula in attesa dell'anziano Bbj Mahrja. Bbj sitrovava nel suo bhajana-kura, la capanna dove era solitofare il bhajana e, per qualche misteriosa ragione, nel suocuore fior un sentimento paterno di vtsalya-bhva nei con-fronti di Vrajantha.

    Non appena un lieve rumore segnal l'arrivo di

    Vrajantha, il Bbj usc, lo abbracci con affetto e lo con-dusse nel suo kura, su di un lato del cortile, sotto un per-golato di fiori kua, e l invit Vrajantha a sedersi accan-to a lui.

    Vrajantha mise la polvere dei piedi di Bbj Mahrjasulla propria testa e, sentendosi cos benedetto, umilmentedisse: "Grande anima, ieri hai detto che mi avresti istruitosui Daa-mla, i principi essenziali dell'insegnamento diNimi Paita. Ti prego, concedimi questa conoscenza!"

    Dopo questa richiesta, Bbj Mahaya si sent moltofelice e con affetto rispose: "Figlio mio, prima di tutto devospiegarti il significato delloloka stra , al cui interno si tro-vano in modo essenziale le dieci verit ontologiche deiDaa-mla. Tu sei uno studioso e quindi in grado di com-prendere bene il significato vero di questoloka.

    mnya prha tattvam harim iha paramam sarva-akti

  • 8/3/2019 Jaiva dharma 2

    7/162

  • 8/3/2019 Jaiva dharma 2

    8/162

  • 8/3/2019 Jaiva dharma 2

    9/162

  • 8/3/2019 Jaiva dharma 2

    10/162

  • 8/3/2019 Jaiva dharma 2

    11/162

  • 8/3/2019 Jaiva dharma 2

    12/162

  • 8/3/2019 Jaiva dharma 2

    13/162

  • 8/3/2019 Jaiva dharma 2

    14/162

  • 8/3/2019 Jaiva dharma 2

    15/162

  • 8/3/2019 Jaiva dharma 2

    16/162

  • 8/3/2019 Jaiva dharma 2

    17/162

  • 8/3/2019 Jaiva dharma 2

    18/162

  • 8/3/2019 Jaiva dharma 2

    19/162

    26) grave;27) soddisfatto in s stesso;28) equanime con tutti;

    29) munifico;30) virtuoso;31) cavalleresco;32) compassionevole;33) rispettoso verso chi merita rispetto;

    dakio vinay hrmn aragata-plakasukh bhakta-suht prema-vaya sarva-ubhan-kara

    34) sempre ben predisposto;35) modesto;36) riservato;37) il protettore delle anime sottomesse;38) felice;39) il benefattore dei Suoi bhakta;

    40) controllato daprema (amore);41) il benefattore di tutti;

    pratp krtimn rakta-loka sdhu-samrayahnr-gaa-manohr sarvrdhya samddhimn

    42) potente;

    43) famoso;44) il pi amato;45) dalla parte deisdhu;46) incanta la mente delle donne;47) adorabile in tutto;48) Sue son tutte le opulenze;

    varyn vara ceti gus tasynukrtitsamudr iva pacad durvigh harer am

    4) radioso;5) eccezionalmente forte;6) eternamente giovane;

    vividhdbhuta-bh-vit satya-vkya priya-vadavvadka su-pityo buddhimn pratibhnvita

    7) molto esperto in tutti i linguaggi;8) dice sempre il vero;9) un oratore piacevole;10) eloquente;11) erudito;12) saggio;13) intraprendente;

    vidagdha caturo daka kta-ja su-dha-vratadea-kla-suptra-ja stra-caku ucir va

    14) esperto nel gustare ogni nettare;15) astuto;16) esperto in ogni attivit;17) sa essere grato;18) non manca mai di mantenere le Sue promesse;19) infallibile giudice di tempo, luogo e circostanze;20) vede attraverso gli occhi deglistra;

    21) puro;22) Si autocontrolla;

    sthiro dnta kam-lo gambhro dhtimn samavadnyo dhrmika ra karuo mnya-mna-kt

    23) stabile;24) tollerante;25) sa perdonare;

    Jaiva-dharmaCapitolo Tredici

  • 8/3/2019 Jaiva dharma 2

    20/162

  • 8/3/2019 Jaiva dharma 2

    21/162

  • 8/3/2019 Jaiva dharma 2

    22/162

  • 8/3/2019 Jaiva dharma 2

    23/162

  • 8/3/2019 Jaiva dharma 2

    24/162

  • 8/3/2019 Jaiva dharma 2

    25/162

  • 8/3/2019 Jaiva dharma 2

    26/162

  • 8/3/2019 Jaiva dharma 2

    27/162

  • 8/3/2019 Jaiva dharma 2

    28/162

  • 8/3/2019 Jaiva dharma 2

    29/162

  • 8/3/2019 Jaiva dharma 2

    30/162

  • 8/3/2019 Jaiva dharma 2

    31/162

  • 8/3/2019 Jaiva dharma 2

    32/162

  • 8/3/2019 Jaiva dharma 2

    33/162

  • 8/3/2019 Jaiva dharma 2

    34/162

    Jaiva-dharma

  • 8/3/2019 Jaiva dharma 2

    35/162

    CAPITOLO QUINDICI

    Prameya: Jva-tattva

    Il giorno seguente Vrajantha raggiunse rvsnganamolto presto. I Vaiava di Godruma erano arrivati la seraprima per partecipare all'adorazione della sera (sandhy-rat) e r Premadsa Paramahasa Bbj, Vaiava dsa,

    Advaita dsa e altri Vaiava stavano gi seduti nell'rat-maapa (luogo dove si compie l'adorazione). Vrajantha,cogliendo i sentimenti dei Vaiava di Godruma, meravi-gliato pens: "Prima mi unir a loro e pi presto perfezio-ner la mia vita." Quando quei Vaiava videro il suo at-teggiamento umile e devoto, gli diedero le loro benedizioni.

    Terminata l'rat, Vrajantha e l'anziano Bbj inizia-

    rono a camminare insieme verso sud, in direzione di Go-druma.Raghuntha dsa Bbj vide sgorgare dagli occhi di

    Vrajantha un inarrestabile torrente di lacrime e, sentendoaffetto per lui, gli chiese con gentilezza: "Bb, perch staipiangendo?"

    Vrajantha rispose: "Prabhu, quando ricordo le tue dol-ci istruzioni il mio cuore s'inquieta ed il mondo mi appareprivo di consistenza. Il mio cuore ansioso di rifugiarsi aipiedi di loto di r Gaurangadeva. Ti prego, sii misericor-dioso e dimmi, in essenza, chi sono veramente e perch so-no giunto in questo mondo."

    Bbj rispose: "Mio caro figliolo, mi hai benedetto po-nendomi questa domanda. Il giorno in cui unajva si ponequesta domanda un giorno auspicioso perch nasce la sua

    buona fortuna. Se ascolterai il quintoloka del Daa-mla,

  • 8/3/2019 Jaiva dharma 2

    36/162

  • 8/3/2019 Jaiva dharma 2

    37/162

  • 8/3/2019 Jaiva dharma 2

    38/162

  • 8/3/2019 Jaiva dharma 2

    39/162

  • 8/3/2019 Jaiva dharma 2

    40/162

  • 8/3/2019 Jaiva dharma 2

    41/162

  • 8/3/2019 Jaiva dharma 2

    42/162

  • 8/3/2019 Jaiva dharma 2

    43/162

  • 8/3/2019 Jaiva dharma 2

    44/162

  • 8/3/2019 Jaiva dharma 2

    45/162

  • 8/3/2019 Jaiva dharma 2

    46/162

  • 8/3/2019 Jaiva dharma 2

    47/162

  • 8/3/2019 Jaiva dharma 2

    48/162

  • 8/3/2019 Jaiva dharma 2

    49/162

  • 8/3/2019 Jaiva dharma 2

    50/162

  • 8/3/2019 Jaiva dharma 2

    51/162

  • 8/3/2019 Jaiva dharma 2

    52/162

  • 8/3/2019 Jaiva dharma 2

    53/162

  • 8/3/2019 Jaiva dharma 2

    54/162

  • 8/3/2019 Jaiva dharma 2

    55/162

    chiamano bhava-bhakta. Gli atei, sia immorali che morali,hanno una coscienza leggermente risvegliata; i credenti mo-

    Jaiva-dharmaCapitolo Sedici

  • 8/3/2019 Jaiva dharma 2

    56/162

    CAPITOLO DICIASSETTE

    Prameya: la liberazione della Jva daMy

    La nonna di Vrajantha complet tutti i preparativi per ilsuo matrimonio e alla sera gli spieg tutto ci che era ne-cessario sapesse. Vrajantha semplicemente mangi la sua

    cena in silenzio senza mai interloquire. Sveglio fino a not-te tarda, rimase immerso nel pensare alla condizione del-l'anima spirituale pura. Nel frattempo la vecchia nonna ela-borava degli argomenti per convincerlo ad accettare l'ideadi sposarsi.

    In quel momento arriv il cugino materno di Vrajantha,Ve-mdhava. La ragazza che Vrajantha doveva sposare

    era la cugina paterna di Ve-mdhava e Vijaya-Vidyrat-na lo aveva mandato per finalizzare il tutto.Ve-mdhava chiese: "C' qualche problema nonna?

    Perch state ritardando i preparativi del matrimonio diVraja?"

    La nonna rispose con ansia: "Figliolo, tu sei un ragazzointelligente. Se gli parlerai forse cambier idea. Tutti i miei

    sforzi sono stati vani."Il carattere di Ve-mdhava era chiaramente deducibi-le dal suo aspetto fisico: statura bassa, collo corto, carna-gione scura e battiti di ciglia frequenti. Egli era solito ficca-re il naso in tutto ci che gli succedeva attorno anzich oc-cuparsi delle cose sue, bench l'inserirsi negli affari altruinon risultasse mai di una qualche utilit. Dopo aver ascol-tato le parole dell'anziana donna, egli corrug leggermentela fronte e poi con aria di vanteria disse: "Non c' proble-

    gg g ;rali ed isdhana-bhakta hanno una coscienza sviluppata edi bhva-bhakta una coscienza completamente sviluppata."

    "Per quanto tempo i bhva-bhakta rimangono prigio-nieri di my?" Chiese Vrajantha.

    "Risponder a questa domanda quando spiegher il set-timoloka dei Daa-mla." Rispose Bbj. "Ora tardi, tiprego, torna a casa."

    Vrajantha torn meditando su tutte le verit che avevaappena ascoltato.

  • 8/3/2019 Jaiva dharma 2

    57/162

  • 8/3/2019 Jaiva dharma 2

    58/162

  • 8/3/2019 Jaiva dharma 2

    59/162

  • 8/3/2019 Jaiva dharma 2

    60/162

  • 8/3/2019 Jaiva dharma 2

    61/162

  • 8/3/2019 Jaiva dharma 2

    62/162

  • 8/3/2019 Jaiva dharma 2

    63/162

  • 8/3/2019 Jaiva dharma 2

    64/162

  • 8/3/2019 Jaiva dharma 2

    65/162

  • 8/3/2019 Jaiva dharma 2

    66/162

  • 8/3/2019 Jaiva dharma 2

    67/162

  • 8/3/2019 Jaiva dharma 2

    68/162

  • 8/3/2019 Jaiva dharma 2

    69/162

  • 8/3/2019 Jaiva dharma 2

    70/162

  • 8/3/2019 Jaiva dharma 2

    71/162

  • 8/3/2019 Jaiva dharma 2

    72/162

  • 8/3/2019 Jaiva dharma 2

    73/162

  • 8/3/2019 Jaiva dharma 2

    74/162

  • 8/3/2019 Jaiva dharma 2

    75/162

  • 8/3/2019 Jaiva dharma 2

    76/162

  • 8/3/2019 Jaiva dharma 2

    77/162

  • 8/3/2019 Jaiva dharma 2

    78/162

  • 8/3/2019 Jaiva dharma 2

    79/162

  • 8/3/2019 Jaiva dharma 2

    80/162

  • 8/3/2019 Jaiva dharma 2

    81/162

  • 8/3/2019 Jaiva dharma 2

    82/162

  • 8/3/2019 Jaiva dharma 2

    83/162

  • 8/3/2019 Jaiva dharma 2

    84/162

  • 8/3/2019 Jaiva dharma 2

    85/162

  • 8/3/2019 Jaiva dharma 2

    86/162

  • 8/3/2019 Jaiva dharma 2

    87/162

  • 8/3/2019 Jaiva dharma 2

    88/162

  • 8/3/2019 Jaiva dharma 2

    89/162

  • 8/3/2019 Jaiva dharma 2

    90/162

  • 8/3/2019 Jaiva dharma 2

    91/162

  • 8/3/2019 Jaiva dharma 2

    92/162

  • 8/3/2019 Jaiva dharma 2

    93/162

    CAPITOLO VENTI

    Prameya: Abhidheya -Vaidh sdhana Bhakti

    l'incarnazione di Vysadeva, apparso durante i passatempidi r Caitanya."

    Poich era ormai tarda mattinata, Vrajantha e VijayaKumra partirono per la casa di Vrajantha."

    Jaiva-dharmaCapitolo Diciannove

  • 8/3/2019 Jaiva dharma 2

    94/162

    Prameya: Abhidheya -Vaidh-sdhana Bhakti

    Vrajantha e Vijaya Kumra furono di ritorno a casa diVrajantha prima di mezzogiorno. La madre di Vrajanthali stava aspettando e con amore serv loro un riccoprasda.Alla fine del pranzo, zio e nipote avviarono una amichevo-le conversazione e Vrajantha gradualmente riport al suovenerabile zio materno tutto ci che aveva ascoltato daBbj Mahrja.

    Quando Vijaya Kumra sent queste nettaree istruzioni,divent felice e disse: "Tu sei una persona fortunatissima. Il

    sat-sanga si ottiene solo per grande fortuna. Tu hai godutol'associazione molto rara di un grande santo come Bbj

    Mahaya e lui ti ha dato delle istruzioni sostanziali sulloscopo pi alto della vita (paramrtha). Chi ascolta la bhak-ti-kath e l'hari-kath certamente avr buona fortuna e vitafelice, ma se si ascoltano questi argomenti da grandi perso-nalit, allora la fortuna giunge ancora pi in fretta. Tu seierudito in tutti glistra e la tua conoscenza del nyya-stranon ha paragoni. Sei nato in una famiglia di brhmaa Ve-

    dici e non ti manca la ricchezza. Ora tutte queste tue opu-lenze appaiono come semplici ornamenti. La ragione di ci che ti sei rifugiato ai piedi di loto dei Vaiava e hai ac-quisito un gusto per ascoltare i passatempi di r Krishna(ll-kath)."

    Mentre cos parlavano dello scopo supremo della vita,arriv la madre di Vrajantha che disse a Vijaya Kumra:

    "Fratello, da molto che non venivi qui. Ti prego, incorag-

  • 8/3/2019 Jaiva dharma 2

    95/162

  • 8/3/2019 Jaiva dharma 2

    96/162

  • 8/3/2019 Jaiva dharma 2

    97/162

  • 8/3/2019 Jaiva dharma 2

    98/162

  • 8/3/2019 Jaiva dharma 2

    99/162

  • 8/3/2019 Jaiva dharma 2

    100/162

  • 8/3/2019 Jaiva dharma 2

    101/162

  • 8/3/2019 Jaiva dharma 2

    102/162

  • 8/3/2019 Jaiva dharma 2

    103/162

  • 8/3/2019 Jaiva dharma 2

    104/162

  • 8/3/2019 Jaiva dharma 2

    105/162

  • 8/3/2019 Jaiva dharma 2

    106/162

  • 8/3/2019 Jaiva dharma 2

    107/162

  • 8/3/2019 Jaiva dharma 2

    108/162

  • 8/3/2019 Jaiva dharma 2

    109/162

  • 8/3/2019 Jaiva dharma 2

    110/162

  • 8/3/2019 Jaiva dharma 2

    111/162

  • 8/3/2019 Jaiva dharma 2

    112/162

  • 8/3/2019 Jaiva dharma 2

    113/162

  • 8/3/2019 Jaiva dharma 2

    114/162

  • 8/3/2019 Jaiva dharma 2

    115/162

  • 8/3/2019 Jaiva dharma 2

    116/162

  • 8/3/2019 Jaiva dharma 2

    117/162

  • 8/3/2019 Jaiva dharma 2

    118/162

    CAPITOLO VENTIDUEPrameya: Prayojana-tattva

    Era il giorno di Ekda e a rvsngana i Vaiava sta-vano facendo il krtana sopra una grande piattaforma rial

    Realizzando che la notte era ormai fonda, zio e nipotetornarono a casa cantando l'Hari-nma, poi, onorato ilpra-

    sda, andarono a dormire.

    Jaiva-dharmaCapitolo Ventuno

  • 8/3/2019 Jaiva dharma 2

    119/162

    vano facendo il krtana sopra una grande piattaforma rial-zata, all'ombra di un albero Bakula. Alcuni sospiravano:"Ah Gaurnga! Ah Nitynanda!" Nessuno per capiva inche sentimento (bhva) fosse l'anziano Bbj. Proprio da-

    vanti ai loro occhi egli si immobilizz poi, poco dopo scop-pi a piangere gridando: "Me misero! Dov' il mio Rpa?Dov' il mio Santana? Dov' il mio Dsa Gosvm?Dov' il mio Kadsa Kavirja, il fratello pi caro al miocuore? Dove sono andati lasciandomi qui solo? Che ver-gogna restare vivo solo per tollerare la separazione da loro!Sono distrutto dal dolore di questa separazione. Persino ilricordo del Rdh-kua mi reca dolore. La mia forza vi-tale agonizzante. Solamente vedere Rpa e Santana po-tr salvare questa mia vita derelitta. Non sono ancora mor-to, anche se da loro separato! In ogni modo son condanna-to!" Ci dicendo prese a rotolarsi per terra nel cortile.

    I Vaiava presenti tutti gli dissero: "Bbj, sii paziente.Rpa e Raghuntha sono nel tuo cuore. Guarda qui, rCaitanya Mahprabhu e Nitynanda Prabhu danzano da-

    vanti a te.""Oh! Dove?" Bbj balz subito in piedi e vide davan-ti a s r Caitanya Mahprabhu, r Nitynanda Prabhu,r Advaita Prabhu, r Gaddhara, rvsa e tutti i devotiche danzavano nel krtana, totalmente assorti nel pi altosentimento di amore per Krishna (mahbhva). Nel vederci egli esclam: "Benedetta sia Mypura! Solamente r

  • 8/3/2019 Jaiva dharma 2

    120/162

  • 8/3/2019 Jaiva dharma 2

    121/162

  • 8/3/2019 Jaiva dharma 2

    122/162

  • 8/3/2019 Jaiva dharma 2

    123/162

  • 8/3/2019 Jaiva dharma 2

    124/162

  • 8/3/2019 Jaiva dharma 2

    125/162

  • 8/3/2019 Jaiva dharma 2

    126/162

  • 8/3/2019 Jaiva dharma 2

    127/162

  • 8/3/2019 Jaiva dharma 2

    128/162

  • 8/3/2019 Jaiva dharma 2

    129/162

  • 8/3/2019 Jaiva dharma 2

    130/162

    Bhan-nradya Pura'Kali non pu innalzare nessun ostacolo, neppure per un

    momento, a chi pratica costantemente il krtana cantando:'Hare! Govinda! Keava! Vsudeva! Jaganmaya!'

    Chi ascolta l'Hari-nma si libera dall'inferno.yath yath harer nma krttayanti sma nrak

    tath tath harau bhaktim udvahanto diva yayuNsiha-tpan

    'Offro omaggi al Signore Supremo conosciuto col nomedi Anantadeva. RicordandoLo e cantando il Suo nome, di-sperder immediatamente ogni sofferenza e miseria.'

    Chi canta l'Hari-nma purifica la sua famiglia, la societe il mondo intero.'

    mahptaka-yukto'pi krttayann ania harimuddhnta karao bhtv jyate pankti-pvana

    Jaiva-dharmaCapitolo Ventitre

  • 8/3/2019 Jaiva dharma 2

    131/162

    Nsiha tpan

    'Anche chi all'inferno se cantasse l'Hari-nma, otter-rebbe l'hari-bhakti ed entrerebbe nel regno divino.'

    Il canto dell'Hari-nma distrugge ilprrabdha-karma, irisultati delle precedenti attivit pie ed empie che sonogiunte a maturazione.

    yan nmadheya miyama turapatan skhalan v vivao gan pumn

    vimukta-karmrgala uttam gatiprpnoti yakyanti na ta kalau jan

    rmad-Bhgavatam 12.3.44

    'Se un essere umano nel momento della morte canta an-che solo un nome di r Bhagavn, anche se sofferente osta dormendo o si degradato, vedr aprirsi tutte le catene

    del suo karma e conseguir il fine ultimo. Ma prestate at-tenzione! Per l'influenza di Kali-yuga, le persone non Loadorano.'

    L'Hari-nma-krtana pi glorioso e benefico dello stu-dio dei Veda.

    uddhnta karao bhtv jyate pankti pvanaBrahma Pura

    'Anche se abbiamo molto peccato, se si canta costante-mente l'Hari-nma, il cuore si purifica, si raggiunge il livel-lo dei nati due volte (coloro che son nati a nuova vita tra-mite liniziazione spirituale dk) e si purifica il mondo in-tero.'

    Chi si dedica a r-hari-nmaverr liberato da ogni affli-zione, da ogni problema e da ogni tipo di malattia.

    sarva-rogopaama sarvopadrava-nanamnti-da sarva-rin harer nmnukrttanam

    Bhad-viu Pura

    'Quando si canta l'Hari-nma-krtanaogni malattia gua-rir, ogni problema trover soluzione, ogni ostacolo verr

    rimosso e si otterr la pace suprema.'Le caratteristiche degradanti di Kali non possono aver

    effetto su chi canta r-hari-nma.

    hare keava govinda vsudeva jaganmayaitrayanti ye nitya na hi tn bdhate kali

    etat a-varga-haraa ripu-nigrahaa paramadhytma-mlam etad dhi vior nmnukrttanam

    Skanda Pura

    'Ilsakrtana dei nomi di r Viu conquista i sei sensi ei sei nemici (iniziando da lussuria e avidit) ed la radicedella conoscenza del Supremo S.'

    L'Hari-nma investito di tutte le potenze.

    m co m yajus tta m sma paha kicanagovindeti harer nma geya gyasva nityaa

    Skanda Pura

    'Non necessario studiare ed insegnare il Rg, il Sma e lo

    Yajur Veda. Semplicemente fate costantemente ilsakrta-na del nome di r Hari, Govinda.'

    Cantare l'Hari-nma meglio che visitare tutti i trtha(luoghi sacri).

    Jaiva-dharmaCapitolo Ventitre

  • 8/3/2019 Jaiva dharma 2

    132/162

    p

    dna-vrata-tapas-trtha-ketrdna ca yh sthitaktayo deva mahant sarva-ppahar ubhrjasyvamedhn jna-sdhytma-vastuna

    kya hari sarv sthpit sveu nmasuSkanda Pura

    'Ci sono molti aspetti positivi nella carit (dna), nei vo-ti (vrata), nell'austerit (tapa), nei luoghi santi (trtha-ke-tra), nei devat (esseri celesti), in tutte le attivit giuste, nel-

    l'insieme delle potenze (akti), nei sacrifici del Rjasya eAvamedha e nello scopo della conoscenza del proprio s(jna-sdhy dell'tma-vastu). Tuttavia r Hari ha rac-colto tutte queste potenze e le ha investite nei Suoi nomi.'

    L'Hari-nma d felicit al mondo intero.sthne hikea tava prakrtty

    jagat prahyaty anurajyate caBhagavad-Gt 11.36

    'O Hkea, il mondo deliziato nell'ascoltare il krtanadel Tuo nome e della Tua fama, cos che tutti rimangonoda Te affascinati.'

    ( g )

    trtha-koi-sahasri trtha-koi-atni catni sarvi avpnoti vior nmni krttant

    Skanda Pura

    'Il krtana dei nomi di r Viu concede tutti i risultatiche si ottengono recandosi milioni di volte nei trtha.'

    Anche un piccolo bagliore di Hari-nma (hari-nmbh-sa) d immediatamente pi risultati del compiere ognisat-

    karma (attivit pie).

    go-koi-dna grahae khagasyaprayga-gangodaka kalpa-vsa

    yajyuta meru-suvara-dnagovinda-krter na sama atai

    'Si possono dare mucche in carit nel giorno dell'eclissesolare; si pu risiedere a Prayga sulle rive del Gange per ladurata di un kalpa (mille cicli di ere); oppure compiere mi-gliaia di sacrifici e dare in carit una montagna d'oro alta co-me il Monte Sumeru. Ci nonostante, questo non pu es-sere paragonato alla centesima parte del krtana di r Go-vinda.'

    nessuna regola di tempo e di luogo per fare il krtana di rHari. In ogni condizione si pu compiere l'Hari-nma-kr-tana, sia purificati che contaminati; ad esempio anche senon ci si pulita la bocca dopo aver mangiato.'

    L'Hari-nma concede molto facilmente la mukti a chi ladesidera.

    nryacyutnanta-vsudeveti yo narasatata krttayed bhuvi yti mal-layat sa hi

    Colui che canta r-hari-nma merita l'adorazione delmondo.

    nryaa jaganntha vsudeva janrdanaitrayanti ye nitya te vai sarvatra vandit

    Bhan-nradya Pura

    'Coloro che praticano sempre il krtana cantando:"Nryaa! Jaganntha! Vsudeva! Janrdana!" sonoadorati da tutto il mondo.'

    Jaiva-dharmaCapitolo Ventitre

  • 8/3/2019 Jaiva dharma 2

    133/162

    y y yVarha Pura

    'La persona che vaga sulla terra sempre cantando i nomiNryaa, Ananta, Acyuta e Vsudeva, verr da Me sulMio pianeta.'

    ki kariyati snkhyena ki yogair nara-nyakamuktim icchasi rjendra kuru govinda-krttanam

    Garua Pura

    'Migliore tra gli uomini, che beneficio pu derivare dal-lo studio della filosofiasnkhya o dalla pratica dell'anga-

    yoga? Re, se desideri la liberazione, semplicemente canta ilkrtana di r Govinda.'

    L'Hari-nma d alla jva la capacit di raggiungereVaikuha.

    sarvatra sarva-kleu ye'pi kurvanti ptakamnma-sankrttana ktv ynti vio para padam

    Nand Pura

    'Anche se qualcuno sempre e dovunque pecca, se com-pie il nma-sankrtana raggiunger la suprema dimora di

    r-Hari-nma l'unico metodo per chi non ha altro.

    ananya-gatayo martty bhogino' pi parantapjna-vairgya-rahit brahmacarydi-varjit

    sarva-dharmojjhit vior nma-mtraika-jalpaksukhena y gati ynti na ta sarve'pi dhrmika

    Padma Pura

    Coloro che compiono il krtana del nome di r Viupotrebbero farlo semplicemente perch non hanno altri

    mezzi di sostegno e anche essendo assorti nel godimento deisensi; potrebbero creare problemi agli altri, non rispettare ilcelibato e violare ogni dharma, ma la destinazione che ot-tengono non si pu raggiungere neppure sommando tuttigli sforzi delle persone religiose.'

    L'Hari-nma pu essere praticato in ogni momento e in

    ogni circostanza.na dea-niyamas tasmin na kla-niyamas tath

    nocchidau niedho'sti r-harer nmni lubdhakaViu-dharmottara

    'Tu che desideri cantare l'Hari-nma, sappi che non c'

    Tra tutti i tipi disdhana-bhakti l'Hari-nma-krtana ilmigliore.

    agha-cchit-smaraa vior bahv-ysena sdhyateoha-spandana-mtrea krttana tu tato varam

    Vaiava-cintmai'Il r-viu-smaraam (ricordo di r Viu) distrugge

    tutti i peccati ma si raggiunge dopo molti sforzi. Il Viu-krtana tuttavia superiore perch lo stesso beneficio si ot-

    Viu.'Il canto dell'Hari-nma il mezzo supremo per compia-

    cere r Bhagavn.

    nma-sankrttana vio kut-t-prapitdiu

    karoti satata viprs tasya prto hy adhokajaBhan-nradya Pura

    'O brhmaa, Adhokaja Viu sempre soddisfattocon chi pratica incessantemente ilsankrtana del nome di

    Jaiva-dharmaCapitolo Ventitre

  • 8/3/2019 Jaiva dharma 2

    134/162

    tiene semplicemente vibrando r-nma con le proprie lab-bra.'

    yad-abhyarcya hari bhakty kte kratu-atair apiphala prpnoty avikala kalau govinda-krttanam

    'Il beneficio che deriva dal compiere centinaia diyaja(sacrifici) in Satya-yuga, si pu ottenere in Kali-yuga con ilkrtana dei nomi di r Govinda.'

    kte yad dhyyato viu trety yajato makhai

    dvpare paricaryy kalau tad dhari-krttantrmad-Bhgavatam 12.3.52

    'Semplicemente facendo il krtana del nma di r Hari,in Kali-yuga si otterranno risultati pari a quelli ottenuti conla meditazione su Bhagavn in Satya-yuga, con i grandi

    yaja per soddisfarLo in Tret-yuga e con l'adorazione del-

    le Divinit in Dvpara-yuga.'Vijaya chiese: "Prabhu, ho piena fede che l'Hari-nma

    completamente spirituale ma ci nonostante, per liberar-mi da ogni dubbio su quanto riguarda la nma-tattva, ne-cessario che io comprenda come r Hari-nma possa esse-re spirituale sebbene composto da sillabe apparentemente

    Viu.'

    L'Hari-nma ha la forza di controllare r Bhagavn.

    am etat pravddha me hday nsarpatiyad-govindeti cukroa k m dra-vsinam

    Mahbhrata

    'Quando ero lontano da Draupad, lei Mi chiam: Go-vinda! Le sono molto riconoscente, per la sua chiamata

    addolorata, non ho ancora potuto cancellare quel senso diriconoscenza dal Mio cuore, neppure ora.'

    L'Hari-nma lo scopo supremo della vita di tutte lej-ve (pururtha).

    idam eva hi mngalyam etad eva dhanrjanam

    jvitasya phala caitad yad dmodara-krttanamSkanda e Padma Pura

    'Il krtana di Dmodara certamente causa dogni au-spiciosit e sorgente di vera ricchezza. L'unico bene dellavita fare questo krtana.'

  • 8/3/2019 Jaiva dharma 2

    135/162

  • 8/3/2019 Jaiva dharma 2

    136/162

  • 8/3/2019 Jaiva dharma 2

    137/162

  • 8/3/2019 Jaiva dharma 2

    138/162

  • 8/3/2019 Jaiva dharma 2

    139/162

  • 8/3/2019 Jaiva dharma 2

    140/162

  • 8/3/2019 Jaiva dharma 2

    141/162

  • 8/3/2019 Jaiva dharma 2

    142/162

  • 8/3/2019 Jaiva dharma 2

    143/162

  • 8/3/2019 Jaiva dharma 2

    144/162

  • 8/3/2019 Jaiva dharma 2

    145/162

  • 8/3/2019 Jaiva dharma 2

    146/162

  • 8/3/2019 Jaiva dharma 2

    147/162

  • 8/3/2019 Jaiva dharma 2

    148/162

  • 8/3/2019 Jaiva dharma 2

    149/162

    racandra, tieni sempre a mente il duro rimprovero di r-man Mahprabhu verso Choa Haridsa.'

    bhla n khibe, ra bhla n paribehdayete rdh-ka sarvad sevibe

    'Non mangiare cibo ricco e non indossare abiti raffinatima rendi sempresev (servizio) a r Rdh-Krishna nelprofondo del tuo cuore.'

    baa-haridsera nyya ka-nma balibe badaneaa-kla rdh-ka sevibe kuja-bane

    Jaiva-dharmaCapitolo Venticinque

    ticare questi sei tipi di amorevole abbandono distrugge larete di my.'

    sdhu pb kaa baa jvera jniysdhu-bhakta-rpe ka il nadiy

    'E' molto raro che lajva ottengasdhu-saga. Sapendoci Bhagavn r Krishna stesso disceso nella forma di un

    sdhu bhakta a Nadiya (Navadvpa).'

    gor-pada raya karaha buddhimngor b sdhu guru keb che n

  • 8/3/2019 Jaiva dharma 2

    150/162

    aa kla rdh ka sevibe kuja bane

    'In qualsiasi momento, sia di giorno che di notte, riempi-ti la bocca con l'Hari-nma come faceva Baa Haridsa, enel tuo cuore compi ilsev a Rdh-Krishna nei kuja diVndvana durante le otto parti del giorno e della notte.'

    ghasta, vairg dnhe bale gor-ryadekha bh nma bin jena dina nhi jya

    'Guarda fratello! Gaura-Rya ha dato questa istruzio-ne. Non c' distinzione ad essereghasta (uomo di famiglia)o vairg (rinunciato). In entrambe le situazione non si de-ve lasciare che un giorno, un'ora e neppure un momento,passino senza pronunciare il Nma.'

    bahu anga sdhane bh nhi prayojanaka-nmraye uddha karaha jvana

    'Oh fratello! Non necessario praticare molti tipi disdhana. Semplicemente rifugiati nel Ka-nma: la tuavita si purificher e simpregner di significato.'

    gor b sdhu guru keb che n

    'Perci siate intelligenti: rifugiatevi ai piedi di r Gaura!Qualesdhu oguru pi grande di Lui? Lui Krishna!'

    vairg bh grmya-kth n sunibe knegrmya-vrtt n karibe, jabe milibe na

    'Fratello mio che vivi la rinuncia, se a volte ti incontri con

    altri, non ascoltare n discuti argomenti mondani.'svapne o n kara bh str-sambhaa

    ghe str-chiy bh siycha bana

    Fratello (Bhai), non parlare con le donne, neppure in so-gno. Ricorda di come hai lasciato a casa la moglie e sei an-dato nella foresta (r Vndvana) per impegnarti con tuttoil tuo cuore nel bhajana.'

    yadi cha praaya rkhite gaurngera sanechoa-haridsera kath thke yena mane

    'Se desideri porre il tuo amore ai piedi di loto di r Gau-

    Jagadnanda Paita. Bbj, entrato a lungo in uno statodi semi coscienza, ora li abbracci e piangendo cant il se-guente krtana:

    ka-nma dhare kata bala

    'Che potere ha il nome di Krishna?'

    viaya-vsannale mora citt sad jvale,ravi-tapta maru-bhmi sama

    kaa-randhra-patha diy, hdi mjhe praveiya,bariaya sudh anupama

    baddha-jve kp kari ka haila nmakali-jve day kari ka haila gauradhma

    Misericordioso verso lejve prigioniere in questa era didiscordia, r Krishna diventato nma-rpa poi, provan-do ancor pi compassione, diventato anche Gaura e rGaura-dhma (Navadvpa).'

    eknta-sarala-bhve bhaja gaura-janatabe ta pibe bh r-ka-caraa

    Per cui, mirando un solo obiettivo e senza duplicit nel

    Jaiva-dharmaCapitolo Venticinque

  • 8/3/2019 Jaiva dharma 2

    151/162

    'Il mio cuore era perennemente bruciato dal fuoco dei

    desideri materiali, come un deserto arso dai raggi del sole,ma r nma, entrando nel profondo del mio cuore attra-verso le tube delle orecchie, ha versato un nettare impareg-giabile nella mia anima.'

    hdaya haite bale, jihvra agrete caleabda-rpe nce anukaa

    kanhe mora bhange svara, anga kpe thara thara,sthira haite n pre caraa

    'r nma parla dall'interno del mio cuore, si agita sullapunta della mia lingua e costantemente danza su di essa sot-to forma di suono trascendentale. La mia voce si spezza, ilmio corpo freme ancora e ancora e i piedi pi non mi so-stengono.'

    cake dhr, dehe gharma, pulakita saba carmavivara haila kalevara

    mrcchita haila mana, pralayera gamanabhve sarva-deha jara-jara

    , pcuore, adora solo r Gaura Candra. Fratello, in questo mo-

    do certamente otterrai il rifugio ai piedi di loto di rKrishna Candra.'

    gaura-jana-sanga kara gaurnga baliyhare ka nma bala nciy naciy

    'Canta l'Hare Krishna nma-krtana in associazione con

    i bhakta di Gaura e danza invocando continuamente:"Gaurnga! Gaurnga!"'

    acire pibe bh nma-prema-dhanayh vilite prabhur'nade' e gamana

    'O fratello! Impegnato in questo modo otterrai la ric-chezza inestimabile del nma-prema, il gioiello che Cai-tanya Mahprabhu, disceso a Navadvpa, distribu a tutti.'

    Dopo che Vijaya e Vrajantha ebbero ascoltarono dallabocca di rla Bbj Mahrja questo passaggio del Prema-vivarta di r Jagadnanda, sentirono il cuore agitarsi per-ch assorbiti nel sentimento di mah-prema espresso da r

  • 8/3/2019 Jaiva dharma 2

    152/162

    Finito di tradurre il 29 Luglio 2002, nel ben augurantegiorno della scomparsa di r Gopala Bhatta Gosvm.

    Un ringraziamento particolare v a coloro che, con il lo-ro sincero apporto, hanno contribuito alla realizzazione diquesto secondo volume delJaiva-dharma di Srila Bhaktivi-noda Thakura.

    r r Rdha-Krishna e i Loro puri bhakta cos come iVaiava tutti sicuramente apprezzano il loro servizio be-

  • 8/3/2019 Jaiva dharma 2

    153/162

    nedicendoli con la loro misericordia.

    Dedichiamo questa edizione italiana ai nostriguru e inparticolare a rla Nryaa Mahrja che col suo ultra cin-quantennale impegno sta rendendo disponibile questa let-teratura a tutte le genti del mondo.

    VaiavadsanudsaLl Puruottama dsa

    Jaiva-dharmaDodicesimo Capitolo

  • 8/3/2019 Jaiva dharma 2

    154/162

    Jaiva-dharmaDodicesimo Capitolo

  • 8/3/2019 Jaiva dharma 2

    155/162

    Jaiva-dharmaDodicesimo Capitolo

  • 8/3/2019 Jaiva dharma 2

    156/162

    Jaiva-dharmaDodicesimo Capitolo

  • 8/3/2019 Jaiva dharma 2

    157/162

    Jaiva-dharmaDodicesimo Capitolo

  • 8/3/2019 Jaiva dharma 2

    158/162

    Jaiva-dharmaDodicesimo Capitolo

  • 8/3/2019 Jaiva dharma 2

    159/162

    Andare oltre VaikuthaDodicesimo Capitolo

  • 8/3/2019 Jaiva dharma 2

    160/162

    INVITOAd un incontro con un sadhu autentico

    dallIndia

    Mercoled 30 Aprile

    @ @ 6 K O 2 @ 6 X ?

    ? J @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 6K ? g O 2 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 1 ?

    W & @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ 6 K ? ? O 2 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ L

    7 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ) X ?

    ? J @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ) X

    W & @ @ @ @ ( M I 4 @ @ @ 0 M ? e ? I 4 @ @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M ? e ? I 4 @ @ @ 0 M I ' @ @ @ @ @ ) X ?

    ?O & @@ @ @( Y ? I 4 @@ @ @@ @ @@ 0 M ? V '@ @ @@ @ )X

    ? W2 @@ @@ @@ H I '@ @@ @( M V '@ @@ @@ )X ?

    W &@ @@ @@ @5 ? ? V' @@ (Y ? ? V' @@ @@ @) X

    ? W& @@ @@ @@ 0Y ? V 40 Y V '@ @@ @@ )X ?

    W & @ @ @ @ @ ( M ? ? V ' @ @ @ @ @ ) X

    7 @ @ @ @ @ ( Y V ' @ @ @ @ @ ) X ?

    ? J @ @ @ @ @ ( Y ? ? V ' @ @ @ @ @ 1 ?

    W & @ @ @ @ ( Y V ' @ @ @ @ @ L

    7 @ @ @ @ ( Y ? O 2 @ @ @ @ 6 K ? V ' @ @ @ @ 1

    @ @@ @@ H W 2@ @@ @@ @@ @ 6K N @@ @@ @L ?

    ? J@ @@ @5 ? 7 @@ @@ @@ @@ @@ @6 Xh f ? 3 @@ @@ 1?

    ? 7@ @@ @H ? @ @@ @@ @@ @@ @@ @@ )X ?h e ? N@ @@ @@ ?

    J @@ @@ @ ? @6 Xe @ @@ @@ @@ @@ @@ @@ @) Xh f @ @ @ @@ ?

    ? O& @@ @@ @ ? @@ 1e @ @@ @@ @@ @@ @@ @@ @@ )X ?h e 3 @@ @@ @6 K

    ?W 2 @@ @ @@ @ @@ 5 ? @ @@ L ?@ @ @@ X ?? W @@ @ @@ @ @@ 1 ?h e N @ @ @@ @ @@ @ 6X ? h f

    O& @ @@ @ @@ @ @@ H J @ @@ ) Ke ? B @ @@ @ Y@ @ @@ @ @@ @ Lh e ? @ @ @@ @ @@ @ @) K h f

    W2 @ @@ @ @@ @ @@ @ @? ? W &@ @ @@ @ @? ? J@ @ @@ ? @@ @ @@ @ @@ 1 h e ? @ @ @@ @ @@ @ @@ @ 6X h e

    ? W& @ @ @ @ @@ @ @ @ @@ @ ? ? 7 @ @ @ @@ @ @ ? ?' @ @ @ @ ?@ @ @ @ @ @@ @ @ L ?h ? @ @ @ @ @@ @ @ @ @ @@ ) X ? h

    W& @ @@ @ @@ @ 0M ? J @ @@ @ @@ @ @? ? V' @ @5 ? @@ @ @@ @ @@ @ 1? I 4 @@ @ @@ @ )X h

    ? W& @@ @@ @@ 0M ? 7 @@ @@ @@ @@ ?e V 40 YJ @@ @@ @@ @@ @@ ? I '@ @@ @@ )X ?g

    ? 7@ @@ @@ (M ? @ @@ @@ @@ @@ ?f ? O& @@ @@ @@ @@ @@ ? ? V' @@ @@ @) Xg

    J @@ @@ @( Y @ @@ @@ @@ @@ ?? W2 @@ @@ @@ @@ @@ @@ @@ ? V '@ @@ @@ )X ?f

    ? W& @@ @@ (Y ? @ @@ @@ @@ @5 ?W &@ @@ @@ @@ @@ @@ @@ @@ ? ? V' @@ @@ @) Xf

    W &@ @@ @( Y @ @@ (? 4@ 0Y ?7 @@ @@ @@ @@ @@ @@ @@ @@ ? V '@ @@ @@ )X ?e

    ? O& @@ @@ @H ? @ @@ Hg @ @@ @@ @@ @@ @@ @@ @@ @@ ? ? V' @@ @@ @) Xe

    ? O2 @@ @@ @@ 5 @ @@ ?g @ @@ @@ @@ @@ @@ @@ @@ @5 ? V '@ @@ @@ )K ?

    ? W2 @@ @@ @@ @( Y @ @@ @@ @@ @ @@ @@ @@ @( Y? ? V' @@ @@ @@ @

    ? * @ @ @ @ @ @ @ 0 Y ? @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ H V ' @ @ @ @ @ @

    ? N @ @ @ @ @ ( M ? 3 @ @ @ @ @ @ @ @ @ @ @ @ @ 5 ? ? V ' @ @ @ @ @

    3 @ @ @ @ H V ' @ @ @ @ @ @ @ @ @ @ @ 0 Y W 2 @ N @ @ @ @ @

    N @ @ @ @ ? ? V 4 @ @ @ @ @ @ @ @ 0 M ? W & @ @ ? @ @ @ @ 5

    ? @ @ @ @ ? ? I 4 @ @ @ @ 0 M ? ? O & @ @ @ ? @ @ @ @ H

    ? @ @ @ @ ? ? W 2 @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? O & @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? O 2 @ @ @ @ @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? 3 @ @ @ @ @ @ @ @ @ @ @ @ @ @ 5 ? @ @ @ @ L

    ? @@ @@ ? ? O2 @@ @@ @@ @e N @ @@ @@ @@ @@ @@ @@ @H ? @@ @@ 1

    ? @@ @@ ? ? O2 @@ @@ @@ @@ @L ?? 3@ @@ @ @@ @@ @@ @@ @? ? @@ @@ @

    ? @@ @@ ? ? W2 @@ @@ @@ @@ @@ @1 ?? N@ @@ @@ @@ @@ @@ @@ ? ? @@ @@ @

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @@ ? ? @@ @@ @

    ? @@ @@ L ? W& @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @5 ?? W2 @@ @ ? @@ @@ 5

    ? @@ @@ 1 W &@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @H ?? 7@ @@ @ J @@ @@ H

    ? @@ @@ @ ? W& @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @e J @@ @@ @ 7 @@ @@ ?

    ? 3@ @@ @L ? W &@ @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @e 7 @@ @@ @ ? J@ @@ @@ ?

    ? N@ @@ @) X 7 @@ @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ 5e @ @@ @@ @ ? 7@ @@ @5 ?

    @ @@ @@ 1 ? J@ @@ @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ H? J@ @@ @@ @ J @@ @@ @H ?

    3@ @ @@ @ L? W & @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ 5? ? J@ @ @@ @ @@ @ @@ @ ?? 7 @@ @ @@ 5 ? W &@ @ @@ 5 e

    N@ @ @@ @ )X 7 @ @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ H? ? 7@ @ @@ @ @@ @ @@ 5 ?? @ @@ @ @@ H ? 7 @@ @ @@ H e

    ? @ @ @ @ @ @ , ? J @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 5 e ? @ @ @ @ @ @ @ @ @ @ @ H ? J @ @ @ @ @ 5 ? ? @ @ @ @ @ @ ? e

    J@ @ @@ @ (Y W & @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @H e J @ @@ @ @@ @ @@ @ @e 7 @ @@ @ @H ? ? 3 @@ @ @@ L e

    7@ @ @@ ( Y? 7 @ @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ 5? ? W& @ @@ @ @@ @ @@ @ 5e @ @ @@ @ 5 ? V '@ @ @@ 1 e

    ?J @ @@ @ @H ? J @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @( Y ?? 7 @@ @ @@ @ @@ @ @@ H ?J @ @@ @ @H V ' @@ @ @L ?

    ?7 @ @@ @ 5? W & @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @H e J @@ @ @@ @ @@ @ @@ 5 ?? 7 @@ @ @5 ? ? N @@ @ @1 ?

    ?@ @ @@ @ H? 7 @ @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ 5? ? W& @ @@ @ @@ @ @@ @ @H ? J@ @ @@ ( Y? @ @ @@ @ ?

    ? @@ @@ @ ? J@ @@ @@ @@ @@ @@ @@ @@ @@ @@ (Y ?? 7@ @@ @@ @@ @@ @@ 5e 7 @@ @@ H 3 @@ @@ ?

    ? @@ @@ 5 W &@ @@ @@ @@ @@ @@ @@ @@ @@ @( Ye J @@ @@ @@ @@ @@ @( Y? J@ @@ @5 ? N @@ @@ L

    ?@ @ @@ H ? W &@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @( Y ?? W &@ @ @@ @ @@ @ @@ @ H? ? 7@ @ @( Y ? ? @ @@ @ 1

    ? @@ @@ ? ? 7@ @@ @@ @@ @@ @@ @@ @@ @@ @@ He ? 7@ @@ @@ @@ @@ @@ 5e J @@ @( Y ? @@ @@ @

    ? @@ @@ ? J @@ @@ @@ @@ @@ @@ @@ @@ @@ @5 ?e J @@ @@ @@ @@ @@ @( Y? W& @@ (Y ? ? @@ @@ @

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @@ @@ (Y ?? W& @@ @@ @@ @@ @@ @H ?? 7@ @( Y ? @@ @@ @

    ? @@ @@ ? ? 7@ @@ @@ @@ @@ @@ @@ @@ @@ @( Ye W &@ @@ @@ @@ @@ @@ 5e ? @@ 0Y ? ? @@ @@ @

    ? @@ @@ ? J @@ @@ @@ @@ @@ @@ @@ @@ @@ 0Y ?? W& @@ @@ @@ @@ @@ @( Y ? @@ @@ 5

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @@ (M ?e W &@ @@ @@ @@ @@ @@ (Y ? ? @@ @@ H

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ @@ @( Ye ? W &@ @@ @@ @@ @@ @@ (Y ? @@ @@ ?

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @@ (Y ?e W &@ @@ @@ @@ @@ @@ (Y ? ? @@ @@ ?

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ @@ @0 Yf 7 @ @@ @@ @@ @@ @@ 0Y ? @@ @@ ?

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @0 Mg @ @@ @@ @@ @@ @( M ? @@ @@ ?

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ @( Mh 3 @@ @@ @@ @@ 0Y ? ? @@ @@ L

    J @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ 0Y ?h V 4@ @@ @@ 0M ? ? @@ @@ 1

    7 @ @ @ @ ? W & @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M ? ? @ @ @ @ @

    ? J @ @ @ @ @ @ 6 X ? O & @ @ @ @ @ @ @ @ @ @ @ @ 0 M ? W 2 @ @ @ @ @ @

    ? @@ @@ @@ @@ )X ?h e ?W 2@ @@ @@ @@ @@ @@ @0 M? ? W& @@ @@ @@ @

    I 4@ @@ @@ @) Xh e O &@ @@ @@ @@ @@ @0 M ? W2 @@ 6? 2@ @e O @? 2@ @@ @6 X W &@ @@ @@ @@ @

    I' @ @@ @ @) X ?g O 2 @@ @ @@ @ @@ @ @0 M @ @ @@ @ @@ @ ?7 @ @@ @ @@ @ @? @ @@ @ @@ @ @@ @ 1 7 @ @@ @ @@ 0 M?

    ?V ' @@ @ @@ 1 ?f W 2 @@ @ @@ @ @@ 0 M ? J @@ @ @@ @ @@ ? @@ @ @@ @ @@ @ ?@ @ @@ @ @@ @ @@ @ ? J @@ @ @@ ( M? e

    V' @ @@ @ @L f 7 @ @ @ @@ 0 M ? @ @@ @ @@ @ @@ ? @@ @ @@ @ @@ @ ?@ @ @@ @ @@ @ @@ @ W & @@ @ @( Y f

    ?V ' @@ @ @) X ?e @ 0 M? ? N @@ @ @@ @ @5 ? @@ @ @? @ @@ @ ?@ @ @@ @ @@ @ @@ @ ? W &@ @ @@ ( Y? f

    V '@ @@ @) K ? W2 6X ?h @ @@ @@ @( Y? @@ @@ @@ @@ 5? @@ @@ @@ @0 M W &@ @@ @( Yg

    ? N@ @@ @@ @6 X W &@ @) K? O@ ?f @ @ 0 ?4 0Y ?? @@ @@ @@ @( Y ? O& @@ @@ @H ?g

    3 @@ @@ @@ )K ?h f ? W & @@ @@ @@ @@ ?h f ? @ @ 0? 4@ 0Y ? ? O2 @@ @@ @@ 5h

    V '@ @@ @@ @@ 6K ?h e ? 7@ @@ @@ @@ @5 ? ? O2 @@ @@ @@ @( Yh

    ? V4 @@ @@ @@ @@ @@ @@ ?g J @@ @@ @@ @@ (Y ? ? @@ @@ @@ @@ @@ @@ 0Y ?h

    ? I' @@ @@ @@ @@ @@ ?f ? W &@ @@ @@ @@ @H ? @@ @@ @@ @@ @@ (M ?h e

    V 4@ @@ @@ @@ @@ Lf ? 7 @@ @@ @@ @@ 5? ? @@ @@ @@ @@ @0 Yh f

    ? I4 @@ @ @@ @1 f J @ @@ @@ @@ @( Y? J @@ @@ @@ @0 Mh g

    ? @ @ @ @ @ e ?W & @ @ @ @ @ @ @ @ H 7 @ @ @ @ ?

    ? @ @@ @@ L? W& @@ @@ @@ @@ 5? @ @@ @@ ?

    ? 3 @@ @@ 1? 7@ @@ @@ @@ @( Y? ? J@ @@ @5 ?

    ? N @@ @@ @X @@ @@ @@ @@ (Y W &@ @@ @H ?

    3 @ @ @ > @ @ @ @ @ @ @ @ ( Y ? 7 @ @ @ @ @

    N @ @ V @ @ @ @ @ @ @ @ ( Y ? J @ @ @ @ @ 5

    ? @ @ @ @ @ @ @ @ @ @ ( Y ? W & @ @ @ @ ( Y

    W @ @ @ @ @ @ @ ( Y ? W & @ @ @ @ @ H ?

    ? W & @ @ @ @ @ @ ( Y ? O & @ @ @ @ @ 5

    ? 7 @ @ @ @ @ @ @ Y W 2 @ @ @ @ @ @ ( Y

    J @@ @@ @@ @@ @@ 6X ? W 26 X ? W& @@ @@ @@ (Y ?

    ? W& @@ @@ @@ @X @@ @) X ? O& @@ )K ? W &@ @@ @@ @0 Y

    W& @ @@ @ @@ ( R@ @ @@ @ 1 ? O 2@ @ @@ @ @6 K ? 7 @ @@ @ @( M

    7@ @ @@ @ @( Y ?3 @ @@ @ @ ? O 2@ @ @@ @ @@ @ @@ 6 K? @ @ @@ @ (Y ?

    ? J @ @ @ @ @ @ ( Y e V ' @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ( Y

    W & @ @ @ @ @ ( Y ? e ? V ' @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ H ?

    ? W & @ @ @ @ @ ( Y g N @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M I 4 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ 5

    ? 7 @ @ @ @ @ @ H ? g ? 3 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M f I 4 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ( Y

    J @@ @ @ @ @5 h ? N @ @ @@ @ @ 0 ? 4@ @ @ @ @@ @ @ 0 M ?h ? I 4 @ @ @@ @ @ @ @0 M I 4 @ @@ @ @ H ?

    ? W & @ @ @ @ @ ( Y h e @@ 0 M ? I 4 @

    W & @ @ @ @ @ ( Y ?

    ? W & @ @ @ @ @ ( Y

    ? 7 @ @ @ @ @ ( Y ?

    J @ @ @ @ @ ( Y

    ? W & @ @ @ @ ( Y ?

    W & @ @ @ @ ( Y

    ? W & @ @ @ @ ( Y ?

    W & @ @ @ @ ( Y

    7 @@ @ @ ( Y? W 2 @ @ f @ @ @ @ @ @ g ? W 2 @ @? e ? O 2 @ @ @@ @ @ @ @6 K ? ? @ @@ @ @ @ ?g W 2 @ @

    ? J@ @ @ @ (Y 7 @ @ @ L? e 3 @ @ @ @ @L ? f ? 7 @ @ @? ? W 2 @@ @ @ @ @ @@ @ @ @ @@ ? 3 @ @ @@ @ ? g 7 @ @ 5

    W &@ @ @ ( Y? ? J @ @ @ @1 ? e N @ @ @ @@ 1 ? f ? @ @ @ 5 ? W & @@ @ @ @ 0M I 4 @ @@ @ 5 ? N @@ @ @ @ Lg @ @ @ H

    ? W& @ @ @ ( Y ? 7 @ @ @ @@ ? e ? 3 @ @ @@ @ ? f J @ @ @ H ? 7 @ @@ @ ( M ?f I ' @ H e 3 @ @@ @ 1 f ? J @ @ @ ?

    W &@ @ @ ( Y ? ? @ @ @ @ @@ L e ? N @ @ @@ @ L f 7 @ @ 5 ? J @ @ @@ @ H g ? V ' ? e N @ @@ @ @ L ? e ? 7@ @ 5 ?

    ?W & @@ @ (Y J @ @@ @ @@ 1 f 3 @ @ @@ 1 f @ @ @ H? 7 @@ @ @5 ? h f ? @ @@ @ @1 ? e J@ @ @H ?

    W& @ @@ 0 Y? 7 @ @@ @ @@ @ L? e N @ @@ @ @e ? J @ @5 ? ?@ @ @@ @ H? h f ? 3 @@ @ @@ ? e 7@ @ 5

    ?W & @@ ( M? ? J @@ @ ?@ @ @@ 1 ?e ? @ @ @@ @ L? ? 7@ @ H? J @@ @ @@ ? N @@ @ @@ L e @@ @ H

    W& @ @( Y ? 7 @@ 5 ?@ @ @@ @ ?e ? 3 @ @@ @ 1? J @@ @ e 7@ @ @@ @ 3 @ @@ @ 1? J @@ @ ?

    ?W & @@ ( Y? ? @ @@ H ?3 @ @@ @ Le ? N @ @@ @ @? 7 @@ 5 e @@ @ @@ @ N @ @@ @ @? 7 @@ 5 ?

    W& @ @( Y J @ @@ e V @ @@ @ 1f @ @ @@ @ ?@ @ @H e 3 @@ @ @@ g ? @ @@ @ @f ? @ @@ @ @? @ @@ H ?

    ?W & @@ ( Y? 7 @ @@ @ @@ @ @@ @ @L ? e 3 @@ @ @@ @ @5 ? e N@ @ @@ @ g ? @ @@ @ @f ? 3 @@ @ @@ @ @5

    W &@ @ 0 Y ? J @ @ @@ @ @ @ @ @@ @ @ 1 ? e N @@ @ @ @ @ @H ? e ? @ @ @ @@ L ? f ? @ @ @ @ @ f ? N @ @ @ @ @ @ @H

    ?W & @( M ? 7 @@ ( Mf @ @ @@ @ ?e ? 3 @@ @ @@ @ f ? 3 @ @@ @ )X f ? @ @ @ @@ g 3 @ @@ @ @@ ?

    W& @ (Y ? J @ @@ H ?f @ @ @@ @ Le ? N @@ @ @@ 5 f ? N @ @@ @ @) X ?e ? @ @@ @ @g N @ @@ @ @5 ?

    & @0 Y 7 @@ @g 3 @@ @@ 1f @ @ @ @@ Hg 3 @@ @@ @) Ke ? @@ @@ @g ? @@ @@ @H ?

    ? @ @ @@ 5g N @@ @@ @L ?e 3 @@ @@ ?g V 4@ @@ @@ @@ @@ @@ @@ @g ? 3@ @@ 5

    ? @ @ @0 Yg ? @@ @@ @@ ?e V 4@ @@ ?h I 4@ @@ @@ @@ @@ @@ @g ? V4 @0 Y

    @ @ 6 K O 2 @ 6 X ?

    ? J @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 6K ? g O 2 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 1 ?

    W & @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ 6 K ? ? O 2 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ L

    7 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ) X ?

    ? J @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ) X

    W & @ @ @ @ ( M I 4 @ @ @ 0 M ? e ? I 4 @ @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M ? e ? I 4 @ @ @ 0 M I ' @ @ @ @ @ ) X ?

    ?O & @@ @ @( Y ? I 4 @@ @ @@ @ @@ 0 M ? V '@ @ @@ @ )X

    ? W2 @@ @@ @@ H I '@ @@ @( M V '@ @@ @@ )X ?

    W &@ @@ @@ @5 ? ? V' @@ (Y ? ? V' @@ @@ @) X

    ? W& @@ @@ @@ 0Y ? V 40 Y V '@ @@ @@ )X ?

    W & @ @ @ @ @ ( M ? ? V ' @ @ @ @ @ ) X

    7 @ @ @ @ @ ( Y V ' @ @ @ @ @ ) X ?

    ? J @ @ @ @ @ ( Y ? ? V ' @ @ @ @ @ 1 ?

    W & @ @ @ @ ( Y V ' @ @ @ @ @ L

    7 @ @ @ @ ( Y ? O 2 @ @ @ @ 6 K ? V ' @ @ @ @ 1

    @ @@ @@ H W 2@ @@ @@ @@ @6 K N @@ @@ @L ?

    ? J@ @@ @5 ? 7 @@ @@ @@ @@ @@ @6 Xh f ? 3 @@ @@ 1?

    ? 7@ @@ @H ? @ @@ @@ @@ @@ @@ @@ )X ?h e ? N@ @@ @@ ?

    J @@ @@ @ ? @6 Xe @ @@ @@ @@ @@ @@ @@ @) Xh f @ @ @ @@ ?

    ? O& @@ @@ @ ? @@ 1e @ @@ @@ @@ @@ @@ @@ @@ )X ?h e 3 @@ @@ @6 K

    ?W 2 @@ @ @@ @ @@ 5 ? @ @@ L ?@ @ @@ X ?? W @@ @ @@ @ @@ 1 ?h e N @ @ @@ @ @@ @ 6X ? h f

    O& @ @@ @ @@ @ @@ H J @ @@ ) Ke ? B @ @@ @ Y@ @ @@ @ @@ @ Lh e ? @ @ @@ @ @@ @ @) K h f

    W2 @ @@ @ @@ @ @@ @ @? ? W &@ @ @@ @ @? ? J@ @ @@ ? @@ @ @@ @ @@ 1 h e ? @ @ @@ @ @@ @ @@ @ 6X h e

    ? W& @ @ @ @ @@ @ @ @ @@ @ ? ? 7 @ @ @ @@ @ @ ? ?' @ @ @ @? @ @ @ @ @@ @ @ @ L? h ? @ @ @ @@ @ @ @ @ @@ @ ) X ?h

    W& @ @@ @ @@ @ 0M ? J @ @@ @ @@ @ @? ? V' @ @5 ? @@ @ @@ @ @@ @ 1? I 4 @@ @ @@ @ )X h

    ? W& @@ @@ @@ 0M ? 7 @@ @@ @@ @@ ?e V 40 YJ @@ @@ @@ @@ @@ ? I '@ @@ @@ )X ?g

    ? 7@ @@ @@ (M ? @ @@ @@ @@ @@ ?f ? O& @@ @@ @@ @@ @@ ? ? V' @@ @@ @) Xg

    J @@ @@ @( Y @ @@ @@ @@ @@ ?? W2 @@ @@ @@ @@ @@ @@ @@ ? V '@ @@ @@ )X ?f

    ? W& @@ @@ (Y ? @ @@ @@ @@ @5 ?W &@ @@ @@ @@ @@ @@ @@ @@ ? ? V' @@ @@ @) Xf

    W &@ @@ @( Y @ @@ (? 4@ 0Y ?7 @@ @@ @@ @@ @@ @@ @@ @@ ? V '@ @@ @@ )X ?e

    ? O& @@ @@ @H ? @ @@ Hg @ @@ @@ @@ @@ @@ @@ @@ @@ ? ? V' @@ @@ @) Xe

    ? O2 @@ @@ @@ 5 @ @@ ?g @ @@ @@ @@ @@ @@ @@ @@ @5 ? V '@ @@ @@ )K ?

    ? W2 @ @@ @@ @@ (Y @ @@ @@ @@ @@ @@ @@ @@ ( Y? ? V' @@ @@ @@ @

    ? * @ @ @ @ @ @ @ 0 Y ? @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ H V ' @ @ @ @ @ @

    ? N @ @ @ @ @ ( M ? 3 @ @ @ @ @ @ @ @ @ @ @ @ @ 5 ? ? V ' @ @ @ @ @

    3 @ @ @ @ H V ' @ @ @ @ @ @ @ @ @ @ @ 0 Y W 2 @ N @ @ @ @ @

    N @ @ @ @ ? ? V 4 @ @ @ @ @ @ @ @ 0 M ? W & @ @ ? @ @ @ @ 5

    ? @ @ @ @ ? ? I 4 @ @ @ @ 0 M ? ? O & @ @ @ ? @ @ @ @ H

    ? @ @ @ @ ? ? W 2 @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? O & @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? O 2 @ @ @ @ @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ? @ @ @ @ ?

    ? @ @ @ @ ? 3 @ @ @ @ @ @ @ @ @ @ @ @ @ @ 5 ? @ @ @ @ L

    ? @ @@ @? ? O2 @@ @@ @@ @e N @ @@ @ @@ @@ @@ @@ @ @H ? @@ @@ 1

    ? @ @@ @? ? O2 @@ @@ @@ @@ @L ?? 3@ @@ @@ @@ @@ @@ @ @? ? @@ @@ @

    ? @@ @@ ? ? W2 @@ @@ @@ @@ @@ @1 ?? N@ @@ @@ @@ @@ @@ @@ ? ? @@ @@ @

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @@ ? ? @@ @@ @

    ? @@ @@ L ? W& @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @5 ?? W2 @@ @ ? @@ @@ 5

    ? @@ @@ 1 W &@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @H ?? 7@ @@ @ J @@ @@ H

    ? @@ @@ @ ? W& @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @e J @@ @@ @ 7 @@ @@ ?

    ? 3@ @@ @L ? W &@ @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ @e 7 @@ @@ @ ? J@ @@ @@ ?

    ? N@ @@ @) X 7 @@ @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ 5e @ @@ @@ @ ? 7@ @@ @5 ?

    @ @@ @@ 1 ? J@ @@ @@ @@ @@ @@ @@ @@ @@ @@ ?e @ @@ @@ @@ @@ @@ H? J@ @@ @@ @ J @@ @@ @H ?

    3@ @ @@ @ L? W & @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ 5? ? J@ @ @@ @ @@ @ @@ @ ?? 7 @@ @ @@ 5 ? W &@ @ @@ 5 e

    N@ @ @@ @ )X 7 @ @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ H? ? 7@ @ @@ @ @@ @ @@ 5 ?? @ @@ @ @@ H ? 7 @@ @ @@ H e

    ? @ @ @ @ @ @ , ? J @ @ @ @ @ @ @ @ @ @ @ @

    J@ @ @@ @ (Y W & @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @H e J @ @@ @ @@ @ @@ @ @e 7 @ @@ @ @H ? ? 3 @@ @ @@ L e

    7@ @ @@ ( Y? 7 @ @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ 5? ? W& @ @@ @ @@ @ @@ @ 5e @ @ @@ @ 5 ? V '@ @ @@ 1 e

    ?J @ @@ @ @H ? J @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @( Y ?? 7 @@ @ @@ @ @@ @ @@ H ?J @ @@ @ @H V ' @@ @ @L ?

    ?7 @ @@ @ 5? W & @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @H e J @@ @ @@ @ @@ @ @@ 5 ?? 7 @@ @ @5 ? ? N @@ @ @1 ?

    ?@ @ @@ @ H? 7 @ @@ @ @@ @ @@ @ @@ @ @@ @ @@ @ 5? ? W& @ @@ @ @@ @ @@ @ @H ? J@ @ @@ ( Y? @ @ @@ @ ?

    ? @@ @@ @ ? J@ @@ @@ @@ @@ @@ @@ @@ @@ @@ (Y ?? 7@ @@ @@ @@ @@ @@ 5e 7 @@ @@ H 3 @@ @@ ?

    ? @@ @@ 5 W &@ @@ @@ @@ @@ @@ @@ @@ @@ @( Ye J @@ @@ @@ @@ @@ @( Y? J@ @@ @5 ? N @@ @@ L

    ?@ @ @@ H ? W &@ @ @@ @ @@ @ @@ @ @@ @ @@ @ @( Y ?? W &@ @ @@ @ @@ @ @@ @ H? ? 7@ @ @( Y ? ? @ @@ @ 1

    ? @@ @@ ? ? 7@ @@ @@ @@ @@ @@ @@ @@ @@ @@ He ? 7@ @@ @@ @@ @@ @@ 5e J @@ @( Y ? @@ @@ @

    ? @@ @@ ? J @@ @@ @@ @@ @@ @@ @@ @@ @@ @5 ?e J @@ @@ @@ @@ @@ @( Y? W& @@ (Y ? ? @@ @@ @

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @@ @@ (Y ?? W& @@ @@ @@ @@ @@ @H ?? 7@ @( Y ? @@ @@ @

    ? @@ @@ ? ? 7@ @@ @@ @@ @@ @@ @@ @@ @@ @( Ye W &@ @@ @@ @@ @@ @@ 5e ? @@ 0Y ? ? @@ @@ @

    ? @@ @@ ? J @@ @@ @@ @@ @@ @@ @@ @@ @@ 0Y ?? W& @@ @@ @@ @@ @@ @( Y ? @@ @@ 5

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @@ (M ?e W &@ @@ @@ @@ @@ @@ (Y ? ? @@ @@ H

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ @@ @( Ye ? W &@ @@ @@ @@ @@ @@ (Y ? @@ @@ ?

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @@ (Y ?e W &@ @@ @@ @@ @@ @@ (Y ? ? @@ @@ ?

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ @@ @0 Yf 7 @ @@ @@ @@ @@ @@ 0Y ? @@ @@ ?

    ? @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ @0 Mg @ @@ @@ @@ @@ @( M ? @@ @@ ?

    ? @@ @@ ? W &@ @@ @@ @@ @@ @@ @@ @( Mh 3 @@ @@ @@ @@ 0Y ? ? @@ @@ L

    J @@ @@ ? ? W& @@ @@ @@ @@ @@ @@ @@ 0Y ?h V 4@ @@ @@ 0M ? ? @@ @@ 1

    7 @ @ @ @ ? W & @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M ? ? @ @ @ @ @

    ? J @ @ @ @ @ @ 6 X ? O & @ @ @ @ @ @ @ @ @ @ @ @ 0 M ? W 2 @ @ @ @ @ @

    ? @@ @ @@ @@ @) X? h e ? W 2@ @@ @@ @@ @@ @@ @0 M? ? W& @@ @@ @@ @

    I 4@ @@ @@ @) Xh e O &@ @@ @@ @@ @@ @0 M ? W2 @@ 6? 2@ @e O @? 2@ @@ @6 X W &@ @@ @@ @@ @

    I' @ @@ @ @) X ?g O 2 @@ @ @@ @ @@ @ @0 M @ @ @@ @ @@ @ ?7 @ @@ @ @@ @ @? @ @@ @ @@ @ @@ @ 1 7 @ @@ @ @@ 0 M?

    ?V ' @@ @ @@ 1 ?f W 2 @@ @ @@ @ @@ 0 M ? J @@ @ @@ @ @@ ? @@ @ @@ @ @@ @ ?@ @ @@ @ @@ @ @@ @ ? J @@ @ @@ ( M? e

    V' @ @@ @ @L f 7 @ @ @ @@ 0 M ? @ @@ @ @@ @ @@ ? @@ @ @@ @ @@ @ ?@ @ @@ @ @@ @ @@ @ W & @@ @ @( Y f

    ?V ' @@ @ @) X ?e @ 0 M? ? N @@ @ @@ @ @5 ? @@ @ @? @ @@ @ ?@ @ @@ @ @@ @ @@ @ ? W &@ @ @@ ( Y? f

    V '@ @@ @) K ? W2 6X ?h @ @@ @@ @( Y? @@ @@ @@ @@ 5? @@ @@ @@ @0 M W &@ @@ @( Yg

    ? N@ @@ @@ @6 X W &@ @) K? O@ ?f @ @ 0 ?4 0Y ?? @@ @@ @@ @( Y ? O& @@ @@ @H ?g

    3 @@ @@ @@ )K ?h f ? W & @@ @@ @@ @@ ?h f ? @ @ 0? 4@ 0Y ? ? O2 @@ @@ @@ 5h

    V '@ @@ @@ @@ 6K ?h e ? 7@ @@ @@ @@ @5 ? ? O2 @@ @@ @@ @( Yh

    ? V4 @@ @@ @@ @@ @@ @@ ?g J @@ @@ @@ @@ (Y ? ? @@ @@ @@ @@ @@ @@ 0Y ?h

    ? I' @@ @@ @@ @@ @@ ?f ? W &@ @@ @@ @@ @H ? @@ @@ @@ @@ @@ (M ?h e

    V 4@ @@ @@ @@ @@ Lf ? 7 @@ @@ @@ @@ 5? ? @@ @@ @@ @@ @0 Yh f

    ? I4 @@ @@ @@ 1f J @ @ @@ @@ @ @( Y? J @@ @@ @ @@ 0M h g

    ? @ @ @ @ @ e ?W & @ @ @ @ @ @ @ @ H 7 @ @ @ @ ?

    ? @@ @@ @L ?W & @@ @@ @@ @@ 5? @ @@ @@ ?

    ? 3@ @@ @1 ?7 @ @@ @@ @@ @( Y? ? J@ @@ @5 ?

    ? N@ @@ @@ X@ @ @@ @@ @@ (Y W &@ @@ @H ?

    3 @ @ @ > @ @ @ @ @ @ @ @ ( Y ? 7 @ @ @ @ @

    N @ @ V @ @ @ @ @ @ @ @ ( Y ? J @ @ @ @ @ 5

    ? @ @ @ @ @ @ @ @ @ @ ( Y ? W & @ @ @ @ ( Y

    W @ @ @ @ @ @ @ ( Y ? W & @ @ @ @ @ H ?

    ? W & @ @ @ @ @ @ ( Y ? O & @ @ @ @ @ 5

    ? 7 @ @ @ @ @ @ @ Y W 2 @ @ @ @ @ @ ( Y

    J @@ @@ @@ @@ @@ 6X ? W 26 X ? W& @@ @@ @@ (Y ?

    ? W& @@ @@ @@ @X @@ @) X ? O& @@ )K ? W &@ @@ @@ @0 Y

    W& @ @@ @ @@ ( R@ @ @@ @ 1 ? O 2@ @ @@ @ @6 K ? 7 @ @@ @ @( M

    7@ @ @@ @ @( Y ?3 @ @@ @ @ ? O 2@ @ @@ @ @@ @ @@ 6 K? @ @ @@ @ (Y ?

    ? J @ @ @ @ @ @ ( Y e V ' @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ( Y

    W & @ @ @ @ @ ( Y ? e ? V ' @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ H ?

    ? W & @ @ @ @ @ ( Y g N @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M I 4 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@ @ @ @ 5

    ? 7 @ @ @ @ @ @ H ? g ? 3 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ 0 M f I 4 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ ( Y

    J @@ @ @ @ @5 h ? N @ @ @@ @ @ 0 ? 4@ @ @ @ @@ @ @ 0 M ?h ? I 4 @ @ @@ @ @ @ @0 M I 4 @ @@ @ @ H ?

    ? W & @ @ @ @ @ ( Y h e @@ 0 M ? I 4 @

    W & @ @ @ @ @ ( Y ?

    ? W & @ @ @ @ @ ( Y

    ? 7 @ @ @ @ @ ( Y ?

    J @ @ @ @ @ ( Y

    ? W & @ @ @ @ ( Y ?

    W & @ @ @ @ ( Y

    ? W & @ @ @ @ ( Y ?

    W & @ @ @ @ ( Y

    7 @@ @ @ ( Y? W 2 @ @ f @ @ @ @ @ @ g ? W 2 @ @? e ? O 2 @ @ @@ @ @ @ @6 K ? ? @ @@ @ @ @ ?g W 2 @ @

    ? J@ @ @ @ (Y 7 @ @ @ L? e 3 @ @ @ @ @L ? f ? 7 @ @ @? ? W 2 @@ @ @ @ @ @@ @ @ @ @@ ? 3 @ @ @@ @ ? g 7 @ @ 5

    W &@ @ @ ( Y? ? J @ @ @ @1 ? e N @ @ @ @@ 1 ? f ? @ @ @ 5 ? W & @ @@ @ @ 0 M I4 @ @ @ @5 ? N @ @ @@ @ L g @ @ @ H

    ? W& @ @ @ ( Y ? 7 @ @ @ @@ ? e ? 3 @ @ @@ @ ? f J @ @ @ H ? 7 @ @ @@ ( M ? f I ' @ H e 3 @ @ @ @ 1f ? J @ @ @?

    W &@ @ @ ( Y ? ? @ @ @ @ @@ L e ? N @ @ @@ @ L f 7 @ @ 5 ? J @ @ @ @@ H g ? V ' ? e N @ @@ @ @ L ? e ? 7@ @ 5 ?

    ?W & @@ @ (Y J @ @@ @ @@ 1 f 3 @ @ @@ 1 f @ @ @ H? 7 @@ @ @5 ? h f ? @ @@ @ @1 ? e J@ @ @H ?

    W& @ @@ 0 Y? 7 @ @@ @ @@ @ L? e N @ @@ @ @e ? J @ @5 ? ?@ @ @@ @ H? h f ? 3 @@ @ @@ ? e 7@ @ 5

    ?W & @@ ( M? ? J @@ @ ?@ @ @@ 1 ?e ? @ @@ @ @L ? ?7 @ @H ? J@ @ @@ @ ? N @@ @ @@ L e @@ @ H

    W& @ @( Y ? 7 @@ 5 ?@ @ @@ @ ?e ? 3 @@ @ @1 ? J@ @ @e 7 @ @ @@ @ 3 @ @@ @ 1? J @@ @ ?

    ?W & @@ ( Y? ? @ @@ H ?3 @ @@ @ Le ? N @@ @ @@ ? 7@ @ 5e @ @ @ @@ @ N @ @@ @ @? 7 @@ 5 ?

    W& @ @( Y J @ @@ e V @ @@ @ 1f @ @ @@ @ ?@ @ @H e 3 @@ @ @@ g ? @ @@ @ @f ? @ @@ @ @? @ @@ H ?

    ?W & @@ ( Y? 7 @ @@ @ @@ @ @@ @ @L ? e 3@ @ @@ @ @@ 5 ?e N @ @ @@ @ g ? @ @@ @ @f ? 3 @@ @ @@ @ @5

    W &@ @ 0 Y ? J @ @ @@ @ @ @ @ @@ @ @ 1 ? e N @@ @ @ @ @ @H ? e ? @ @ @ @@ L ? f ? @ @ @ @ @ f ? N @ @ @ @ @ @ @H

    ?W & @( M ? 7 @@ ( Mf @ @ @@ @ ?e ? 3 @@ @ @@ @ f ? 3 @ @@ @ )X f ? @ @ @ @@ g 3 @ @@ @ @@ ?

    W& @ (Y ? J @ @@ H ?f @ @ @@ @ Le ? N @@ @ @@ 5 f ? N @ @@ @ @) X ?e ? @ @@ @ @g N @ @@ @ @5 ?

    & @0 Y 7 @@ @g 3 @@ @@ 1f @ @ @ @@ Hg 3 @@ @@ @) Ke ? @@ @@ @g ? @@ @@ @H ?

    ? @ @ @@ 5g N @@ @@ @L ?e 3 @@ @@ ?g V 4@ @@ @@ @@ @@ @@ @@ @g ? 3@ @@ 5

    ? @ @ @0 Yg ? @@ @@ @@ ?e V 4@ @@ ?h I 4@ @@ @@ @@ @@ @@ @g ? V4 @0 Y

    INVITOAd un incontro con un sadhu autentico

    dallIndia

    Mercoled 30 Aprile

    alle ore 20 30

  • 8/3/2019 Jaiva dharma 2

    161/162

    alle ore 20,30presso il centro Yoga Hamsa

    Via Candelo 32 - Biella

    LA NATURA ESSENZIALE DELLANIMA

    Nel corso del suo tour europeo,Sripad Bhaktivedanta Van Maharaja, sannyasi

    Vaisnava, proveniente da Navadvipa, Bengala Occi-dentale, terr una conferenza sullessenza del messag-gio spirituale dei Veda che viene trasmesso in modo

    continuo ed inalterato da 5000 anni.Ci saranno bhajans devozionali tradizionali e un

    piccolo rinfresco vegetariano.Ingresso libero

    Ti spettiamo

    Per informazioni telefonare a 015-928173

    alle ore 20,30

    presso il centro Yoga hamsaVia Candelo 32 - Biella

    LA NATURA ESSENZIALE DELLANIMA

    Nel corso del suo tour europeo,Sripad Bhaktivedanta Van Maharaja, sannyasi

    Vaisnava, proveniente da Navadvipa, Bengala Occi-dentale, terr una conferenza sullessenza del messag-gio spirituale dei Veda che viene trasmesso in modo

    continuo ed inalterato da 5000 anni.Ci saranno bhajans devozionali tradizionali e un

    piccolo rinfresco vegetariano.Ingresso liberoTi spettiamo

    Per informazioni telefonare a 015-928173

    Andare oltre Vaikutha

  • 8/3/2019 Jaiva dharma 2

    162/162