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    okfl”BdkO;d.Bx.kifrequs% xzUFkekvDsiIFhak Dvyaka KFhaga Kapatimune U grantham DlD

    COLLECTED WORKS OFVASISHTHA K AVYAKANTHA GANAPATI MUNI

    VOLUME TWELVE

    vuqØe.kh ANUKRAMA JX JX JX JX JX

    Editor Dr. Sampadananda Mishra

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    Published by

    V. S. RamananPresident, Board of TrusteesSri RamanasramamThiruvannamalaiTamil Nadu - 606603

    Researched and Edited by

    Kavyakantha Ganapati Muni ProjectGuru Nayana and Maharshi: The Call and the Grace Trust1, 8 th cross, Tagore Nagar Pondicherry - 605008

    Copyright

    Sri RamanasramamThiruvannamalaiTamil Nadu - 606603

    First Edition 2010

    Price: Rs. 300.00

    Printed in India byAll India PressKennedy Nagar Pondicherry - 605001

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    vuqØe.kh INDEX

    fo”k;lwfpdk C ONTENTS

    Publisher’s Note i-ii

    Editorial iii-vi

    Kavyakantha Ganapati Muni - An Introduction vii-xvii

    A Note on the Numbering System xviii

    12.1. Contents of All Volumes 1-16

    12.2. Index to the Contents of All Volumes 17-23

    12.3. Index to the Metres used by the Muni 24-29

    12.4. Index to the Veda Mantras Cited 30-38

    12.5. Index to the Verses 39-262

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    P UBLISHER ’ S N OTE

    This is the twelfth and last volume of the Collected Works of Vasishtha Kavyakantha Ganapati Muni. This volume is titled asanukrama

    Kn and

    contains several useful indexes which will helpin referring to the writings of the Muni. In this volume there are

    four indexes: The first one is an index to the contents of all volumes.The second is to the names of the Chandas or metres used in theworks of the Muni. The third one is an index to the Vedamantras

    referred to and commented on by the Muni. The fourth and the

    last index in this volume is an index to the verses of all the poeticcompositions of the Muni.

    This volume is dedicated to late Sri K. Natesan, the Editor of thefirst eleven volumes of the Collected Works of VasishthaKavyakantha Ganapati Muni. Sri K. Natesan had dedicated himself

    entirely to the compilation, editing and publication of all the worksof the Muni, and till the last moment of his life he actively participated in the work. And by the Grace and Blessings of Bhagavan he lived a happy and peaceful life. The Sanskrit world will remember him gratefully forever for his dedication and sincerityin bringing to light the unpublished writings of the Muni. As a little

    boy, Sri Natesan had his first darshan of Bhagavan Ramana whenhe was at Skandasramam and later as a young man came under the spell of Kavyakantha Ganapati Muni. Till his last breath, hewas totally devoted to the Maharshi and the Mahakavi .

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    ii

    The editing of the complete works could not have been completed

    without the able assistance of Dr. Sampadananda Mishra of SriAurobindo Society, Pondicherry. He worked hard for thecompletion of these volumes as the Associate Editor of the firsteleven volumes. The present volume has been entirely edited byhim. He and his wife Prashanti have dedicated years of valuabletime in typing, proof reading and indexing of the several volumes.

    Sri Ramanasramam V.S. RamananTiruvannamalai, 2010

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    E DITORIAL

    It was in the year 2002 that I came in contact with Sri Natesan.Till then I knew Vasishtha Ganapati Muni only as the author of

    Umasashasram and the guru of Sri Kapali Sastri, who later cameand settled in Pondicherry as a disciple of Sri Aurobindo. I had also heard about the Muni as an AIFDvadh Dnn who could simultaneously attend to eight different questioners and reply tothem through extempore poetry. But I had no idea about any other writings of the Muni. It was only when I came into close contact

    with Sri Natesan, who had preserved all the works of the Muni bycopying them in his own note books, that I learnt about the other writings of the Muni. For Sri Natesan it was a dream or life'smission to see all these works in print. So he had started givingthought to publishing all the works in several volumes. It was duringthis period that my contact with him took place. We then sat

    together to decide the layout and format of the volumes. The work which he had started much before he met me now began to takeshape. This is how editing and publishing the twelve volumes of the 'Collected Works of Vasishtha Kavyakantha Ganapati Muni'took place. I was fortunate to be a part of this Divine work and itwas an enriching experience for me to work as the associate editor

    of the Collected Works of the Muni. Sri Natesan was so particular about the accuracy that he would go through and verify each and every letter that was put into the computer. We used to sit together to proof read the texts and most of the time I found that when I

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    was reading the text on the screen he was sitting with his eyes

    closed instead of looking at his note book. If there was any mistakehe would immediately point out from his memory. It always seemed to me that all that has been published in the eleven volumes of theCollected Works of the Muni was committed to memory by Sri

    Natesan. That was his uniqueness.

    I remember when we were trying hard to bring out the first volume,one day Sri Natesan told me why the work was getting delayed,and he expressed his wish to see at least one volume in print beforeleaving his body. When he told me this in the year 2003, he wasninety years old. I then spontaneously told him, "Please do not tellme that Sir, you have to live and you will surely live to see all the

    works of the Muni in print form. Without your presence the work will not move at all." In the year 2009, six years later, when a copyof the eleventh volume was put in his hand, he asked, "How muchwork is left to be done?" When he was told that that was the lastvolume of Muni's original writings, he expressed the desire thatsince everything was over he should leave his body. It thus

    happened, that a month or so after he said this, in March 2009, heleft his body. When I think of Sri Natesan, I always feel happyand I also feel that I was fortunate to come in contact with him, aman who lived a complete life. There is no better way to payhomage to this great soul than to dedicate this volume in his name.

    This is the last volume in the series of the Collected Works of theMuni. In this volume there are four indexes: The first one is anindex to the contents of all volumes in alphabetical order withreference to the volume numbers and page numbers in which they

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    appear. This will help the readers in finding out the volume number

    and the page number of a particular writing of the Muni published in his Collected Works. The names of the contents are presented here both in Devan Dgar n and in Roman Transliteration. This indexis placed after the section on the contents of all volumes, listed volume wise with one-line notes on each.

    The second index is an index to the names of the Chandas or metre used in the works of the Muni. The Muni was perhaps theonly poet in the whole galaxy of Sanskrit poets, both ancient and modern, in whose writings we find the use of the maximum number of Chandas . In the UmDsahasram itself the Muni has used 29different meters. One comes in contact with many unfamiliar and

    less used meters in the works of the Muni. I was myself very muchfascinated to see the use of the metres with less number of syllables,such as metres with five syllables, six syllables, seven syllablesetc. In this index the names of all the Chandas or metres used bythe Muni have been listed alphabetically with reference to the versenumber, volume number and number of the title of the work in the

    volume. The names of the Chandas are presented here both in Devan Dgar n and in Roman Transliteration.

    The third one is an index to the Vedamantras referred to and commented by the Muni. In a few of his writings the Muni hasreferred to several Vedamantras , especially from the Rigveda but

    rarely from any other Vedas. In his writing on the Mah DbhDratahe has interpreted afresh nearly two hundred Mantras of the

    Rigveda to show the Vedic origin of the main characters of the Mah DbhDrata . In his commentary on the Rigveda he has referred

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    to and commented on several Mantras of this Veda. In some of

    his other writings like viQ vamn mDWsD, pancajanacarc D etc. alsohe has referred to a few Mantras of the Rigveda in order tosubstantiate his views on several aspects related to the topicsdiscussed. The reference number of all the Mantras have beenlisted in this index. Here the Mantras of the Rigveda have beenlisted maKoala or book wise with reference to the volume number

    and page number.

    The fourth and the last index in this volume is an index to theverses of all the poetic compositions of the Muni. In the volumesone to four we have given the shloka index at the end of eachvolume both in Devan Dgar n and in Roman transliteration. Here a

    combined index has been provided to facilitate readers in findingout each and every verse composed by the Muni. The first lines of all the verses are arranged alphabetically with reference to thevolume number and page number. The list is presented only in

    Devan Dgar n script.

    With this we present the last volume of the Collected Works of Vasishtha Kavyakantha Ganapati Muni. We are happy to informall the readers that the entire matter of all the twelve volumes isgoing to be available on the Internet soon after the release of thisvolume. The authorities of Sriramanasramam, Thiruvannamalai,have kindly agreed to put it into their official Web page. Now

    after completing this massive task of publishing the Collected Works of the Muni in twelve volumes, the Kavyakantha GanapatiMuni Project, Puducherry, will be taking up the translation of theselected works of the Muni into English and other Indian languages.

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    v

    With regard to this the Kavyakantha Ganapati Muni Project is

    happy to invite interested individuals and organizations to participateand help the project in any possible manner.

    For me participating in this work of editing the Collected Worksof the Muni has been a part of my spiritual as well as intellectuallife. I can very well say that I have grown with this work. The

    experience has been highly enriching and ever inspiring. Whileworking on these volumes I have always invoked the presence of the Divine to help me and have felt it all the time. I have vividlyexperienced how this very presence has helped me in carrying outthis work. I aspire to remain in a state of infinite gratitude to theDivine.

    I would like to express my gratitude to all those who have beeninstrumental in bringing fulfillment to this work. In the first place Iwish to mention the contribution of all the family members of Sri

    Natesan in always supporting the project wholeheartedly. It was because of their initiative, constant encouragement, help, support

    and tireless effort that the work took a proper shape and proceeded to this state of accomplishment. Ever since the project began theyall have been with me, always supporting and encouraging incarrying the work forward. It would not have been possible to

    bring out all the twelve volumes of these Collected Works of theMuni without their involvement. In fact this project was the result

    of the collective and harmonious aspiration all the family membersof Sri Natesan. I express my sincere thanks to all of them.

    The one because of whom I came to be a part of this project is my

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    wife Prashanti. For all these years she has been quietly doing her

    job of putting the entire handwritten matter into the computer. Shehas been a great help to me in preparing the Shloka index, Romantransliteration, in proof-reading, formatting, and in all aspects of this entire project. I express my gratitude again and again to theDivine for giving me such a wonderful life partner.

    Sri Vamadeva Sastri (Dr. David Frawley) will always beremembered for his generous contribution. Without his supportthe publishing of the Collected Works would not have been

    possible. On behalf of the Kavyakantha Ganapati Muni project, Iexpress my sincere thanks to Sri Vamadeva Shastri.

    The Rashtriya Sanskrit Sansthan, New Delhi has been a greatsupport by purchasing a hundred copies of all the volumes

    published so far. We are truly grateful to the authorities of RashtriyaSanskrit Sansthan, New Delhi for facilitating the project by lendingsuch generous support.

    I am grateful to all the well-wishers who have contributed immenselyto the Kavyakantha Ganapati Muni Project, Puducherry. I amalso grateful to the authorities of Sri Aurobindo Society,Pondicherry, for extending us the necessary help needed for bringingout this volume.

    Sampadananda MishraJanmashtami, 1st Septemebr, 2010Puducherry

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    K AVYAKANTHA G ANAPATI M UNI

    AN I NTRODUCTION T O H IS L IFE AND W ORKS

    Vasishtha Kavyakantha Ganapati Muni (1878-1936) belongs tothe rare race of intellectual and spiritual giants who crowded into

    the narrow corridors of the last quarter of 19th

    and first four decadesof the 20 th century to endow life, letters and all endevours withmeaning, purpose and altitude. He was a valiant soldier in thecause of Truth and Divinity. For communing with the Divine,certainly he was well-endowed, gifted as he was with marvellous

    powers of mind, intellect and soul. Even highly learned people of our time wonder at his indubitable versatile genius, keenness of

    perception and understanding of our modern problems, though hehad never been to school all his life. His powers of intellect and intuition had solved and untied many mystic knots. His wide schol-arship and studies in religious lore harmonized in him all religionsand schools of philosophy. He was a master of metaphysics and his gift transported him into regions whence he could see the entire

    manifestation. In fact, he belonged to the order of the Rig Vedicseers who were gods among men.

    The Muni’s life story is sweet and all-absorbing and has been beautifully rendered in the famous biography V DsiIF ha Vaibhavam by his foremost disciple, Sri Kapali Sastriar. Ganapati Muni was born in Kalavarayi near Bobbili in Andhra Pradesh on 17 th

    November1878. He belonged to a family of Sri Vidya initiates (invDsiIF ha gotram ), which had actually migrated from a village near Kumbakonam in Tamil Nadu in the late 16 th or early 17 th century(later the family was well-known as the “Ayyalasomayajulu”

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    family). His parents, Narasimha Sastry and Narasamamba, had

    three sons, Ganapati being the middle one. Nearly a year beforehis birth, on the holy day of rathasaptam n , his mother had beento the famous surya (Sun) temple at Arasavalli (near Srikakulamin Andhra Pradesh) to offer her prayers and worship. She stayed overnight in the temple after the traditional worship to the Lord. Inthe next early morning she had a dream in which a beautiful womanwith golden divine radiance emerged from the corridors of thetemple, approached her with a shining pot of fire and giving it inher hands vanished. To her utter astonishment, the moment thefire pitcher came into contact with her, it entered her womb and assumed the form of a child. Soon after her return to home fromArasavalli, she showed signs of pregnancy. She believed that her child was a divine gift of God agni (fire). While she was waiting to

    deliver the child, her husband, Narasimha Sastry, had gone to theholy city of Kashi (Benares in Uttar Pradesh) in November 1878,where he also had a unique experience. When he was performingtapas in the o huKo i-ga K apati temple (near Visweswara Ghat) hehad the vision of a little child emanating from the Deity and comingnear him. After these wonderful experiences by both parents,Ganapati was born in the parental home of his mother on 17 th

    November 1878. The father appropriately named his second sonGanapati, rooted in his conviction that the child was an emanationof God Ganapati himself. It may be noted that the Vedic deityagni (Fire) is none other than ga Kapati described in the pur DKasand worshipped in the tantras . Ganapati himself was consciousof his divinity. He has expressed this in his most famous poemUmDsahasram and has said that he was born as an amsa (portion)of God Ganapati. He has also expressed his conviction about theidentity between him and God Ganapati, the guiding spirit of hiscorporeal existence, in his work Herambopasth Dnam (Glory of Ganapati).

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    Ganapati was educated entirely at home. His father, NarasimhaSastry, like his ancestors, was an expert and well-versed in mantraQD stra , astrology and D yurveda . With this traditional family

    background, proficiency in these subjects came naturally toGanapati. When he was only 10 years old, he was able to pre-

    pare the pañc DOgam (almanac). He finished studying the classi-cal Sanskrit poems and then devoted himself to the study of gram-mar and poetics. At the same time he delved deep into the writ-ings of Vyasa and Valmiki. Again and again he read theMahabharata. His horizon widened and his intellect mellowed withan ever-deepening perception. Like the ancient Rishis, Ganapatiwanted to experience immense strength and power by the prac-tice of tapasy D through mantra japa and meditation. Although

    married at an early age to Srimati Vishalakshi, he started visitingone sacred place after another for his tapas when he was 18years old. He used to stay in one place for a few days or evenmonths. In one such visit to Bhubaneswar (in Orissa, where thefamous “Lingaraj” temple of Lord Siva is located), during histapas , Ganapati had a vision, in which Goddess lalit D mbik D (bhubane Q var n ) appeared before him, offering divine nectar. AsGanapati tasted this heavenly nectar, the Goddess watched himwith a sweet smile, full of grace. From then onwards, the sweet-ness of the nectar became an integral part of him. After this inci-dent, Ganapati’s intellect developed a rare sharpness and he at-tained complete mastery over poetry. Indeed, the literary work composed after this incident is endowed with a distinct sweetnessand grace.

    When Ganapati was staying in Kashi, he came to know that anassembly of scholars ( harisabh D) would be held in the famouscity of Nabadwipa in Bengal. On the advice of his friends he got a

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    letter of introduction and went to Nabadwipa. There he excelled

    in all the difficult tests that he was put to with an effortless easethat stunned his examiners, who unanimously conferred the titlek Dvyaka KF ha (one who has poetry in his throat – voice of poetry)on him forthwith. He was only 22 years old then (details are inVolume 11).

    Ganapati repaired to the south of the country in his 25 th year.From Kanchipuram he came to Arunachala (Thiruvannamalai) in1903 to perform tapas . He visited twice Sri Brahmana Swamy(who was later named as Bhagavan Sri Ramana Maharshi byKavyakantha himself) before he accepted a teacher’s job at Vellorein 1904. Later in 1907, he resigned his job at Vellore and returned to Arunachala. It was at this stage that he sought and gained the

    grace of Sri Brahmana Swamy (Bhagavan Sri Ramana Maharshi).An intellectual and spiritual giant who had high achievements tohis credit and a host of followers as well, Kavyakantha still feltthat his life’s purpose was not fulfilled. He remembered BrahmanaSwamy whom he had met earlier and approached him for his graceand gain inner realization, peace and true import of tapas that hestill lacked. On 18.11.1907 Kavyakantha approached Brahmana

    Swamy, who was staying in the Virupaksha cave, and prostratinghimself at his feet said in a trembling voice: “All that has to be

    read I have read, even Vedanta Sastra I have fully under- stood. I have performed japa and puja to my heart’s con- tent. Yet I have not up to this time understood what tapasis. Hence have I sought refuge at thy feet, pray enlighten

    me about the nature of tapas.” For quite sometime BrahmanaSwamy gazed silently at Kavyakantha. He broke his 11 years of long silence and spoke gently, “ If one watches where his no-

    tion of “I” springs, the mind will be absorbed into that.That is tapas. If a mantra is repeated and attention is di-

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    bhurityagnau prati ti IF hati (“having separated the two parts of

    the cranium, he stands established in Fire as BhuU, the earthelement”) and mentioned several great effects of the power of yoga experienced at this time with their secrets. It is usually believed that the physical effects of this great experience are such that the

    body cannot sustain long following this event. However, in his case,with the strength of his own tapasy D and the Grace of his mostcompassionate Master, he lived for fourteen long years (althoughhe had to observe certain physical restrictions, such as that hecould not shave his head nor could put his bare feet on the ground)after this experience. This event speaks volumes on theextraordinary nature of his tapasy D and the fact that he was perhapsthe greatest Master of tantra born on this earth. In fact, the finalrevision of his magnum opus UmD -sahasram after this experi-

    ence, remains, testimony not only to his supreme mastery over thetantras but also his ability to find the reconciliation and concor-dance between the Vedic , Upanishadic and the Tantric schools of thoughts. The kapD labheda experience also reconfirms the con-viction that he was the direct aWQ a (portion) of the Vedic deityagni (who resides as the power of kuKo alin n in the mulDdhDraof human beings).

    The poet seer Kavyakantha Ganapati Muni met Sri Aurobindoon 15 th August 1928. He stayed at the Sri Aurobindo Ashram for about a fortnight. During this stay at the Ashram, the Muni meditated with The Mother a few times. After one such meditation, TheMother expressed that the Muni was a real yogi who could plungeinto great depths the moment he started meditation and that shehad not so far found any person abiding in Her spiritualconsciousness as Ganapati Muni did. Further, at the instance of Sri Kapali and Sri S. Doriswamy Iyer, the Muni translated some

    portions of Sri Aurobindo’s The Mother (mDt r tattvaprak DQ ik D)

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    in chaste Sanskrit verses with some notes. On reading the Muni’s

    translation, Sri Aurobindo seems to have very generouslyobserved, “ It far excels the original .” It is also worth mentioningthat the Muni presented to Sri Aurobindo the last and final versionof his UmDsaharam (written in his own handwriting after his ex-

    perience of kap Dlabeheda ) with specific notes on each chapter before his meeting in 1928.

    It is more than six decades since the great Kavyakantha GanapatiMuni passed away in 1936. He was a great tapasv n , whose oneaim in life was the restoration of Bh Drata M DtD (Mother India) toher ancient greatness. Unlike others who aim at liberation for them-selves, this great soul believed that he must obtain the grace of God not for himself but for the nation and through it for the better-

    ment of the world. Towards that consummation he had done pen-ance since his early years and this, too, very rigorously during thelast years of his life.

    The Vedic seers were by no means recluses from the affairs of theworld. In fact, these Vedic seers made themselves the superior vehicle through which the divine forces of heaven played for the

    welfare of humanity. To become one such perfect instrument inthe hands of the Maha Shakti was the goal towards which Ganapatiworked and dedicated his entire life. Although the Muni was agiant personality, he was very humble in his day-to-day life. Thiscan be proved by two incidents in his divine life. The Muni and his

    beloved disciple, Daivarata, did tapas in Padaivedu near Vellorein the year 1917. As a result of the tapas , certain Mantras wererevealed to his disciple Daivarata. Ganapati Muni, the guru ,recorded the Mantras as they came down from the lips of Daivarata,his disciple. He even wrote a commentary on the Mantras, asSankara did for his disciple, Hastamalaka. There is yet another

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    incident to which I would like to draw the attention of the readers.

    The Muni was verily a fountain of love and affection for his pupilsand followers far and near. This did not deter the guru and Q iI yafrom having a difference of opinion at times. The Muni blessed SriKapali Sastriar and permitted him to follow Sri Aurobindo.

    A scholar poet, Sri Vasishta Ganapati Muni has many spiritual and other writings in Sanskrit to his credit. UmD sahasram, g n tam D lD ,rama K ag n t D , rama K acatv D ri WQ at and saddar Q anam are a fewtitles well-known among his disciples and others. But very little isknown about his other numerous Sanskrit writings, covering a widevariety of topics: praises and prayers to various deities ( stotras ),

    poetic compositions (k Dvyas ), philosophy ( dar Q ana ), logic(nyD ya QDstra ), medical science (D yurveda ), astrology and

    astronomy ( jyoti I aQDstra ), commentaries ( bh DI ya ), novel(DkhyD yik D), letters ( patr DKi) and other research works. Hisversatility can also be judged from his writings sDmrajya-nibandhanam (a proposed constitution for India) and lDlibh DIopade Q a (a new language for the Indian people). He wasspontaneous in composing all these either in verse form ( Q lokas )or in the form of aphorisms ( sutras ) or prose form ( gadya ). Nev-ertheless, all these were the result of his tapas , an outpouring of his soul in seeking or gratitude to the Divine.

    Of his stotrak D vyas, um D sahasram, indr DK isapta Q ati, prac Ko aca Ko itri Q at n and gn tam D lD are meant for those longingfor a great spiritual realisation. The indrasahashran D ma is a com-

    position of thousand names of indra culled from the Rigveda,which are strung into a garland of one hundred and eight verses.The rama K acatv D ri WQ a t (40 verses in praise of BhagavanSri Ramana Maharshi) is chanted daily both at the Sri RamanaAshramam and in innumerable homes of the devotees of

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    Sri Ramana Maharshi. The Muni had an unique ability of render-

    ing philosophical thoughts in the form of poetry ( Q lokas ), and hiswritings viQ vam n mDWsD , rama Kag n t D , saddar Q anam and tattvagha KFDQ atakam remain in testimony to this. Rama Kag n t Dis in the form of recordings of questions put forth by disciples and the answers given by the Maharshi and is one of the most cher-ished writings of the Muni. His saddar Q anam is the Sanskrit ren-dering of Sri Maharshi’s Tamil writing, ulladu narpadu (FortyVerses on Reality) on which his beloved and learned disciple,Sri T.V. Kapali Sastriar, has written a faithful commentary inSanskrit. This reflects the spirit of Sri Maharshi’s original teachings.

    Of his vast and variety of su tra writings, it would be difficult tosingle out any one as more meritorious than the others.

    Da Q amah DvidyDsutram (the ten cosmic powers of the DivineMother as described in the tantras ) is an outstanding composi-tion, in which the Muni has described the ten cosmic aspects of the Divine Mother and their significance. Here he has also broughtout the association of these ten cosmic aspects of the Mother described in the Tantra with the corresponding Vedic deities.Thereby, not only he has been able to bring forth a link between

    the Vedas, Upanishads and Tantras, but also has been successfulin dispelling several wrong conceptions on the significance of thesedeities. These compositions reflect Muni’s great powers of Yogic

    perception. The way in which he has expounded the different dei-ties such as k Dln , t Dr D , sundar n , bhuvane Q var n , praca Ko aca Kon ,etc., and correlates them to the Vedantic concepts has once for allremoved all antagonisms and has bridged the so-called gulf be-tween the Vedantic and Tantric schools of philosophy. RD jayoga-sDras utra is a short and concise exposition of the Upanishadicmethods of the inner quest. Caturvy uhas utra is a revelation of the cosmic divinities wherein he has expounded the four important

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    emanations of the Vedic deity Indra ( Dk DQ a, k Dla, vidyut and

    surya ). Jaimin n yatarkav Drtikam is his own interpretation of thesu tras of Jaimini, where he has advocated that the Vedas are in-deed pauru I eyam (of human origin). Further, in this he has givenhis own interpretation of the mn mDW sD philosophy, placing it on ahigher pedestal in relation to Vedanta. His Q abdapram DK acarc D also discusses the origin of Vedas. Pañcajanacarc D and vivDhadharmas utram are related to social aspects. In the former one the practice of “untouchability” is condemned with the au-thority of QDstras. In the latter he deals with marriage as a sacra-ment. His other sutra writings also include cikits DnuQDsanam(D yurveda) and ga Kaka-ka KF hDbhara Kam (astronomy) as wellas sDmr D jya-nibhandhanam (a proposed constitution for India) .

    The prose writings of Vasishtha Ganapati Muni too are extensiveand these include: commentaries on several texts including Vedasand Upanishads; study on the different characters of the greatepic poem Mah DbhDrata ; letters to Sri Ramana Maharshi, TheMother of the Sri Aurobindo Ashram, and others.

    His commentaries on Rigvedic mantras and the nQ opani Iad, though brief, are revealing and illumining. The Muni has given his own originalspiritual interpretation of the mantras, and he was highly critical of the ritualistic interpretation of Rigvedic mantras by Sayana. Hiscommentary on the nQ opani Iad is original and is in the light of theteachings of Sri Ramana Maharshi. His bhDrata-caritram n mDWsDis unique as it establishes a link between some of the importantcharacters of the mah DbhDrata and those mentioned in the Vedictexts. rama Kag n t D, saddar Q ana and the commentary on theupade Q asDram (thirty verses written by Sri Ramana Maharshi inSanskrit), are most popular writings of the Muni which reveal thegreatness of the teachings of Sri Ramana Maharshi.

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    xvii

    His novel, pur KD, in Sanskrit, though unfinished, is unique in many

    ways. The style and diction that the Muni used here make it anunparalleled novel of his time. It not only depicts the ability of theMuni to write beautifully and spontaneously in Sanskrit prose, butit also records his power of expressing the feelings of the heartand not just the logic of the mind.

    In the letters of the Muni to Sri Maharshi and The Mother of theSri Aurobindo Ashram, one can find the art of letter-writing inSanskrit. Through these letters he was able to express lucidly hisdeepest aspirations, concepts and thoughts.

    However, it is difficult to summarise the thoughts, perceptions and literary ability of the Muni. The Muni, indeed, was a versatile genius

    and can be compared with Kalidasa and Shankara in poeticrenderings, with Vyasa in sutra writings and with Patanjali, Shabaraand Shankara in writing commentaries. The writings of the Muniare not just some products of literary activities but are the recordsof his unique Yogic experiences and subtle visions and will be aguiding spirit and lamp for the centuries to come.

    Late K. NatesanEditor Collected Works of Vasishtha Kavyakantha Ganapati Muni

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    xviii

    A Note on the Numbering Systemused for the Indexing

    Index to the ContentsHere the first digit refers to the Volume number of the Collected

    Works, the second refers to the sequence in which it comes in thatvolume (as given in the contents of the volume), and the third refersto the page number/s.

    Index to the MetresHere the first digit refers to the Volume number of the Collected

    Works, the second refers to the sequence in which it comes in thatvolume (as given in the contents of the volume), and sometimesone finds a third one in this index which refers to the sub-section.The last digit/s refer to the verse number/s.

    Index to the Vedamantras

    Here the digits on the left column refer to the book number, sectionnumber and the verse number/s of Rigveda. For example: 10.2.3means Rigveda tenth book, hymn two and mantra number three.The digits on the right column refer to the volume number and

    page number/s of the Collected Works.

    Index to the ShlokasHere the first digit refers to the volume number of the Collected Works and the second digit refers to the page number/s.

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    vuqØe.kh 2

    VOLUME 2

    2. Lrks=kxzUFkekyk stotragrantham DlDThe Book of Adoration (Part Two)

    2.1. nsohLrks=ke×tjh Verses in praise of devn stotramañjar n Goddess Uma (118 verses)

    2.2. Jhf=kiqjlqUnjhxhre~ Singing praise of GoddessQ r n tripurasunda- Tripurasundari (18 verses)r n gn tam

    2.3. ve`rkEckiŒjÃe~ Verses in praise of Amritamba – am r t DmbD- the consort of Narasimha

    pañcaratnam (5 verses)

    2.4. lkSUn;kZEckfuokZ.k& Verses on the liberation of ”kV~de~ Saunda-ryamba – the mother of soundary DmbD- Sri Ramana Maharshinirv DKa IaF kam (6 verses)

    2.5. js.kqdk”kV~de~ Verses on Renuka – the mother re Kuk DIaF kam of Parasurama (6 verses)

    2.6. js.kqdklÆde~ Verses in praise of GoddessreKuk Dsaptakam Renuka (7 verses)

    2.7. bUæk.khlÆ’krh Verses in praise of Goddessindr DKn sapta Q at n Indrani – the consort of the

    Vedic godhead Indra (700 verses)

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    fo”k;lw ph 3

    2.8. izp.Mp.Mhf=k’krh Verses in praise of praca Ko aca Kon - Chinnamasta – one of the tentri Q at n cosmic powers of the Divine

    Mother (300 verses)

    2.9. e…yxkSjhLrks=ke~ Benedictory verses in praise of ma Ogalagaur n - Goddess Gauri (8 verses)stotram

    VOLUME 3

    3. Lrks=kxzUFkekyk stotragrantham DlDThe Book of Adoration (Part Three)

    3.1. Jhje.kpRok¯j’kr~ Verses in praise of Sri RamanaQ r n rama Ka- Maharshi (40 verses)catv Dri WQ at

    3.2. f’ko’krde~ Verses in praise of ShivaQ iva Q atakam (100 verses)

    3.3. f’koLrojkt% Verses in praise of ShivaQ ivastavar D ja U (72 verses)

    3.4. f’kolÆfrukeLrks=ke~ Seventy names of ShivaQ ivasaptati- as mentioned in the VedanDmastotram (8 verses)

    3.5. bUælgüukeLrks=ke~ Verses having one thousand indrasahasra- names of Indra as mentioned innDmastotram the Rigveda (115 verses)

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    fo”k;lw ph 5

    3.14. o`ð”.kk{kjekyk Verses on Sri Krishna ink rIKDk Iaram DlD Sanskrit alphabetical order

    (50 verses)

    3.15. jkexhrk Verses on Sri Rama (9 verses)r Dmag n t D

    3.16. xhrekyk Garland of ten songs praisinggn tam DlD different Vedic and other

    godheads (225 verses)

    3.17. f’koxhre~ Verses praising Lord ShivaQ ivag n tam (25 verses)

    3.18. je.kxhre~ Verses praising Sri Ramanarama Kag n tam Maharshi (4 verses)

    VOLUME 4

    4. rÙoxzUFkekyk tattvagrantham DlDThe Book on Principles of Existence

    4.1. lnkpkjcksf/kuh Code of conduct for humansad DcDrabodhin n beings (81 verses)

    4.2. rÙOk?k.Vk’krde~ Verses on the principles of tattvagha KFD- existence composed extem-Q atakam pore in one hour as a part of an

    ashtavadhanam (100 verses)

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    vuqØe.kh 6

    4.3. * rU=kän;e~ A Tantra treatise on worship-tantrah r dayam ping different aspects of the

    Divine Mother (192 verses)

    4.4. v{kjkofy% Verses describing Sanskritak Iar Dvali U syllables (alphabet) and their

    corresponding deities (21 verses)

    4.5. Jhje.kxhrk Teachings of Sri RamanaQ r n rama Kag n t D Maharshi (303 verses)

    4.6. lí’kZue ~ Sanskrit rendering of an originalsaddar Q anam Tamil text “ ulladu narpadu ” of

    Sri Ramana Maharshi (44 verses)

    4.7-9. * foÌehekalk These three (4.7-9) deal withviQ vam n mDWsD several spiritual and metaphysi-

    cal aspects of the principles of existence (679 verses)

    4.10. */kekZuq’kklue~ Verses dealing with the Hindudharm Dnu- religious injunctions (39 verses)QDsanam

    * Incomplete writings

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    fo”k;lw ph 7

    VOLUME 5

    5. lw=kxz UFkekyk sutragrantham DlDThe Book of Aphorisms (Part One)

    5.1. egkfo|klw=ke~ On the ten cosmic powers of mah DvidyDsutram the Divine Mother

    (705 aphorisms)

    5.2. jkt;ksxlkjlw=ke ~ Essence of Rajayogar D jayogas Dras utram (103 aphorisms)

    5.3. bUæsÌjkHksnlw=ke ~ Proclamation of the non-indre Q var D difference between Indra and

    bhedas utram Ishwara (37 aphorisms)

    5.4. prqO;wZglw=ke ~ Four main aspects of the Indracaturvy uhas utram of the Rigveda (162 aphorisms)

    5.5. #æoqðVqEclw=ke~ Description of the family of rudraku F umba Rudra (42 aphorisms)sutram

    5.6. l`fÎlw=ke~ On Creation (33 aphorisms) srIF isutram

    5.7. bZÌjehekalk Description of the true naturenQ varam n mDWsD of Ishwara (65 aphorisms)

    5.8. fØ;k’kfÚehekalk On the Divine power of action kriy DQ aktim n mDWsD (24 aphorisms)

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    5.9. fl)kUrlkjlw=ke ~ The essence of decisive truthsiddh Dntas Dra- principle (42 aphorisms)sutram

    5.10. euh”kklÈxzg% A manual of spiritual scienceman nIDsa Ograha U (120 aphorisms)

    5.11. vFk ‘kkfUrrikscks/kkuka Determining the fruits of peace, Qyfu:i.ke ~ austerity and knowledgeatha QDntitapobodh DnDW(9 aphorisms)

    phalanir u pa Kam

    5.12. xk;=khO;k[;kue~ Explanation of the GayatrigD yatr n vyDkhyDnam Mantra of Rishi Vishwamitra

    (48 aphorisms)5.13. ;ksxO;k[;kue~ On Yoga (48 aphorisms)

    yogavy DkhyDnam

    5.14. lhrkO;k[;kue~ On Sita – the consort of sn t DvyDkhyDnam Sri Rama (51 aphorisms)

    5.15. o`ð”.kO;k[;kue ~ On Sri Krishnak rIKavy DkhyDnam (75 aphorisms)

    5.16. rÙolkekU;ehekalk A brief enquiry into thetattvas DmDnya- principles of existencemn mDWsD (20 aphorisms)

    5.17. * rÙoehekalk The principles of existencetattvam n mDWsD (245 aphorisms)

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    fo”k;lw ph 9

    5.18. izek.kijh{kk Explaining Pramana, a means to pram DKapar n k ID attain Prama or a certain

    Knowledge (50 aphorisms)

    5.19. leok;ijh{kk Explaining Samavaya or thesamav D yapar n k ID perpetual co-inherence that lies

    between a substance and its qualities (14 aphorisms)

    5.20. vHkkoijh{kk Explaining Abhava or non-abh Dvapar n k ID existence, one of the six

    pramanas of the Vedanta philosophy (40 aphorisms)

    5.21. iŒtuppkZ On untouchability pañcajanacarc D (89 aphorisms)

    5.22. xks=kizojfu.kZ;% Determination of the family sub-gotrapravara- divisions (200 aphorisms)nir Kaya U

    5.23. fookg/keZlw=ke~ On Hindu laws and custom of vivDhadharma- marriage (151 aphorisms)sutram

    5.24. ‘kCnizek.kppkZ An enquiry into the authority of Q abdapram DKacarc D Vedas (166 aphorisms)

    5.25. tSfeuh;roZðok£rde~ A new interpretation of jaimin n yatarka- the aphorisms of JaiminivDrtikam (348 aphorisms)

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    vuqØe.kh 10

    5.26. iŒeehekalk On five kinds of people pañcamam n mDWsD (130 aphorisms)

    5.27. n’kZuekyk On Metaphysicsdar Q anam DlD (121 aphorisms)

    5.28. x.kifrn’kZue~ Spiritual thoughts of Ganapatiga Kapatidar Q anam Muni (95 aphorisms)

    5.29. * ’kfÚn’kZue~ On the dynamic aspect of theQ aktidar Q anam Divine (109 aphorisms)

    5.30. lkezkT;fucU/kue~ A new constitution for IndiasDmr D jya (560 aphorisms)nibandhanam

    VOLUME 6

    6. lw=kxzUFkekyk su tragrantham DlDThe Book of Aphorisms (Part Two)

    6.1-16. * foÌehekalk An encyclopedic work on allviQ vam n mDWsD aspects of the Hindu religion

    (1640 aphorisms)

    6.17. rÙokuq’kklulw=kkf.k Instructions on the principles of tattv Dnu QDsana- existence (18 aphorisms)

    sutr DKi

    6.18-26 */kekZuq’kklue~ Instructions on Dharmadharm Dnu- (839 aphorisms)QDsanam

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    fo”k;lw ph 11

    6.27-28 * nsorkehekalk On Vedic detiesdevat Dmn mDWsD (162 aphorisms)

    6.29. * okflÏn’kZue~ Doctrine of Ganapati MunivDsiIF hadar Q anam (45 aphorisms)

    6.30. * lokZFkZn’kZue~ On the doctrine of directsarv Drtha- perception (77 aphorisms)dar Q anam

    6.31. *vkfn’kkýkFkZlw=ke ~ On the first hymn of theDdiQDstr Dtha- Rigveda (70 aphorisms)sutram

    6.32. * okflÏdkelw=kkf.k On sexual love as understood vDsiIF hak Dma by Ganapati Munisutr DKi (89 aphorisms)

    6.33. * egkok£rde~ On the authenticity of Vedicmah DvDrtikam texts (94 aphorisms)

    VOLUME 7

    7. Hkk”;xzUFkekyk bhDI yagrantham DlDThe Book of Commentaries

    7.1. * ewyxzUFkiz’kalk A tribute to Rigvedamulagrantha-

    pra Q aWsD

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    7.2. * uwruHkk”;dj.kk& Necessity for a fresh and new oljdFkue~ interpretation of the Rigvedanutanabh DI yakara KD-vasarakathanam

    7.3-5. * _XosnHkk”;e~ Introduction to a commentaryr gvedabh DI yam on the Rigveda

    7.6. *vkfnosnehekalk On the Rigveda Ddivedam n mDWsD

    7.7. * _Xosnfoe£’kuh Rigveda – an introductionr gvedavimar Q inn

    7.8. _XosneU=kHkk”;e~ Explanation of some of ther gvedamantra- hymns of the 1 st, 2 nd and 7 th

    bhDI yam mandala of Rigveda

    7.9. * foÌehekalk& On word-meaning relationship izFkee~ v{kjizdj.ke ~ viQ vam n mDWsD-

    prathamamak Iara- prakara Kam

    7.10. * ns orkdk.Ms f}rh;a Second chapter on Vedic izdj.ke~ godheadsdevat Dk DKo e dvit n yaW

    prakara Kam

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    fo”k;lw ph 13

    7.11. * ,sUælgüuke& Commentary on thousand Hkk”;e~ names of Indraaindrasahasra-nDmabh DI yam

    7.12. tSfeuh;lw=kHkk”;e ~ Commentary on the aphorisms jaimin n yas utra- of JaiminibhDI yam

    7.13. bZ’kksifu”kn~Hkk”;e~ Commentary on Ishopanishad nQ opani Iadbh DI yam

    7.14. mins’klkjHkk”;e ~ Commentary on Upadeshasaraupade Q asDrabh DI yam of Sri Ramana Maharshi

    7.15. xq#eU=kHkk”;e~ Commentary on Gurumantragurumantrabh DI yam

    7.16. vxë s% prüks foHkw r;% Four emanations of Agniagne U catasrovibh utaya U

    7.17. nSojkrn’kZue~ A commentary on thevUo;Hkk”;e ~ doctrine of Daivarata,daivar Dta- a disciple of Sri Ganapati Munidar Q anamanvayabh DI yam

    7.18. * ekr`rÙoizdkf’kdk A Sanskrit rendering of twomDt r tattva- chapters of Sri Aurobindo’s prak DQ ik D The Mother

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    vuqØe.kh 14

    7.19. * ’kkjhjdehekalk A note on the Brahmasutra- fVIi.kh bhashya of Adi SankaraQDr n rakam n mDWsD-F ippa Kn

    7.20. * oS fndinkukeFkkZ % Meanings of Vedic wordsvaidikapad DnDmarth DU

    VOLUME 8

    8. vk;q os Z nT;ks fr”kxz UFkekyk D yurvedajyoti Iagrantham DlDThe Book of Ayurveda and Astrology

    8.1. fpfdRlkuq’kklue~ Instructions on medicalcikits DnuQDsanam treatment (384 aphorisms)

    8.2. izk.krks”k.ke ~ A treatise on the maintenance of pr DKato IaKam a healthy life (108 verses)

    8.3. gksjkfu.kZ;lÈxzg% A treatise on Astrologyhor Dnir Kaya- (81 verses)sa Ograha U

    8.4. “kksM’kÜyksdh Merits and demerits of theIoo aQ aQ lok n planetary positions (16 verses)

    8.5. f=kHkkoQypfUædk A work on Keraliya Astrologytribh Dvaphala- dealing with Ayu – life-span,candrik D Kalatra – wife, Putra – son

    (89 verses)

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    fo”k;lw ph 15

    8.6. x.kdd.BkHkj.ke~ On movements of the planetsga Kakaka KF hD-bhara Kam

    VOLUME 9

    9. *Hkkjrpfj=keheka lk bh Dratacaritram n mDWsDA Treatise on the Mahabharata

    VOLUME 10

    10. * iw .kkZ pur KDPurna – A Novel

    VOLUME 11

    11. izdh.kZ de~ prak n r KakamMiscellaneous Writings

    11.1. x.kifrequs% i=kkf.k Letters of Ganapati Muniga Kapatimune U patr DKi

    11.2. uo}hi&dkO;d.B% Ganapati Muni recievingnavadv n pa-k Dvya- ‘Kavyakantha’ titlekaKF ha U

    11. 3. izkLrkfodi|kfu Collection of stray verses pr Dst Dvikapady Dni

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    11. 4. lqdU;knülaokn% Dialogue between Sukanyasukany Ddasra- and Ashwinideva fromsa WvDda U Mahabharata

    11. 5. ik.Mo/kkrZjkΪlEHko% Extempore verses on the origin pDKo avadh Drta- of the Pandavas and Kauravasr DIF rasa Wbhava U

    11. 6. *Hk`xqoa’k bfrgkl% History of Bhrigu lineagebh r guva WQ aitih Dsa U

    11. 7. ykfyHkk”kksins’k% A proposed new languagelalibh DIopade Q aU

    11. 8. brjxzUFkk% Other textsitaragranth DU

    VOLUME 12

    12. vuq Øe.kh anukrama Kn Index

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    17 fo”k;kuq Øe.kh

    v{kjkofy%akñarävaliù 4 .4, 54-56

    vXus% prüks foHkw r;% agneù catasro vibhütayaù 7 .16, 235-240vFk ‘kkfUrriks cks/kkuka Qyfu:i.ke~atha çäntitapobodhänäà

    phalanirupaëam 5 .11, 113

    vHkkoijh{kkabhävaparékñä 5 .20, 166-169

    ve`rkEckiŒjÃe~amåtämbäpaï caratnam 2 .3, 18

    vkfnosneheka lk ädivedamémäà sä 7 .6, 44-54vkfn’kkýkFkZlw=ke~ädiçasträrthasütram 6 .31, 240-241

    brjxzUFkk%itaragranthäù 11 .8, 141-179

    bUæukefuoZpue~indranämanirvacanam 7 .10, 162-176

    bUæ¯o’kfr%indravià çatiù 3 .8, 77-79

    bUælÆde~indrasaptakam 3 .9, 80-81

    bUælgüukeLrks=ke~ indrasahasranämastotram 3 .5, 33-57 bUælgüs dVk{kLrcde~ indrasahasre kaöäkñastabakaù 3 .7, 74-76

    bUælgüs izFkea ‘krde~indrasahasre prathamaà çatakam3 .6, 58-73

    bUæk.khlÆ’krh indräëésaptaçaté 2 .7, 22-98 bUæsÌjkHksnlw =ke~ indreçvaräbhedasütram 5. 3, 67-69

    bZ’kksifu”kn~Hkk”;e~éçopaniñadbhäñyam 7 .13, 197-204

    fo”k;kuqØe.kh

    I NDEX TO THE C ONTENTS OF ALL V OLUMES

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    18 vuqØe.kh

    bZÌjehekalk éçvaramémäà sä 5 .7, 90-95

    mins’klkjHkk”;e~upadeçasärabhäñyam 7 .14, 205-217

    mek·{kjekykumäkñaramälä 1 .5, 30-35

    mekf=k’krhumätriçaté 1 .3, 8-13

    mek’krde~ umäçatakam 1 .4, 14-29

    meklgüe~ umäsahasram 1 .6, 36-182

    mnkär_Xos neU=kk.kka lw phudähåtaågvedamanträëäà sücé 9 . 194-223

    _XosnHkk”;e~ ¼1½ågvedabhäñyam (1) 7 .3, 5-23

    _XosnHkk”;e~ ¼2½ågvedabhäñyam (2) 7 .4, 24-36

    _XosnHkk”;e~ ¼3½ågvedabhäñyam (3) 7 .5, 37-43

    _XosneU=kHkk”;e~ågvedamantrabhäñyam 7 .8, 61-155

    _Xos nfoe£’kuh ågvedavimarçiné 7 .7, 55-60

    ,sUælgüukeHkk”;e~aindrasahasranämabhañyam 7 .11, 177-182

    o` ð”.kO;k[;kue~ kåñëavyäkhyänam 5 .15, 126-131

    fØ;k’kfÚehekalkkriyäçaktimémäà sä 5 .8, 96-98

    x.kdd.BkHkj.ke~gaëakakaëöhäbharaëam 8 .6, 80-105

    x.kifrn’kZue~ gaëapatidarçanam 5 .28, 294-302

    x.kifrequs% i=kkf.kgaëapatimuneù paträëi 11 .1 1-33

    xk;=khO;k[;kue~gäyatrévyäkhyänam 5 .12, 114-117

    xhrekykgétamälä 3 .16, 98-124

    xq#eU=kHkk”;e~gurumantrabhäñyam 7 .15, 218-234

    xks=kizojfu.kZ;%gotrapravaranirëayaù 5 .22, 178-203

    prqO;wZglw=ke~caturvyühasütram 5 .4, 70-83

    fpfdRlkuq’kklue~cikitsänuçasanam 8 .1, 1-36

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    19 fo”k;kuq Øe.kh

    tSfeuh;roZðok£rde~ jaiminéyatarkavärtikam 5 .25, 234-267

    tSfeuh;lw=kHkk”;e~ jaiminéyasütrabhäñyam 7 .12, 183-196

    rÙOk?k.Vk’krde~ tattvaghaëtöäçatakam 4 .2, 11-22 rÙoehekalktattvamémäà sä 5 .17, 137-158

    rÙolkekU;ehekalktattvasämänyamémäà sä 5 .16, 132-136

    rÙokuq’kklulw=kkf.ktattvänuçäsanasüträëi 6 .17, 134-135

    rU=kän;e~tantrahådayam 4 .3, 23-53

    f=kHkkoQypfUædktribhävaphalacandrikä 8 .5, 67-79

    n’kZ uekyk darçanamälä 5 .27, 283-293

    nsorkehekalk ¼1½devatämémäà sä (1) 6 .27, 215-223

    nsorkehekalk ¼2½devatämémäà sä (2) 6 .28, 224-228

    nsohLrks=ke×tjh devéstotramaï jaré 2 .1, 1-15

    nSojkrn’kZue~daivarätadarçanam 7 .17, 241-263

    /kekZuq’kklue~ dharmänuçäsanam 4 .10, 213-217/kekZuq’kklue~ ¼1½dharmänuçäsanam (1) 6 .18, 136-152

    /kekZ uq’kklue~ ¼2½dharmänuçäsanam(2) 6 .19, 153-181

    /kekZuq’kklue~ ¼3½dharmänuçäsanam(3) 6 .20, 182-195

    /kekZuq’kklue~ ¼4½dharmänuçäsanam(4) 6 .21, 196-198

    /kekZuq’kklue~ ¼5½dharmänuçäsanam(5) 6 .22, 199-202

    /kekZuq’kklue~ ¼6½dharmänuçäsanam(6) 6 .23, 203-205

    /kekZuq’kklue~ ¼7½dharmänuçäsanam(7) 6 .24, 206-207

    /kekZuq’kklue~ ¼8½dharmänuçäsanam(8) 6 .25, 208-210

    /kekZuq’kklue~ ¼9½dharmänuçäsanam(9) 6 .26, 211-214

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    uo}hidkO;d.B%navadvépakävyakaëöhaù 11 .2, 34-40

    uwruHkk”;dj.kkoljdFkue~nütanabhäñyakaraëävasarakathanam7 .2, 2-4

    iŒtuppkZ paï cajanacarcä 5 .21, 170-177

    iŒeehekalkpaï camamémäà sä 5 .26, 268-282

    ik.Mo/kkrZ jk”Vª lEHko%päëòavadhärtaräñörasambhavaù 11 .5 57-61

    iw.kkZpürëä izFkeks Hkkx%prathamo bhägaù 10 .1, 1-133

    f}rh;ks Hkkx%dvitéyo bhägaù 10 .2, 134-239

    izp.Mp.Mhf=k’krhpracaëòacaëòétriçaté 2 .8, 99-131

    izek.kijh{kkpramäëaparékñä 5 .18, 159-163

    iz k.krks”k.ke~ präëatoñaëam 8 .2, 37-51 izkLrkfodi|kfuprästävikapadyäni 11 .3 41-48

    Hkkjrpfj=kehekalkbhäratacaritramémäà sä 9 .1-193

    Hk`xqoa’ksfrgkl%bhåguvaà çetihäsaù 11 .6, 62-112

    e…yxkS jhLrks=ke~ maì galagauréstotram 2 .9, 132

    euh”kklÈxzg%manéñäsaì grahaù 5 .10, 103-112

    egkok£rde~mahävärtikam 6 .33, 250-257

    egkfo|klw=ke~mahävidyäsütram 5 .1, 1-57

    ekr`rÙoizdkf’kdkmätåtattvaprakäçikä 7 .18, 264-278

    ewyxzUFkiz’kalkmülagranthapraçaà sä 7 .1, 1

    ;ksxO;k[;kue~ yogavyäkhyänam 5 .13, 118-121

    je.kxhre~ramaëagétam 3 .18, 128

    jkt;ksxlkjlw=ke~räjayogasärasütram 5 .2, 58-66

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    21 fo”k;kuq Øe.kh

    jkexhrkrämagétä 3 .15, 96-97

    #æoqðVqEclw=ke~rudrakuöumbasütram 5 .5, 84-86

    js.kqdk”kV~de~reëukäñaökam 2 .5, 20

    js.kqdklÆde~reëukäsaptakam 2 .6, 21

    ykfyHkk”kks ins’k%lälibhäñopadeçaù 11 .7, 113-140

    okflÏdkelw=kkf.kväsiñöhakämasüträëi 6 .32, 242-249

    okflÏn’kZue~väsiñöhadarçanam 6 .29, 229-232

    fookg/keZ lw =ke~ vivähadharmasütram 5 .23, 204-217

    foÌehekalkviçvamémäà sä 7 .9, 156-161

    foÌeheka lk ¼1½ viçvamémäà sä (1) 4 .7, 121-172; 6 .1, 1-3 foÌehekalk ¼2½ viçvamémäà sä (2) 4 .8, 173-197; 6 .2, 4-6 foÌehekalk ¼3½ viçvamémäà sä (3) 4 .9, 198-212; 6 .3, 7-33 foÌeheka lk ¼4½ viçvamémäà sä (4) 6 .4, 34-52

    foÌehekalk ¼5½viçvamémäà sä (5) 6 .5, 53-69

    foÌehekalk ¼6½ viçvamémäà sä (6) 6 .6, 70-79

    foÌeheka lk ¼7½ viçvamémäà sä (7) 6 .7, 80-88

    foÌehekalk ¼8½viçvamémäà sä (8) 6 .8, 89-97

    foÌehekalk ¼9½ viçvamémäà sä (9) 6 .9, 98-106

    foÌeheka lk ¼10½viçvamémäà sä (10) 6 .10, 107-112

    foÌeheka lk ¼11½viçvamémäà sä (11) 6 .11, 113-114

    foÌehekalk ¼12½viçvamémäà sä (12) 6 .12, 115-119

    foÌeheka lk ¼13½viçvamémäà sä (13) 6 .13, 120-123

    foÌehekalk ¼14½viçvamémäà sä (14) 6 .14, 124-126

    foÌehekalk ¼15½viçvamémäà sä (15) 6 .15, 127-130

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    22 vuqØe.kh

    foÌeheka lk ¼16½viçvamémäà sä (16) 6 .16, 131-133

    oSfndinkuke~ vFkkZ%vaidikapadänäm arthäù 7 .20, 292-294

    ’kfÚn’kZue~çaktidarçanam 5 .29, 303-311

    ‘kCnizek.kppkZ çabdapramäëacarcä 5 .24, 218-233

    ‘kkjhjdehekalkfVIi.khçärérakamémäà säöippaëé 7 .19, 279-291

    f’koxhre~ çivagétam 3 .17, 125-127

    f’ko’krde~ çivaçatakam 3 .2, 7-20

    f’koLrojkt % çivastavaräjaù 3 .3, 21-29

    f’kolÆfrukeLrks=ke~çivasaptatinämastotram 3 .4, 30-32

    Jho`ð”.kk{kjekfydkçrékåñëäkñaramälikä 3 .14, 89-95

    Jhxq #Lrq fr%çrégurustutiù 1 .1, 1

    JhrkjdjkeukeLrqfr%çrétärakanämastutiù 3 .13, 87-88

    Jhf=kiqjlqUnjhxhre~çrétripurasundarégétam 2 .2, 16-17

    JhioukÎde~ çrépavanäñöakam 3 .10, 82-83

    Jhu`¯lgiŒjÃe~ çrénåsià hapaï caratnam 3 .11, 84-85

    Jh;ksxk×tus;iŒjÃe~ çréyogäï janeyapaï caratnam 3 .12, 86

    Jhje.kxhrk çréramaëagétä 4 .5, 57-110Jhje.kpRok¯j’kr~çréramaëacatvärià çat 3 .1, 1-6

    “kks M’kÜyksdh ñoòaçaçloké 8 .4, 64-66

    lnkpkjcksf/kuhsadäcärabodhiné 4 .1, 1-10

    lí’kZue~saddarçanam 4 .6, 111-120

    leok;ijh{kksamaväyaparékñä 5 .19, 164-165

    lokZ FkZ n’kZ ue~ sarvärthadarçanam 6 .30, 233-239

    lkezkT;fucU/kue~sämräjyanibandhanam 5 .30, 312-368

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    23 fo”k;kuq Øe.kh

    fl)kUrlkjlw=ke~siddhäntasärasütram 5 .9, 99-102

    lhrkO;k[;kue~sétävyäkhyänam 5 .14, 122-125

    lqdU;knlzlaokn%sukanyädasrasaà vädaù 11 .4, 49-56

    l`fÎlw=ke~ såñöisütram 5 .6, 87-89

    lkSUn;kZEckfuokZ.k”kV~de~saundaryämbänirbäëañaökam 2 .4, 19

    gs jEcks iLFkkue~ herambopasthanam 1 .2, 2-7

    gksjkfu.kZ;lÈxzg%horänirëayasaì grahaù 8 .3, 52-63

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    24 vuqØe.kh

    NUnks·uqØe.kh

    I NDEX TO THE M ETRES USED IN THE W ORKS OFK AVYAKANTHA G ANAPATI M UNI

    vuq”Vqi~ anuñöup – 1:1, 1-4; 1:3, 1-36; 1:5, 1-16; 1:6,176– 200; 1:6, 501 – 525; 1:6, 901 – 925; 2:1, 94 – 120;3:1, 13; 3:1, 42; 3:12, 1 – 5; 3:4, 1 – 8; 3:5, 1 – 108, 1 – 7; 4:1, 1 – 81; 4:10:1, 1 – 17; 4:10:2, 1 – 22; 4:2, 1 – 2;4:2, 4 – 96; 4:3:1, 1 - 32; 4:3:2, 1 – 2; 4:3:2, 18 – 25;4:3:2, 28 – 30; 4:3:2, 34 – 46; 4:3:2, 8 – 16; 4:3:3, 1 – 4;4:3:3, 18 – 20; 4:3:3, 22 – 29; 4:3:3, 6 – 14; 4:3:4, 34 – 37; 4:3:5, 1 – 7; 4:3:5, 17 – 19; 4:3:5, 23 – 24; 4:3:5, 26;4:3:5, 9 – 15; 4:3:6, 11 – 14; 4:3:6, 3 – 4; 4:3:6, 6 – 9;4:4, 1 – 21; 4:5:1, 1 – 17; 4:5:10, 1 – 12; 4:5:11, 1 – 26;4:5:12, 1 – 35; 4:5:13, 1 – 11; 4:5:14, 1 – 17; 4:5:15, 1 – 14; 4:5:16, 1- 12; 4:5:17, 1 – 10; 4:5:19, 1- 3; 4:5:2, 1;4:5:2, 3 – 7; 4:5:3, 1 – 12; 4:5:4, 1 – 9; 4:5:5, 1 – 21;4:5:6, 1 – 12; 4:5:7, 1- 26; 4:5:8, 1 – 11; 4:5:9, 1 – 22;4:7:1, 1 – 31; 4:7:2, 1 – 45; 4:7:3, 1 – 60; 4:7:4, 1 – 25;4:7:5, 1 – 54; 4:7:6, 1 – 52; 4:7:7, 1 – 96; 4:7:8, 1 – 30;4:8:1, 1 – 38; 4:8:2, 1 – 81; 4:8:3, 1 – 62; 4:9:1, 1 – 35;4:9:2, 1 – 59; 4:9:3, 1 – 11; 8:2:1, 1 - 12; 8:2:2, 1 – 11;8:2:2, 1 – 6; 8:2:3, 1 – 8; 8:2:4, 1 – 16; 8:2:5, 1 – 20;8:2:6, 1 – 15; 8:2:7, 1 – 8; 8:2:8, 1 – 9; 8:3:1, 1 – 11;

    8:3:2, 1 – 8; 8:3:3, 1 – 9; 8:3:4, 1 – 10; 8:3:5, 1 – 6; 8:3:6,1 – 14; 8:3:7, 1 – 9; 8:3:8, 1 – 14; 8:4, 1 – 17; 8:5:1, 1 – 30; 8:5:2, 1 – 20; 8:5:3, 1 – 39; 11:2:2, 1 – 2; 11:2:2, 6;11:3, 1; 11:4, 1 – 62; 11:5, 0 – 32; 11:6:1, 1- 12; 11:6:10,1 – 59; 11:6:11, 1 – 29; 11:6:12, 1 – 24; 11:6:13, 1 – 44;

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    25 NUnks·uq Øe.kh

    11:6:14, 1 – 15; 11:6:2, 1 – 22; 11:6:3, 1 – 34; 11:6:4,

    1 – 53; 11:6:5, 1 – 14; 11:6:6, 1 – 16; 11:6:7, 1 – 19;11:6:8, 1 – 31; 11:6:9, 1 – 15; 11:8:14, 1; 11:8:18, 1;11:8:19, 1 ; 11:8:2, 1 – 3; 11:8:3, 1 – 10; 11:8:6, 1 – 3;11:8:7, 1 – 8.

    vk;kZäryä – 1:4, 1-10; 1:4, 81-90; 1:5, 17-24; 1:5, 26-49;1:6, 1-25; 1:6, 201 – 225; 1:6, 251 – 275; 2:1, 1 – 7; 2:1,10 – 31; 2:1, 78 – 85; 2:3, 1 – 5; 2:6, 1 – 7; 3:1, 34; 4:3:2,31 – 33; 4:3:2, 5 – 6; 4:3:4, 30 – 33; 4:5:18, 17 – 26; 11:2:1, 1; 11:3, 12 – 13; 11:3, 16 – 17; 11:3, 2 – 3;11:3, 6; 11:8:10, 2; 11:8:13, 3; 11:8:7c, 1; 11:8:7d, 1;11:8:9, 1 – 4.

    vk;kZxhfr äryägéti – 1:6, 776 – 800. bUnqonuk induvadanä – 11:8:8 , 2; 1:6, 851 – 875. bUæotzk indravajrä – 2:8, 151 – 175; 1:2, 21-30; 1:3, 37;

    1:6, 601 – 625; 1:6, 951 – 975; 3:6, 26 – 50; 4:2, 97 – 101; 4:3:1, 33 – 35; 4:3:1, 38 – 40; 4:3:2, 27; 4:3:2, 4;4:3:3, 21; 4:3:5, 16; 4:3:5, 20 – 22; 4:3:6, 10; 8:2:2, 7;11:3, 14; 11:8:1, 1; 11:8:12, 2; 11:8:12, 7; 11:8:15, 1.

    mixhfr upagéti – 1:6, 326 – 350; 2:1, 8 – 9. mitkfr upajäti – 1:6, 101 – 124; 1:6, 301 – 325; 1:6,

    751 – 775; 2:1, 38 – 49; 2:7, 501 – 525; 2:8, 251 – 275;3:10, 1 – 4; 3:2, 11 – 20; 4:2, 3; 4:3:1, 36 – 37; 4:3:2, 17;4:3:2, 26; 4:3:2, 3; 4:3:3, 5; 4:3:4, 13 – 25; 4:3:5, 8; 4:6,1 – 44; 11:2:2, 3; 11:2:2, 5; 11:8:16, 1; 11:8:7a, 1.

    misUæotzk upendravajrä – 2:1, 91 – 92.vkSiPNUnflde~aupacchandasikam – 3:2, 51 – 60.

    dkeyfrdk kämalatikä – 3:7, 1 – 24; 3:8, 6 – 10. oqðekjyfyrk kumäralalitä – 1:6, 375 – 400; 2:7, 101 – 125.

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    26 vuqØe.kh

    xhfr géti – 1:6, 76 – 100; 3:2, 1 – 10.

    pEidekyk campakamälä – 1:6, 401 – 425. fp=kink citrapadä – 2:7, 251 – 275. tyks)rxfr jaloddhatagati – 2:7, 626 – 650; 3:6, 76 – 100. ruqe/;k tanumadhyä – 1:6, 51 – 75; 2:7, 26 – 50; 3:10,

    5– 8; 3:16:3, 1 – 42; 3:16:4, 1 – 20; 3:2, 71 – 80; 3:3,37 – 54; 3:8, 16 – 20; 11:8:4, 1 – 4.

    rkejl tämarasa – 2:7, 676 – 700. rw.kd tüëaka - 1:3, 38; 1:4, 51-60; 1:5, 25; 1:5, 50;

    1:6, 876 – 900; 2:1, 69 – 77; 3:16:6, 1 – 10; 11:8:8, 1;11:8:2, 4.

    rksVd toöaka – 3:1, 1 – 12; 3:11, 1 5.

    nks/kd dodhaka – 1:6, 626 – 650. æqrfoyfEcr drutavilambita – 2:7, 601 – 625; 11:2:2, 4;

    4:3:6, 1 – 2.

    ujeuksjek naramanoramä – 1:6, 551 – 575; 2:1, 50 – 55;2:2, 1 – 18; 2:8, 76 – 100; 3:1, 24 – 33; 3:16:10, 1 – 20;3:16:8, 1 – 28; 3:6, 1 – 25; 3:8, 1 – 5.

    ukjkfpdk näräcikä – 2:7, 276 – 300; 2:8, 276 – 300. iŒpkej paï cacämara – 1:6, 26-50. iF;koD=k pathyävaktra – 2:7, 201 – 225; 2:8, 226 – 250;

    3:2, 31 – 40.

    iknkoqðyd pädäkulaka – 1:6, 926 – 950; 1:6, 975 – 1000;

    2:1, 86 – 90;

    3:16:5, 1 – 15;

    3:16:7, 1 – 17;

    11:8:12,1.

    i`Foh påthvé – 1:4, 21-31; 11:8:13, 2. izekf.kdk pramäëikä – 1:6, 451 – 475; 1:6, 726 – 750.

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    27 NUnks·uq Øe.kh

    izferk{kjk pramitäkñarä – 2:7, 651 – 675.

    izg£”kf.kh praharñiëé – 4:3:4, 29; 1:6, 426 – 450; 11:8:12, 4. c`grh båhaté – 2:5, 1 – 6; 2:8, 26 – 50.Hk;gkjh bhayahäré – 2:8, 176 – 200; 3:16:1, 1 – 28; 3:16:2,

    1 – 28.

    Hkqtxf’k’kqHk`rk bhujagaçiçubhåtä – 2:7, 326 – 350; 3:2,41 – 50.

    edj’kh”kkZ makaraçérñä – 3:8, 11 – 14. e×tqHkkf”k.kh maï jubhäñiëé – 11:8:5, 1 – 4. ef.kcU/k maëibandha – 1:6, 476 – 500. ef.ke/;k maëimadhyä – 2:7, 351 – 375. ef.kjkx maëiräga – 2:7, 451 – 475. enys[kk madalekhä – 1:2, 11-20; 1:6, 126 – 150; 1:6,

    701 – 725; 2:7, 126 – 150; 2:8, 201 – 225; 3:16:9, 1 – 17.

    enkylk madälasä – 1:4, 61-70. e/kqerh madhumaté – 2:7, 176 – 200. euksjek manoramä – 2:7, 426 – 450. eUnkØkUrk mandäkräntä – 11:8:12, 6; 3:1, 39. ek.kod mäëavaka – 2:7, 226 – 250. ek.kfodk mäëavikä – 2:1, 62 – 68. ek=kkled mäträsamaka – 2:4, 1 – 6; 2:7, 376 – 400;

    4:3:6, 5 ; 3:15, 1-9.

    ekyrh mälaté – 4:5:18, 1- 8. ekyoh mälavé – 4:5:2, 2. ekfyuh mäliné – 11:3, 15; 11:8:10, 3; 11:8:12, 8.

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    e;wjlkj.kh mayürasäraëé – 2:7, 401 – 425.

    eqoqðy mukula - 11:8:4, 6; 2:7, 51 – 75; 2:8, 1 – 25; 3:17,1 – 25; 3:3, 19 – 36.

    es?korh meghavaté – 2:7, 476 – 500. ekSfDrdekyk mauktikamälä – 2:7, 551 – 575. jFkks)rk rathoddhatä - 1:6, 276 – 300; 2:1, 32 – 37; 2:7,

    526 – 550; 2:8, 101 – 125; 3:2, 21 – 30; 11:3, 5; 11:8:7,2; 11:8:7b, 1; 11:8:11, 1 – 2; 11:8:12, 5.

    yfyrk lalitä – 1:6, 226 – 250. oa’kLFk vaà çastha – 1:6, 801 – 825. olUrfryde~ vasantatilakam – 1:2, 31-40; 1:6, 151 – 175;

    1:6, 676 – 700; 11:8:4, 4; 2:1, 93; 3:1, 40 – 41; 4:3:4,11 – 15; 4:5:18, 9 – 16; 1:4, 10-20; 11:3, 11; 11:3, 33;11:3, 4; 11:3, 7; 11:8:10, 1; 11:8:12, 3.

    olqerh vasumaté – 2:7, 76 – 100; 3:2, 81 – 90; 3:3,55 – 72; 3:6, 51 – 75.

    fo;ksfxuh viyoginé – 1:6, 526 – 550. foyfEcrk vilambitä – 3:9, 1 – 7.

    ‘kf’konuk çaçivadanä – 1:2, 1-10; 1:4, 91-100; 2:7, 1 – 25;3:2, 61 – 70; 3:3, 1 – 18.

    ‘kknZwyfoØhfMre~çärdülavikréòitam – 3:1, 14 – 23; 3:1,38; 4:3:5, 25;- 11:8:13, 1; 11:8:3, 11; 3:2, 91 – 100; 1:4,31-40.

    ‘kkfyuh çäliné – 4:3:4, 1 – 10. f’k[kfj.kh çikhariëé – 1:6, 651 – 675; 11:3, 9; 4:3:2, 7;

    4:3:4, 26.

    lqizfr”Bk supratiñöhä – 2:8, 51 – 75; 1:6, 576 – 600; 2:1,56 – 61.

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    29 NUnks·uq Øe.kh

    lqcksf/krk subodhitä – 1:1, 5; 1:4, 41-50.

    lqeq[kh sumukhé – 2:7, 576 – 600. Lokxrk svägatä – 1:6, 351 – 375; 2:8, 126 – 150;

    4:3:4, 27 – 28.

    gyeq[kh halamukhé – 2:7, 301 – 325. galekyk haà samälä – 2:7, 151 – 175.

    gfj.kh hariëé – 1:6, 826 – 850; 11:3, 10; 11:3, 8; 11:8:17,1 – 3; 3:1, 35 – 37; 4:3:3, 15 – 17.

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    30 vuqØe.kh

    okfl”BdkO;d.Bx.kifreq fuuk O;k[;krkukeq nkärkuka p os neU=kk.kka lw ph

    I NDEX TO THE V EDA M ANTRAS C ITED

    vknkS e.MykuqØes .k _Xos neU=kk.kka lwph

    izFkee.Mye~

    *Rig.1. 1. 1-9 7 :61-80, 94-111Rig. 1. 2. 1-9 7 :80-83Rig. 1. 2. 1 7 :92-93Rig. 1. 3. 1-12 7 :84-88

    Rig. 1. 3. 4 7

    :112-118Rig. 1. 3. 12 5 :54Rig. 1. 4. 1-10 7 :88-91Rig. 1. 7. 9 5 :279Rig. 1. 10. 12 5 :176Rig. 1. 18. 9 7 :133Rig. 1. 22. 12 5 :32Rig. 1. 22. 17 7 :152Rig. 1. 31. 8 9 :139Rig. 1. 32. 11 9 :189Rig. 1. 32. 15 7 :168Rig. 1. 33. 14 9 :132Rig. 1. 33. 14 9 :132Rig. 1. 33. 15 9 :133Rig. 1. 37. 9 7 :127

    Rig. 1. 38. 6 5

    :43Rig. 1. 40. 5 7 :132Rig. 1. 50. 10 9 :20

    *Rig. refers to Rigveda

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    31 mnkäros neU=kk.kka lw ph

    Rig. 1. 50. 11 7 :153

    Rig. 1. 51. 6 9 :109Rig. 1. 51. 13 9 :177Rig. 1. 53. 9 9 :61Rig. 1. 53. 10 9 :64Rig. 1. 54. 5 9 :57Rig. 1. 61. 9 7 :172, 176Rig. 1. 61. 15 9 :48, 51Rig. 1. 63. 3 9 :83Rig. 1. 65. 1-2 7 :119Rig. 1. 65. 3 7 :121Rig. 1. 65. 4 7 :122Rig. 1. 67. 10 7 :151Rig. 1. 89. 5 7 :170Rig. 1. 89. 10 5 :25Rig. 1. 91. 1 5 :30

    Rig. 1. 92. 10 9

    :160Rig. 1. 100. 1 7 :168Rig. 1. 100. 9 9 :87Rig. 1. 100. 17 9 :114Rig. 1. 100. 16 9 :115Rig. 1. 100. 19 9 :115-116Rig. 1. 100. 18 9 :120Rig. 1. 100. 6 9 :120Rig. 1. 100. 112 5 :279Rig. 1. 101. 2 9 :68, 111Rig. 1. 101. 5 7 :168Rig. 1. 102. 4 9 :145Rig. 1. 104. 4 9 :143Rig. 1. 104. 5 9 :144Rig. 1. 105. 8 9 :159

    Rig. 1. 105. 9 9

    :151Rig. 1. 105. 10-11 9 :19Rig. 1. 105. 17 9 :151Rig. 1. 106. 6 9 :151Rig. 1. 108. 8 9 :17

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    32 vuqØe.kh

    Rig. 1. 112. 5 9 :22

    Rig. 1. 112. 11 9 :24Rig. 1. 116. 1 9 :168Rig. 1. 117. 6 9 :141Rig. 1. 117. 20 9 :168Rig. 1. 121. 2 9 :178Rig. 1. 121. 9 9 :24, 74, 192Rig. 1. 121. 10 9 :70Rig. 1. 121. 13 9 :125Rig. 1. 122. 5 9 :141Rig. 1. 124. 10 9 :190Rig. 1. 127. 8 5 :176Rig. 1. 130. 9 9 :55, 73Rig. 1. 161. 13 9 :22Rig. 1. 164. 1 9 :193Rig. 1. 164. 29 5 :18

    Rig. 1. 164. 41 5

    :10Rig. 1. 164. 44 9 :187Rig. 1. 167. 5-6 9 :140Rig. 1. 173. 6 7 :175Rig. 1. 174. 3 9 :67Rig. 1. 174. 5 9 :52, 77, 90Rig. 1. 174. 7 9 :122, 131Rig. 1. 174. 7 9 :143Rig. 1. 175. 4 9 :57, 77, 90

    f}rh;e.Mye~ Rig. 2. 14. 4 9 :110Rig. 2. 14. 5 9 :68, 111Rig. 2. 14. 7 9 :65Rig. 2. 18. 6 7 :124Rig. 2. 19. 4 9 :126Rig. 2. 19. 5 9 :126Rig. 2. 19. 6 9 :68, 76Rig. 2. 23. 1 7 :125, 143Rig. 2. 23. 2 7 :129, 148

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    33 mnkäros neU=kk.kka lw ph

    Rig. 2. 23. 3 7 :133

    Rig. 2. 23. 4-5 7 :134Rig. 2. 23. 6 7 :135Rig. 2. 23. 7-8 7 :136Rig. 2. 23. 9 7 :137Rig. 2. 23. 10-11 7 :138Rig. 2. 23. 12-13 7 :140Rig. 2. 23. 14-15 7 :141Rig. 2. 23. 16 7 :142Rig. 2. 24. 4 7 :131Rig. 2. 24. 14 7 :131Rig. 2. 41. 11 9 :141

    r` rh;e.Mye~

    Rig. 3. 34. 3 9 :112Rig. 3. 44. 5 9 :84Rig. 3. 45. 5 7 :172Rig. 3. 53. 12 9 :191Rig. 3. 59. 8 5 :280Rig. 3. 61. 6 9 :189Rig. 3. 62. 10 5 :56

    prq FkZ e.Mye~ Rig. 4. 30. 4 9 :51, 78Rig. 4. 30. 6 9 :46Rig. 4. 16. 10 9 : 83, 106Rig. 4. 16. 11 9 :51, 77, 90, 122Rig. 4. 16. 12 9 :54, 68, 138Rig. 4.17.7 9 :189Rig. 4. 17. 14 9 :55, 91Rig. 4. 28. 2 9 :62Rig. 4. 32. 22 9 :95Rig. 4. 50. 8-9 9 :137Rig. 4. 51. 4 9 :190

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    34 vuqØe.kh

    iŒee.Mye~

    Rig. 5.2.3 7 :166Rig. 5.29.5 9 :47Rig. 5. 29. 9 9 :58, 90Rig. 5. 29. 10 9 :58Rig. 5. 31. 7 9 :184Rig. 5. 31. 9 9 :75, 90, 129

    Rig. 5. 31. 11 9

    :50Rig. 5. 33. 2-3 9 :79Rig. 5. 33. 4 9 :72Rig. 5. 33. 7 9 :71Rig. 5. 37. 3 9 :108Rig. 5. 42. 1 9 :119Rig. 5. 58. 4 9 :135Rig. 5. 84. 5 :6

    “k”Be.Mye~

    Rig. 6. 18. 13 9 :64Rig. 6. 20. 4 9 :68, 122, 130Rig. 6. 20. 5 9 :63, 76, 162Rig. 6. 20. 8 9 :83, 147Rig. 6. 22. 9 7 :167, 9:88Rig. 6. 26. 4 9 :90, 147Rig. 6. 31. 3 9 :54, 60, 68Rig. 6. 32. 22 7 :167Rig. 6. 33-34 7 :124Rig. 6. 36.4 7 :167Rig. 6. 45.7 7 :134

    Rig. 6. 47. 17 9

    :69Rig. 6. 47. 18 9 :184Rig. 6. 47. 22 9 :174Rig. 6. 55. 5 9 :193

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    35 mnkäros neU=kk.kka lw ph

    lIree.Mye~

    Rig. 7. 6. 5 7 :173Rig. 7. 6. 15 7 :173Rig. 7. 15. 2 5 :180Rig. 7. 18. 13 9 :144Rig. 7. 18. 15 9 :69Rig. 7. 18. 19 9 :101

    Rig. 7. 18. 20 9

    :99Rig. 7. 19. 2 9 :78-79Rig. 7. 19. 8 9 :17Rig. 7. 20. 4 7 :175Rig. 7. 20. 5 7 :228Rig. 7. 21. 3 9 :189Rig. 7. 21. 6 7 :175Rig. 7. 32. 22 7 :151Rig. 7. 33. 5 9 :69Rig. 7. 34. 16-17 9 :188Rig. 7. 56. 23 9 :123Rig. 7. 90. 3 9 :86Rig. 7. 91. 3 9 :86Rig. 7. 97. 1, 2, 4, 5, 6, 8 7 :132Rig. 7. 97. 8 7 :130

    Rig. 7. 98. 4 9

    :100

    v”Vee.Mye~

    Rig. 8. 1. 11 9 :22, 49,77, 90, 186Rig. 8. 1. 28 9 :66Rig. 8. 2. 32 9 :88

    Rig. 8. 3. 12 9

    :150Rig. 8. 6. 41 9 :96Rig. 8. 6. 48 9 :17Rig. 8. 12. 16 9 :149Rig. 8. 12. 28-30 7 :169Rig. 8. 16. 3 7 :128

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    36 vuqØe.kh

    Rig. 8. 16. 4 9 :124

    Rig. 8. 24. 25 9 :67Rig. 8. 32. 3 9 :110Rig. 8. 45. 26 9 :110Rig. 8. 52. 7 5 :180Rig. 8. 67. 6-8 7 :131Rig. 8. 70. 12 9 :94Rig. 8. 70. 14 9 :93Rig. 8. 70. 15 9 :93Rig. 8. 77. 5 7 :175Rig. 8. 82. 11 7 :172Rig. 8. 99. 6 9 :67Rig. 8. 94. 1 5 :10Rig. 8. 96. 13-15 9 :103

    uoee.Mye~

    Rig. 9. 14. 2 5 :180Rig. 9. 65. 11 9 :131

    n’kee.Mye~

    Rig. 10. 3. 3 9 :149Rig. 10. 22. 7 9 :169Rig. 10. 29. 2 9 :169Rig. 10. 33. 1-2 9 :164Rig. 10.33.3 9 :165Rig. 10. 34. 2 9 :167Rig. 10. 39. 14 9 :63Rig. 10. 40. 6 9 :142Rig. 10. 43. 5 9 :145

    Rig. 10. 46. 3 9

    :149Rig. 10.46. 6 9 :149Rig. 10. 49. 3 9 :123, 129, 130Rig. 10. 49. 4 9 :84, 147Rig. 10. 50. 4 7 :128Rig. 10. 50. 12 7 :153

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    37 mnkäros neU=kk.kka lw ph

    Rig. 10. 50. 13 7 :153

    Rig. 10. 68. 8 7 :131Rig. 10. 73. 2 9 :162Rig. 10. 85. 13 9 :26, 82Rig. 10. 86. 3 9 :175Rig. 10. 86. 4 9 :174, 186Rig. 10. 86. 5 9 :175Rig. 10. 86. 9 9 :182Rig. 10. 86. 10 9 :107Rig. 10. 86. 12 9 :185Rig. 10. 86. 13 9 :192Rig. 10. 86. 23 9 :153Rig. 10. 89. 10 7 :170Rig. 10. 93. 14 9 :193Rig. 10. 96. 3 9 :96Rig. 10. 99. 9 9 :122, 129, 130

    Rig. 10. 103. 4 9

    :170Rig. 10. 103. 13 9 :169Rig. 10. 106. 8 7 :231Rig. 10. 120. 1 5 :47Rig. 10. 127. 2 5 :6Rig. 10. 142. 1-2 9 :13-14Rig. 10. 142. 3 9 :15Rig. 10. 142. 6 9 :15Rig. 10. 142. 7-8 9 :16Rig. 10. 145. 2 9 :107Rig. 10. 145. 6 9 :107Rig. 10. 159. 2 9 :108Rig. 10. 159. 3 9 :108Rig. 10. 159. 6 9 :108Rig. 10. 161. 4 9 :25

    Rig. Khila 7

    :154-155

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    38 vuqØe.kh

    vFkoZ os neU=kk.kka lw ph

    Atharvaveda 1.2. 1-2 7 :225Atharvaveda 1.2. 4 7 :226Atharvaveda 12. 2. 54 7 :226

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    39Üyks dlw fpdk

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    40 vuqØe.kh

    v[k.Ma ok#.ka Kkue~ 4%133v[k.M/kkj;k æo& 1%13v[k.MefHkrks O;kIre~ 11%63v[k.MLoj:iL; 4%127]206vf[kytxUekrksek 1%36vf[kyukFkoh;Z/kkj.kk& 2vf[kyuk;oað e[kHkq tka oje~ 3%77vf[kyfuxefl)kUrks 2%57vf[kyHkqoulezkt% 2%5vf[kyla’k;okj.kHkk”k.ke~ 4%vf[kyL; fodkldkj.ka 1%107vf[kykejfutZ;ksêkr% 1%1vx.k;a u p xks ”ino|fn 1%26vxfreoh;kZeixr/kS;kZe~ 2%vxrkS tk% [kxks ns ;a 8%59vxrkS tk% Qya [ks Vks 8%59vxkRets gkle‘xkf/kiLrs 2%vfxëTokykonsrL; 4%16vfxërÆe;ksxksye~ 4%8vfxë lw ;kS Z ;Fkk iw oZ e~ 4%184vfxë LRoa lks eLRoa 1%82vfxëgks =kkfnoað deZ 4%15vxz r% oq ðlq e’kks fHkrk yrk% 1%74vxz s flrdjks e/;s fnudj% 3%68

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    42 vuqØe.kh

    vKku/okUrkÌk& 11%4vKku/okUrkuke 11%14v×tfyj;a es d×tu;uk;S 2%119vf.kek/k£eKkua firk 11%148v.kh;ku.kq rks·fi L;kn~ 4%202v.kq p;:ia Hkxofr ‘kkUre~ 2%2v.kq rs tks e;a fdfŒr~ 4%145v.kq jI;s ”k ldye~ 4%190v.Ma oiq f”k fu%’ks”ke~ 4%v.Mfi.Mksikf/kdRokr~ 4%v.Me.Mya ;;k 1%167vr ,okEe;% iz k.kks 4%208vrLrL; Lrq rkS Jks rk 4%186vfrpf.MlqioZuqrs 2%10vfrrjka urikyuyks y;k 2%88vfrrjka efgrk lq jirs oZ furk 2%41vfrrjka ln;k injrs euq ts 2%43vfrnqjŸÎkêkjfu;qrs”kq 3%1vfrikikfr’kqHk;ks;ksZxs 8vfriq Îegƒkja i’kq es ra 1%84vfrizo‘fÙknkSZcZY;e…enZËvfrjFketqZuHkwfeifre~ 2vfr‘kqHkk uHkLryfolkfj Hkk 2%vfrlw {e/kw edYia yks de~ 1%36

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    43Üyks dlw fpdk

    vfrlw{eifo=klq”kqeëk& 2%vfrlw{ejlkReRok& 4%193vrhrxq.ktkyk; 3%2vrho Ÿ

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    44 vuqØe.kh

    v¯=k ehus’kes ”ks ’kkS 4%54v=kh.kkeUo;T;ksRLuk 4vFk dkyÑrkRikdk& 4%17vFk os ðu fo’ks ”ks .k 4%90vFk os ðukfi dkys u 11%71] 106vFk os ðukfi foKkre~ 11%10vFk Øks/ks u gq ƒkje~ 11%82vFk xkf/k txkns ne~ 11%111vFk ra f’k’kq eknk; 11%66vFk rÙoa iz o{;keks 4%11vFk nh?ksZ .k dkys u 11%87vFkok nsgknko`ÙkLl& 1vFk iz lkj;u~ Ÿf”Ve~ 11%93] 94] 9vFk Hk¯Ú leq fíÜ; 4%102vFkok HkxofêkjkÑfrLRoe~vFkok ldya pS r& 4%67vFkokZ _f”kjL;L;k& 4%34vFk la oxZfo|k;k% 4%159vFk LoLFks u lS U;s u 11%70vFkgSeorhnq xs Z pjUr% 11%104vFkk{kjks™hFkfo|ke~ 4vFkkuqfo|kek|k;k 4%32vFkkUr%iq jhË jktk 11%68vFkkUrfj{ka lq eg& 4%178

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    45Üyks dlw fpdk

    vFkki’;u~ eghikyks 11%91vFkkczohUegkjkte~ 11%vFkkfykuUrykoqðUrh 11%vFkkJea _f”kiz kIrks 11%66vFkklkja Hkoa cq n~ /ok 11%59vFkks prq% iz gL;s nefÌukS 11%50] 72vFkks iyH;s rs los Z 11%103vn;efjfHk% ØkUrs jkΪ s RoehÌfj 1%156vn;ekRerukS dfBua oz rs 4%106vnq ÎpfjrsH;% ‘kqHkkU;fHkn/kkuk 1%vŸÎ ,djkMw /oZ % 3%37vŸÎduoa ð oq ðya ee fpjk& 2%92vn~ Hkq rk% fl);% lk/;k 4%75 v|kfi ;ks Hkos œàk 4%217vfæoqðyikydoqðy/otirkosð 1%1væs #iykuka u|k% fldrkuke~ 2%27væks?kokxlqjgk 3%40v}SfrfHkjU;k ek;k··J;.kh;k 1%4v/k% i` fFkO;kË fno% ijLrk& 4%v/kjizoky’k;us 1%65v/kjksÏosfndk;ka 1%65vf/kdk HkfÚrks fo|k 4%155 vf/kruqŸfÎLrfVnf/kHkwre~v/kq uk Roa egkHkkx 4%8

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    46 vuqØe.kh

    v/kq uk fo/kq uks fr ;Lreks 1%110v/;{kijks·;a lk{kkfno okn% 3%2v/;kius O;lu& 11%150v/;k;s ;=k ;=kkfLEkêkkeuh 8v/ouks xfyrpj.kk& 2%55vuUrjk.kka o`Ùkhuk& 4%49vuUrjkf.k :ikf.k 4%129vuYioklukp;e~ 2%7vuo|% lEHk` rkÌks 3%45 vuo|d.BekykeqÚkofy& 1%6vuo|s uuq i|s 11%38vuojrxy›k”ike~ 2%60vukfn ps fnna foÌe~ 2%45vukoj.kp{kq;Z& 4%21vuko`fÎHk;ksf}xëh 2%vfuPN;kI;rks /;k;u~ 4%77vfuns Z ’ks fo’ks ”kL; 4%10vfu’kefi fouenfyofyrs 3%128vuq Drkuka iz dj.ks 4%147vuqx`ghroko~ðro xHkfLruk 2vuq xz gÑrs lnkI;fHkeq [kh 3%69vuq xz gs ’ks Unq ;q ra ojkge~ 4%27vuq iz os ’kks ;Riz k.ks 4%151vuqHkko;rs loZ e~ 4%203

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    47Üyks dlw fpdk

    vuqHkwR;kfRedk ls;eh’k’kfÚ%vuqHkw ; HkokUdkUrkeUre~ 11%vuqekuew

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    48 vuqØe.kh

    vUrja Hkxon~ cq )îk 4%136vUrja oLrq uks Kkr` 4%124] 4%2vUrja oLrq uks Kkr` 2%44vUrjLRof.kek iw oks Z 4%137vUrjL; p ‘kk[kkuk& 2%44] 4%vUrfj{ka O;Úok;q e~ 4%108vUrfj{ke;s rfLe& 4%192vUrfj{ks rq fo”k;s 4%126] 4vUrjkorZdksVhuk& 4%vUrjkorZHkw;LRok& 2%45] 4%vUrfj{ks än;ok& 4%179vUrjs Hkxon~ cq f)% 4%136vUrxZ ra p frfeja 1%64vUrxZ rL; g”kZ {khj& 1%64vUrxw Z

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    49Üyks dlw fpdk

    vUrLLoja fuxw

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    50 vuqØe.kh

    vijhr% ”kkGiËkn~ 3%4vijs Jo.ka iz kgq& 4%100vijks uO;dkO;kU;uo|kfu /kU;% 2%vi.kkZ rkilh ckyk 1%8viÜ;a Lrs tlks ew ye~ 4%71vika lk/kkj.khuka p 4%170vikjcgqyizeksnygjh 2%9vfi oq ðfVyefyueq X/kLro 1%73vfi nw ”k.ka rq ”kkjks 2%1vfi fofuÑÙkf‘kjk% ‘kfp rs 2%vfi fu”d#.kL; ekule~ 3%13vfi loZ xq .kks is rS% 11%60vfi LoHkkor% ikia 8%5vihUæL; fJ;e~ 11%83viw o± Hk` xq iq =ks .k 11%81

    vI;ylks gfjnUr& 2%49viz ;Ãs u rq ri% 4%89viz kÆk ew /kkZua än;kr~ 1%48viz kI; yksdjpukouikrus ”kq 1%132vfiz ;a loZeS=kh?kë e~ 4%6vIlq lEiP;ekuklq 4%207vILoeyklq LiÎjlk 1%102vcy;k·fi ;;k u 2%43vHktrr#jkSnk;± foHkoefi 2%

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    51Üyks dlw fpdk

    vHk.;rk|k Hkq ousÌjh cq/kS& 1%151vHk;a iz kFkZ;kekl 11%83vHk;ojor% ik.;ks& 3%12vHk;k Hkw /kj% i` Ï& 4%25 vHkkfr lq Ñrs fuxw

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    52 vuqØe.kh

    vH;klLRokRefuÏk;k 4%15vHkzfpoqðjk;S ‘kqHkzgflrk;S 2%118vHkzs ;s e#r% ‘kqHkz s Hkw Hk`fr rs 3%25] 3%12vHkzs jktfr ;ks fcHkz k.kks Hkq oue~ 3%24] 3%127vHkz s fopjUra HkkUra fuunUre~ 3%16] 3%2ve…yfer% iz kÈ 1%91ve=kks fe=k vkdk¸;% 3%45vejf{kfrikydpsrks 2%74vejr#ojPNk;kLof; 2%59vejujsÌjefUnjus=kh 2%9vejukFkl[kh #fpfu/kkueq[kh 2%veju` ifruk lkde~ 2%59vejikfyuh fnfrtukf‘kuh 2%10veje.Myh fouqroSHkok 2%vejjkt es f=keyokj.ks 3%77vejjkfKnsO;lqjfo?këgk 2%vejs ’kks fo”.kq #% L;k& 4%23veR;Z % Lok;q/kks·’k=kq& 3%40veR;ZiVyhfdjhVef.kHkk& 2veR;Z lkezkT;Hk` r% iz o£rdk 1%151veynjfLerfpßkLrk ,rk% 1%6veynhÆrjkReejhfpfHk& 4%veykef/k#á lq ”kq eëke~ 2%76veys äfn fueZ yk’kuk& 1%109

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    53Üyks dlw fpdk

    vferfoØes t;t;kfEcos ð 2%107vfeJa fdfŒnI;s ”kq 4%208veq=kxr‘kks os ð egkegfl ukos ð 2%35 veq ”;koZ ðL; jkT;s rq 4%182veq ”;S fdy lUrq ”Vks 11%58vewY;ekY;ef.Mrk 1%11ve` ra eq uhUæeulkee` re~ 2%18ve` ra lfƒjUR;k 2%38ve`rnhf/kfriksroral;k 1%26ve`rfuy;fcEcksÏh 2%58ve` rHkkuq uk ljflts u p 2%16ve` re;w [ka eq oq ðVeu?kZ e~ 3%14] 3%21ve` roR;/kjs lqj/kjkir;s 2%42ve` roUen% iouon~ cye~ 2%108ve`rlaKosð lq[kfpnkReos ð 1%112ve`rka’kqdykpw Mks 8%37ve`rka ’kqdykpw Mks 8%37ve`rka’kqfcEclkjkn~ 1%ve` rkEHk% fdjUrh 2%3ves ;eeya iq jk.kiq #”ke~ 2%91vekS

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