prospectus
DESCRIPTION
Natya kala aakadmiTRANSCRIPT
PROSPECTUS 2012 – 2013
Shriram Bharatiya Kala KendraCOLLEGE OF MUSIC & DANCE
1, Copernicus Marg, New DelhiTel. 43503333 / 23386428 / 29
www.thekendra.com
Bharat RatnaRAVI SHANKAR
Padma VibhushanBIRJU MAHARAJ
DHARAM VIRA
Padma BhushanAMJAD ALI KHAN
DEBU CHAUDHURY
KUMUDINI LAKHIA
MAHESHWAR DAYAL
SANTOSH SEN
UMA SHARMA
Padma ShreeGHULAM SADIQ KHAN
GUNDECHA BROS
KIRAN SEGAL
LEELA SAMSON
MAYADHAR RAUT
MUSHTAQ HUSSAIN
PRATAP PAWAR
PURUSHOTTAM DAS
RANJANA GAUHAR
RITA GANGULY
SHAMBU MAHARAJ
SHANTI HIRANAND
SHARAFAT HUSSAIN KHAN
SHOBHA DEEPAK SINGH
SHOVANA NARAYAN
SHUBHA MUDGAL
SIDHESHWARI DEVI
SUMITRA CHARAT RAM
PADMA AWARDEES ASSOCIATED WITH THE KENDRA
1952 MUSHTAQ HUSSAIN KHAN 1989 AMJAD ALI KHAN
1953 HAFIZ ALI KHAN 1989 MAYA RAO
1955 SHAMBHU MAHARAJ 1991 REBA VIDYARTHI
1957 LACCHU MAHARAJ 1993 BALA SAHEB POOCHWALE
1959 SUNDER PRASAD 1994 ATUL DESAI
1960 UDAY SHANKAR 1994 SULOCHANA BRAHASPATI
1960 WAHID KHAN 1996 DEBU CHAUDHARY
1962 MOHAN RAO 1996 RANI KARNA KALLIANPURKAR 1997 L.K. PANDIT
1962 RAVI SHANKAR 1999 LEELA SAMSON1964 BIRJU MAHARAJ 1999 R.K. DHINGRA1964 RAHIMUDDIN KHAN DAGAR 1999 SHOVANA NARAYAN 1966 SIDDHESWARI DEVI 2002 KIRAN SEGAL 1970 ACHARYA BRAHASAPATI 2003 URMILA NAGAR 1970 DILIP CHANDRA VEDI 2004 SASWATI SEN1974 TAPAS SEN 2004 SHASHADHAR ACHARYA 1975 KRISHNA CHANDRA NAIK 2006 MUNNA SHUKLA 1976 NARENDRA SHARMA 2006 GAUTAM BHATTACHARYA 1977 ASAD ALI KHAN 2007 GEETANJALI LAL 1977 GIRIJA DEVI 2007 RANJANA GAUHAR 1978 PURUSHOTTAM DAS
1981 ASHOK SRIVASTAVA 2008 YOG SUNDAR DESAI 1982 KUMUDINI LAKHIA
1984 DURGA LAL 2009 GEETA MAHALIK1985 MAYADHAR RAUT 201985 NASIR AMINUDDIN DAGAR
1987 UMA SHARMA
2008 AMBA SANYAL
2009 DAKSHA SETH
09 PRERANA SHRIMALI
SANGEET NATAK AKADEMI AWARDEES / FELLOWS ASSOCIATED WITH THE KENDRA
1
Dear Applicant,
We welcome you to the Shriram Bharatiya Kala Kendra. The
Kendra is an institution committed to the preservation and
dissemination of traditional Indian music and dance.
The college, founded in 1952, has a long established reputation
for excellence in the field of performing arts. It is a lively cultural
centre reflecting a fusion of rich artistic traditions and
contemporary insights.
The mission of the Kendra is to provide each student with
education in a safe and supportive environment that promotes a
thirst for knowledge and understanding, sound values, self
discipline, motivation and excellence in learning. The Kendra
assists the students in developing skills, encourages them to
become independent and self-reliant, and prepares them to
become responsible citizens of the global community.
At the Kendra, the learning process is seen as one that is both
challenging and enjoyable. We believe an art education should
foster creativity, independent thinking, as well as provide a deep
grounding in one or more performing disciplines. We provide the
students not only exemplary education but also a participative
atmosphere to learn and perform. Towards this end we hold a
Students’ Festival in Nov/Dec at Kamani and Founders’ Day in
Jan where selected students from each class get an opportunity
to perform live on stage.
The students’ fraternity of the Kendra is expected to inculcate a
sense of pride in and obligation to India's rich cultural heritage.
With a variety of courses on offer ranging from classical vocal
music to the highly stylized Chhau dance, the students gain
immense exposure to the richness of India's performing arts. The
faculty comprises gurus in different disciplines, who have earned
laurels for themselves and for the Kendra. Some are alumni
driven by the spirit of wanting to give back something of what they
previously imbibed here.
1952 MUSHTAQ HUSSAIN KHAN 1989 AMJAD ALI KHAN
1953 HAFIZ ALI KHAN 1989 MAYA RAO
1955 SHAMBHU MAHARAJ 1991 REBA VIDYARTHI
1957 LACCHU MAHARAJ 1993 BALA SAHEB POOCHWALE
1959 SUNDER PRASAD 1994 ATUL DESAI
1960 UDAY SHANKAR 1994 SULOCHANA BRAHASPATI
1960 WAHID KHAN 1996 DEBU CHAUDHARY
1962 MOHAN RAO 1996 RANI KARNA KALLIANPURKAR 1997 L.K. PANDIT
1962 RAVI SHANKAR 1999 LEELA SAMSON1964 BIRJU MAHARAJ 1999 R.K. DHINGRA1964 RAHIMUDDIN KHAN DAGAR 1999 SHOVANA NARAYAN 1966 SIDDHESWARI DEVI 2002 KIRAN SEGAL 1970 ACHARYA BRAHASAPATI 2003 URMILA NAGAR 1970 DILIP CHANDRA VEDI 2004 SASWATI SEN1974 TAPAS SEN 2004 SHASHADHAR ACHARYA 1975 KRISHNA CHANDRA NAIK 2006 MUNNA SHUKLA 1976 NARENDRA SHARMA 2006 GAUTAM BHATTACHARYA 1977 ASAD ALI KHAN 2007 GEETANJALI LAL 1977 GIRIJA DEVI 2007 RANJANA GAUHAR 1978 PURUSHOTTAM DAS
1981 ASHOK SRIVASTAVA 2008 YOG SUNDAR DESAI 1982 KUMUDINI LAKHIA
1984 DURGA LAL 2009 GEETA MAHALIK1985 MAYADHAR RAUT 201985 NASIR AMINUDDIN DAGAR
1987 UMA SHARMA
2008 AMBA SANYAL
2009 DAKSHA SETH
09 PRERANA SHRIMALI
SANGEET NATAK AKADEMI AWARDEES / FELLOWS ASSOCIATED WITH THE KENDRA
1
Dear Applicant,
We welcome you to the Shriram Bharatiya Kala Kendra. The
Kendra is an institution committed to the preservation and
dissemination of traditional Indian music and dance.
The college, founded in 1952, has a long established reputation
for excellence in the field of performing arts. It is a lively cultural
centre reflecting a fusion of rich artistic traditions and
contemporary insights.
The mission of the Kendra is to provide each student with
education in a safe and supportive environment that promotes a
thirst for knowledge and understanding, sound values, self
discipline, motivation and excellence in learning. The Kendra
assists the students in developing skills, encourages them to
become independent and self-reliant, and prepares them to
become responsible citizens of the global community.
At the Kendra, the learning process is seen as one that is both
challenging and enjoyable. We believe an art education should
foster creativity, independent thinking, as well as provide a deep
grounding in one or more performing disciplines. We provide the
students not only exemplary education but also a participative
atmosphere to learn and perform. Towards this end we hold a
Students’ Festival in Nov/Dec at Kamani and Founders’ Day in
Jan where selected students from each class get an opportunity
to perform live on stage.
The students’ fraternity of the Kendra is expected to inculcate a
sense of pride in and obligation to India's rich cultural heritage.
With a variety of courses on offer ranging from classical vocal
music to the highly stylized Chhau dance, the students gain
immense exposure to the richness of India's performing arts. The
faculty comprises gurus in different disciplines, who have earned
laurels for themselves and for the Kendra. Some are alumni
driven by the spirit of wanting to give back something of what they
previously imbibed here.
The Kendra offers a diverse series of courses. Students can
prepare for a performing and/or teaching career in their chosen
discipline. Apart from the normal professional courses, there are
classes for children in which a child can explore a particular
musical or dance style without the immediate pressure of
choosing it as a career option.
The Kendra has a large and rare collection of books, audio as
well as visual recordings and extensive archival material in its
library. With Kamani Auditorium and spacious campus grounds,
the Kendra is a focal point of cultural activities. It has a full
calendar of cultural events in which every student is encouraged
to participate actively.
Apart from normal college activities, the students are in close
touch with the Kendra's renowned ballet unit, a dance ensemble
that performs extensively in India and abroad. Talented students
have the privilege of performing with the unit, a privilege which
carries with it, the advantage as well as the excitement of
appearing on the best stages and working with inspiring
choreographers.
Being selected to join the Kendra's student body is both an
honour and a responsibility. It is hoped and expected that those
who gain entrance here will be guided and inspired in their work
by the artistic commitment of faculty members and other
students already studying here.
The Kendra believes that financial constraints should not be an
impediment to talented students; as such a limited number of
scholarships are offered on merit cum means basis.
Finally, I welcome you to the Shriram Bharatiya Kala Kendra and
hope that you will find your stay fruitful and rewarding.
Shobha Deepak Singh
Director
2
INTRODUCTION
A premier cultural institute of the country, Shriram Bharatiya Kala
Kendra was initially founded as ‘Jhankar’ in 1947. Started then as a
group for the appreciation of Indian classical music and dance,
‘Jhankar’ has since grown into a regular college imparting training in
music and dance. This institution was later registered as Shriram
Bharatiya Kala Kendra in 1952 under the Societies’ Registration Act
XXI of 1860, and has been recognised by the Ministry of Human
Resource Development, Government of India.
Preservation and promotion of our cultural heritage through the
performing arts have been the primary objective and predominant goal
of the Kendra. It has made significant contributions in this direction.
This effort has expressed itself mainly in two directions: the College of
Music and Dance, and the Performing Arts Section.
The College offers tuitions in most of the classical dance styles and
music forms of India, such as Kathak, Bharatanatyam, Odissi, Chhau,
Hindustani Classical Vocal and Instrumental Music. Eminent gurus of
these disciplines supervise the teaching programmes to help the
students excel in their subject of study.
The Performing Arts Section is engaged in production and presentation
of dance dramas all over the country and abroad. The production and
presentation of Ramlila has become a notable annual event in the
cultural life of the capital, and over sixty thousand people witness it
every year during the Dussehra month.
3
Shriram Bharatiya Kala Kendra
COLLEGE OF MUSIC & DANCE
1, Copernicus Marg, New Delhi 110 001
Tel.: 43503333, 23386428/29. Fax: 23383568
E-mail: [email protected]
The Kendra offers a diverse series of courses. Students can
prepare for a performing and/or teaching career in their chosen
discipline. Apart from the normal professional courses, there are
classes for children in which a child can explore a particular
musical or dance style without the immediate pressure of
choosing it as a career option.
The Kendra has a large and rare collection of books, audio as
well as visual recordings and extensive archival material in its
library. With Kamani Auditorium and spacious campus grounds,
the Kendra is a focal point of cultural activities. It has a full
calendar of cultural events in which every student is encouraged
to participate actively.
Apart from normal college activities, the students are in close
touch with the Kendra's renowned ballet unit, a dance ensemble
that performs extensively in India and abroad. Talented students
have the privilege of performing with the unit, a privilege which
carries with it, the advantage as well as the excitement of
appearing on the best stages and working with inspiring
choreographers.
Being selected to join the Kendra's student body is both an
honour and a responsibility. It is hoped and expected that those
who gain entrance here will be guided and inspired in their work
by the artistic commitment of faculty members and other
students already studying here.
The Kendra believes that financial constraints should not be an
impediment to talented students; as such a limited number of
scholarships are offered on merit cum means basis.
Finally, I welcome you to the Shriram Bharatiya Kala Kendra and
hope that you will find your stay fruitful and rewarding.
Shobha Deepak Singh
Director
2
INTRODUCTION
A premier cultural institute of the country, Shriram Bharatiya Kala
Kendra was initially founded as ‘Jhankar’ in 1947. Started then as a
group for the appreciation of Indian classical music and dance,
‘Jhankar’ has since grown into a regular college imparting training in
music and dance. This institution was later registered as Shriram
Bharatiya Kala Kendra in 1952 under the Societies’ Registration Act
XXI of 1860, and has been recognised by the Ministry of Human
Resource Development, Government of India.
Preservation and promotion of our cultural heritage through the
performing arts have been the primary objective and predominant goal
of the Kendra. It has made significant contributions in this direction.
This effort has expressed itself mainly in two directions: the College of
Music and Dance, and the Performing Arts Section.
The College offers tuitions in most of the classical dance styles and
music forms of India, such as Kathak, Bharatanatyam, Odissi, Chhau,
Hindustani Classical Vocal and Instrumental Music. Eminent gurus of
these disciplines supervise the teaching programmes to help the
students excel in their subject of study.
The Performing Arts Section is engaged in production and presentation
of dance dramas all over the country and abroad. The production and
presentation of Ramlila has become a notable annual event in the
cultural life of the capital, and over sixty thousand people witness it
every year during the Dussehra month.
3
Shriram Bharatiya Kala Kendra
COLLEGE OF MUSIC & DANCE
1, Copernicus Marg, New Delhi 110 001
Tel.: 43503333, 23386428/29. Fax: 23383568
E-mail: [email protected]
4
LOCATION
Shriram Bharatiya Kala Kendra is located in the heart of Delhi’s cultural
hub, the Mandi House area. It nestles in the calm atmosphere of over
two acres of space. The compound also houses the premier auditorium
of Delhi — the Kamani Auditorium, which is a sister-body of the Kendra.
It is surrounded by several prominent national centres of cultural
activities, such as Sangeet Natak Akademi, Lalit Kala Akademi and
Doordarshan Kendra. Other institutes include Kathak Kendra, National
School of Drama, Triveni Kala Sangam and Little Theatre Group. The
students, therefore, have good opportunities to interact with music,
dance and theatre faculties.
The Kendra is accessible by bus and metro.
COURSES AND ADMISSION
Subjects
(a) Classical Vocal
(b) Light Classical Vocal, including Ghazal, Bhajan & Geet
(c) Tabla/Sitar/Sarod
(d) Kathak
(e) Bharatanatyam
(f) Odissi
(g) Chhau – Mayurbhanj
(h) Ballet
The study courses comprise the following:
Course Duration
a. MUSIC & DANCE APPRECIATION COURSE 1 to 2 years
b. CERTIFICATE COURSE 3 years
c. DIPLOMA COURSE 2 years
d. POST-DIPLOMA COURSE 2 years
e. PROFESSIONAL COURSE 1 year onwards
(after Post-Diploma Course)
5
Rules
1. All students are required to attend classes at least thrice a week in the main discipline. Students failing to satisfy the conditions of attendance are liable to be disqualified from the college.
2. The minimum age for admission to the Foundation Course is 8 years as on July 1, 2012. Students will be considered for Diploma Courses only after they attain the age of 13 years. We have also introduced a Professional Training Course for Post-Diploma holders.
3. Applications for admission should be addressed to the Director, Shriram Bharatiya Kala Kendra, 1, Copernicus Marg, New Delhi 110 001. Applications in prescribed form should reach the Kendra on or before 30th June 2012. The price of the prospectus with the admission form is Rs 300/-.
4. The selection of the candidates for admission to any course is made through an audition. Pre-recorded music is not permitted for the audition.
5. The application form has a list of positive weightage subjects. Please read them carefully and mark your preferences. Students, who have positive inclination to these subjects, will be given preference.
6. The new session of the Kendra starts on 1st July and concludes on 31st May every year unless otherwise notified.
7. The students are required to follow dress code norms as laid down by the Kendra.
8. Mobile phones should be switched off during classes; failing which they are liable to be confiscated for 24 hours.
9. Other than the fees, students are prohibited from paying any amount towards collection of money in class. Any such request / demand by any student or faculty member should be brought to the notice of the Principal immediately.
4
LOCATION
Shriram Bharatiya Kala Kendra is located in the heart of Delhi’s cultural
hub, the Mandi House area. It nestles in the calm atmosphere of over
two acres of space. The compound also houses the premier auditorium
of Delhi — the Kamani Auditorium, which is a sister-body of the Kendra.
It is surrounded by several prominent national centres of cultural
activities, such as Sangeet Natak Akademi, Lalit Kala Akademi and
Doordarshan Kendra. Other institutes include Kathak Kendra, National
School of Drama, Triveni Kala Sangam and Little Theatre Group. The
students, therefore, have good opportunities to interact with music,
dance and theatre faculties.
The Kendra is accessible by bus and metro.
COURSES AND ADMISSION
Subjects
(a) Classical Vocal
(b) Light Classical Vocal, including Ghazal, Bhajan & Geet
(c) Tabla/Sitar/Sarod
(d) Kathak
(e) Bharatanatyam
(f) Odissi
(g) Chhau – Mayurbhanj
(h) Ballet
The study courses comprise the following:
Course Duration
a. MUSIC & DANCE APPRECIATION COURSE 1 to 2 years
b. CERTIFICATE COURSE 3 years
c. DIPLOMA COURSE 2 years
d. POST-DIPLOMA COURSE 2 years
e. PROFESSIONAL COURSE 1 year onwards
(after Post-Diploma Course)
5
Rules
1. All students are required to attend classes at least thrice a week in the main discipline. Students failing to satisfy the conditions of attendance are liable to be disqualified from the college.
2. The minimum age for admission to the Foundation Course is 8 years as on July 1, 2012. Students will be considered for Diploma Courses only after they attain the age of 13 years. We have also introduced a Professional Training Course for Post-Diploma holders.
3. Applications for admission should be addressed to the Director, Shriram Bharatiya Kala Kendra, 1, Copernicus Marg, New Delhi 110 001. Applications in prescribed form should reach the Kendra on or before 30th June 2012. The price of the prospectus with the admission form is Rs 300/-.
4. The selection of the candidates for admission to any course is made through an audition. Pre-recorded music is not permitted for the audition.
5. The application form has a list of positive weightage subjects. Please read them carefully and mark your preferences. Students, who have positive inclination to these subjects, will be given preference.
6. The new session of the Kendra starts on 1st July and concludes on 31st May every year unless otherwise notified.
7. The students are required to follow dress code norms as laid down by the Kendra.
8. Mobile phones should be switched off during classes; failing which they are liable to be confiscated for 24 hours.
9. Other than the fees, students are prohibited from paying any amount towards collection of money in class. Any such request / demand by any student or faculty member should be brought to the notice of the Principal immediately.
FEES AND DEPOSITS
Particulars Amount (Rs)
*Prospectus / application form by hand 300.00
ICCR Students — Tuition Fee (per month) 2,500.00
ICCR Students — Hostel Fee (per month) 2,500.00
*Admission Fee (non-refundable) 1,000.00
*Security Deposit 1,000.00
*Examination Fee 1,000.00
*Founder’s Day / College Festival Day 1,000.00
*Library fund 500.00
*Security Deposit for Mess (refundable) 2,000.00
*Security Deposit for Hostel (refundable) 2,000.00
Hostel admission fee (non refundable) 1,200.00
Music & Dance Appreciation Course
1st year (per month) 700.00
2nd year (per month) 800.00
Certificate Course
1st year (per month) 900.00
2nd year (per month) 1,000.00
3rd year (per month) 1,100.00
Diploma Course
1st Year (per month) 1,200.00
2nd year (per month) 1,300.00
Post-Diploma Course
1st year (per month) 1,400.00
2nd year (per month) 1,500.00
Professional Course 2,000.00
Identity Card (The card to be returned after the expiry of student’s tenure) 100.00
Duplicate Identity Card 100.00
Hostel Charges (per month) (local students) 1,600.00
Mess Charges (per month) 2,400.00
(subject to revision)
* The exact amount of the fees payable will be communicated to the candidate after
his/her admission and placement have been finalised.
* At the time of issue of I-cards, all students need to bring along a recent passport size
photograph and fill in their blood group in the I-card.
* All refundable dues will be held by the Kendra for a period of one year.
6 7
PAYMENT OF DUES
1. All fees are payable in advance by cash. Fees will be paid for the first six months at the time of opening of the college and thereafter quarterly by 10th January & 10th April. For fees paid after July upto 10th August a fine of Rs 50/- will be charged and thereafter Rs 100/- till end of the month. For fees paid after 10th January upto 20th January and after 10th April upto 20th April, a fine of Rs 50/- will be imposed and thereafter Rs 100/- till end of the month.
(a) If the fee is not paid by the last day of the month of January & April, the name of the student will be struck off the rolls, and the security deposit shall be forfeited. Fee deposit timings are 10 am to 1 pm and 2 pm to 5.30 pm on all working days.
(b) If a student joins a second subject he / she will be charged the course fees and examination fees for the second subject.
2. If a new student is admitted in the middle of the term, he / she shall have to pay fees on pro rata basis.
3. Fees once paid are not refundable.
4. If a student leaves before completion of the course without sufficient reason, he/she will not be refunded his/her security deposit.
5. The security deposit will lapse, if not claimed within one year of the student leaving the institution.
6. Each student of the college will be provided with an identity card. Students should carry this card while coming for the class and show it, if asked. The card will be valid for the academic year only.
7. Students holding scholarships from ICCR or similar organizations shall be charged tuition fees, etc., as per the arrangements agreed between the sponsoring agency and the Kendra.
RE-ADMISSION
A student, whose name has been struck off the rolls, will be readmitted only at the discretion of the Management and on payment of Rs 500/- as re-admission fee.
FEES AND DEPOSITS
Particulars Amount (Rs)
*Prospectus / application form by hand 300.00
ICCR Students — Tuition Fee (per month) 2,500.00
ICCR Students — Hostel Fee (per month) 2,500.00
*Admission Fee (non-refundable) 1,000.00
*Security Deposit 1,000.00
*Examination Fee 1,000.00
*Founder’s Day / College Festival Day 1,000.00
*Library fund 500.00
*Security Deposit for Mess (refundable) 2,000.00
*Security Deposit for Hostel (refundable) 2,000.00
Hostel admission fee (non refundable) 1,200.00
Music & Dance Appreciation Course
1st year (per month) 700.00
2nd year (per month) 800.00
Certificate Course
1st year (per month) 900.00
2nd year (per month) 1,000.00
3rd year (per month) 1,100.00
Diploma Course
1st Year (per month) 1,200.00
2nd year (per month) 1,300.00
Post-Diploma Course
1st year (per month) 1,400.00
2nd year (per month) 1,500.00
Professional Course 2,000.00
Identity Card (The card to be returned after the expiry of student’s tenure) 100.00
Duplicate Identity Card 100.00
Hostel Charges (per month) (local students) 1,600.00
Mess Charges (per month) 2,400.00
(subject to revision)
* The exact amount of the fees payable will be communicated to the candidate after
his/her admission and placement have been finalised.
* At the time of issue of I-cards, all students need to bring along a recent passport size
photograph and fill in their blood group in the I-card.
* All refundable dues will be held by the Kendra for a period of one year.
6 7
PAYMENT OF DUES
1. All fees are payable in advance by cash. Fees will be paid for the first six months at the time of opening of the college and thereafter quarterly by 10th January & 10th April. For fees paid after July upto 10th August a fine of Rs 50/- will be charged and thereafter Rs 100/- till end of the month. For fees paid after 10th January upto 20th January and after 10th April upto 20th April, a fine of Rs 50/- will be imposed and thereafter Rs 100/- till end of the month.
(a) If the fee is not paid by the last day of the month of January & April, the name of the student will be struck off the rolls, and the security deposit shall be forfeited. Fee deposit timings are 10 am to 1 pm and 2 pm to 5.30 pm on all working days.
(b) If a student joins a second subject he / she will be charged the course fees and examination fees for the second subject.
2. If a new student is admitted in the middle of the term, he / she shall have to pay fees on pro rata basis.
3. Fees once paid are not refundable.
4. If a student leaves before completion of the course without sufficient reason, he/she will not be refunded his/her security deposit.
5. The security deposit will lapse, if not claimed within one year of the student leaving the institution.
6. Each student of the college will be provided with an identity card. Students should carry this card while coming for the class and show it, if asked. The card will be valid for the academic year only.
7. Students holding scholarships from ICCR or similar organizations shall be charged tuition fees, etc., as per the arrangements agreed between the sponsoring agency and the Kendra.
RE-ADMISSION
A student, whose name has been struck off the rolls, will be readmitted only at the discretion of the Management and on payment of Rs 500/- as re-admission fee.
CLASS TIMINGS — WORKING HOURS
10.00 a.m. to 1.00 p.m. and 4.00 p.m. to 7.00 p.m. (Class Time Table may be obtained from the Principal). Classes on various courses will be conducted as per the Time Table. All classes should be vacated by 1.15 p.m. after the morning session and 7.15 p.m. after the evening session.
VACATIONS
The institution observes summer vacation for one month from 1st June to 30th June every year.
ATTENDANCE AND DISCIPLINE
1. Students are expected to observe strict discipline in the class.
2. Students are required to attend at least 75% of the classes for Bi-Annual and Annual examination.
3. Students, who remain absent for ten consecutive classes without leave applications, shall be struck off the rolls.
4. Parents and visitors are strictly prohibited from entering the teaching area.
5. Any student found indulging in any undesirable conduct will be suspended or expelled at the discretion of the Management.
6. Students are expected to actively participate in the activities of the Kendra, such as performances / concerts / lecture-demonstrations as and when required.
ACCOMMODATION AND HOSTEL FACILITIES
A gracious residence with beautiful lawns of its own, the SBKK Hostel has a Visitor’s lounge, and a Cafetaria. Limited hostel accommodation is available both for male and female students. The hostel is situated in the SBKK premises and is provided with basic amenities and furniture.
HOW TO APPLY FOR ACCOMMODATION
1. Applications for hostel accommodation must reach the College before 15th July. The allocation of the hostel would depend on the student’s behaviour and aptitude.
2. Any candidate wishing to seek hostel accommodation shall be required to fill in the prescribed license form at the time of allotment of the hostel accommodation.
8 9
3. Ordinarily, only students residing outside Delhi shall be considered for hostel accommodation.
4. Applicants shall have to attach with the hostel application a medical fitness certificate.
HOSTEL RULES
1. Hostel applications of only those students who attend classes six days a week will be entertained.
2. Applicants shall submit a written undertaking that they will not accept any paid job or join any study/training course other than being conducted at the Kendra/College during the period of their studentship.
3. For any outside assignments, the hostel students shall apply to the Director, and obtain permission in advance.
4. Hostel accommodation shall not be claimed as a matter of right. The decision of the Management shall be final and cannot be challenged. Once the hostel accommodation is granted, students shall strictly abide by the hostel rules of conduct and other terms and conditions.
5. The SBKK authorities may recommend eviction of a student on disciplinary grounds; in which case, the concerned student would be given 48 hours to vacate the room.
6. If any student seeks to leave the Hostel on valid grounds, he/she must seek the prior permission of the Director through Principal/ Warden.
7. If a student leaves the hostel before the completion of one academic year, he/she will not be refunded his/her security deposit.
8. The Mess charges should be deposited by 10th of every month with Accounts Department.
9. It is compulsory for hostel students to have a subsidiary subject. In case, a student discontinues to stay in hostel he/she will have to pay the fees for the subsidiary subject.
10. Students will keep the rooms neat and clean at all times.
11. The rooms will be inspected once a week.
CLASS TIMINGS — WORKING HOURS
10.00 a.m. to 1.00 p.m. and 4.00 p.m. to 7.00 p.m. (Class Time Table may be obtained from the Principal). Classes on various courses will be conducted as per the Time Table. All classes should be vacated by 1.15 p.m. after the morning session and 7.15 p.m. after the evening session.
VACATIONS
The institution observes summer vacation for one month from 1st June to 30th June every year.
ATTENDANCE AND DISCIPLINE
1. Students are expected to observe strict discipline in the class.
2. Students are required to attend at least 75% of the classes for Bi-Annual and Annual examination.
3. Students, who remain absent for ten consecutive classes without leave applications, shall be struck off the rolls.
4. Parents and visitors are strictly prohibited from entering the teaching area.
5. Any student found indulging in any undesirable conduct will be suspended or expelled at the discretion of the Management.
6. Students are expected to actively participate in the activities of the Kendra, such as performances / concerts / lecture-demonstrations as and when required.
ACCOMMODATION AND HOSTEL FACILITIES
A gracious residence with beautiful lawns of its own, the SBKK Hostel has a Visitor’s lounge, and a Cafetaria. Limited hostel accommodation is available both for male and female students. The hostel is situated in the SBKK premises and is provided with basic amenities and furniture.
HOW TO APPLY FOR ACCOMMODATION
1. Applications for hostel accommodation must reach the College before 15th July. The allocation of the hostel would depend on the student’s behaviour and aptitude.
2. Any candidate wishing to seek hostel accommodation shall be required to fill in the prescribed license form at the time of allotment of the hostel accommodation.
8 9
3. Ordinarily, only students residing outside Delhi shall be considered for hostel accommodation.
4. Applicants shall have to attach with the hostel application a medical fitness certificate.
HOSTEL RULES
1. Hostel applications of only those students who attend classes six days a week will be entertained.
2. Applicants shall submit a written undertaking that they will not accept any paid job or join any study/training course other than being conducted at the Kendra/College during the period of their studentship.
3. For any outside assignments, the hostel students shall apply to the Director, and obtain permission in advance.
4. Hostel accommodation shall not be claimed as a matter of right. The decision of the Management shall be final and cannot be challenged. Once the hostel accommodation is granted, students shall strictly abide by the hostel rules of conduct and other terms and conditions.
5. The SBKK authorities may recommend eviction of a student on disciplinary grounds; in which case, the concerned student would be given 48 hours to vacate the room.
6. If any student seeks to leave the Hostel on valid grounds, he/she must seek the prior permission of the Director through Principal/ Warden.
7. If a student leaves the hostel before the completion of one academic year, he/she will not be refunded his/her security deposit.
8. The Mess charges should be deposited by 10th of every month with Accounts Department.
9. It is compulsory for hostel students to have a subsidiary subject. In case, a student discontinues to stay in hostel he/she will have to pay the fees for the subsidiary subject.
10. Students will keep the rooms neat and clean at all times.
11. The rooms will be inspected once a week.
LIBRARY
The Kendra houses a large library of rare and contemporary books in Hindi and English on music, philosophy, religion and associated subjects. The library is also equipped with a large and valuable collection of audio and video CDs. Students are encouraged to make optimum use of the library.
CAFÉ
The Kendra has a canteen which caters to the resident students as well as outsiders. It serves light refreshments and meals.
EXTRA CURRICULAR ACTIVITIES
The Kendra organises a wide range of cultural activities throughout the year. These include Krishna, Ram, Music & Dance Festival of SBKK at Kamani, Founder’s Day, Holi Festival, Shriram Shankarlal Music Festival and Ballet Festival. The Kendra expects the students to participate actively in all functions. The ornaments and costumes are all made at the Kendra and students are encouraged to participate in their making and learn in the process.
The eligibility for extension of the hostel facilities depends, among other things, on the students’ participation in above-mentioned activities. Extra marks are allotted to hostellers for participation in Kendra’s activities.
EXAMINATIONS
Examinations for all subjects are held twice during the academic session. The first is the bi-annual (mid-term) examination and the second, the annual (end-term) examination. The Kendra reserves the right to disallow any student to appear in the examination on grounds of indiscipline or gross violation of rules or shortage of attendance.
GENERAL INSTRUCTIONS
1. Park your vehicle in the allotted place.
2. Apply for leave in advance and get it sanctioned from your Teacher and Principal. In case of illness, applications must be supported by a medical certificate from a Registered Medical Practitioner.
3. Do not take musical instruments out of the class-room.
4. Eatables/drinks are prohibited in the class-room.
10
THE KENDRA FACULTY
Ballet / Chhau Dance
SHASHIDHARAN NAIR
Bharatanatyam
JUSTIN McCARTHY
SUDHA JAGANNATH
Kathak
MUNNA SHUKLA
RAMMOHAN MISRA
PRERANA SHRIMALI
RAKSHA SINGH DAVID
SWATI SINHA
Odissi
PRIYAMBADA PATTNAIK
Sitar / Sarod
BISWAJIT ROY CHOWDHURY
Classical Vocal
GUNDECHA BROTHERS
JYOTIKA DAYAL
MANJEET SINGH
SONIA ROY
Light Classical Vocal
CHARANJIT SONI
Tabla
VIRENDRA MALVIYA
11
LIBRARY
The Kendra houses a large library of rare and contemporary books in Hindi and English on music, philosophy, religion and associated subjects. The library is also equipped with a large and valuable collection of audio and video CDs. Students are encouraged to make optimum use of the library.
CAFÉ
The Kendra has a canteen which caters to the resident students as well as outsiders. It serves light refreshments and meals.
EXTRA CURRICULAR ACTIVITIES
The Kendra organises a wide range of cultural activities throughout the year. These include Krishna, Ram, Music & Dance Festival of SBKK at Kamani, Founder’s Day, Holi Festival, Shriram Shankarlal Music Festival and Ballet Festival. The Kendra expects the students to participate actively in all functions. The ornaments and costumes are all made at the Kendra and students are encouraged to participate in their making and learn in the process.
The eligibility for extension of the hostel facilities depends, among other things, on the students’ participation in above-mentioned activities. Extra marks are allotted to hostellers for participation in Kendra’s activities.
EXAMINATIONS
Examinations for all subjects are held twice during the academic session. The first is the bi-annual (mid-term) examination and the second, the annual (end-term) examination. The Kendra reserves the right to disallow any student to appear in the examination on grounds of indiscipline or gross violation of rules or shortage of attendance.
GENERAL INSTRUCTIONS
1. Park your vehicle in the allotted place.
2. Apply for leave in advance and get it sanctioned from your Teacher and Principal. In case of illness, applications must be supported by a medical certificate from a Registered Medical Practitioner.
3. Do not take musical instruments out of the class-room.
4. Eatables/drinks are prohibited in the class-room.
10
THE KENDRA FACULTY
Ballet / Chhau Dance
SHASHIDHARAN NAIR
Bharatanatyam
JUSTIN McCARTHY
SUDHA JAGANNATH
Kathak
MUNNA SHUKLA
RAMMOHAN MISRA
PRERANA SHRIMALI
RAKSHA SINGH DAVID
SWATI SINHA
Odissi
PRIYAMBADA PATTNAIK
Sitar / Sarod
BISWAJIT ROY CHOWDHURY
Classical Vocal
GUNDECHA BROTHERS
JYOTIKA DAYAL
MANJEET SINGH
SONIA ROY
Light Classical Vocal
CHARANJIT SONI
Tabla
VIRENDRA MALVIYA
11
THE FACULTY
BALLET / CHHAU DANCE
SHASHIDHARAN NAIR, a brilliant performer of Kathakali and Mayur-bhanj Chhau, and a choreographer of repute, began his artistic journey with Kathakali in his vil lage Edakkalathur in Kerala, where he trained under Kalamandalam Padmanabhan Nair. He won a scholarship at the age of 9 that gave him the privilege of training under the great master of Kathakali — Kavungal Shankaran Kutty Paniker for a decade at the Rajah’s High School, Kozhikode.
He learnt Mayurbhanj Chhau from the great master, Guru Krishna Chandra Naik at Rangasri Ballet Troupe, Gwalior and Shriram Bharatiya Kala Kendra, Delhi. He has been associated with Shriram Bharatiya Kala Kendra for over two decades — as a dancer from 1982 to 1984, as a trainer from 1987 to 1990 and as a choreographer since 1990.
12
DANCE: BHARATANATYAM
JUSTIN McCARTHY studied Bharatanatyam at the Way of the Dance School in California, and with Subbarayan Pillai in Madras before spending a decade with Leela Samson at the Kendra. He joined the Kendra as a teacher in 1988.
He has imparted training to students from all over the world. He has created and choreographed many solo, duet and ensemble pieces which have met with critical acclaim. He has been honoured with Pt.Jasraj Cross-Cultural Understanding Award (2010).
13
DANCE: BHARATANATYAM
SUDHA JAGANNATH began her training in Bharatanatyam at the Shriram Bharatiya Kala Kendra in 1987 under the guidance of Leela Samson (1987-90) and later under Justin McCarthy. She has performed extensively in India and abroad, in solo, as well as with leading professional groups. At present she is assisting Justin McCarthy in conducting Bharatanatyam classes at the Shriram Bharatiya Kala Kendra.
THE FACULTY
BALLET / CHHAU DANCE
SHASHIDHARAN NAIR, a brilliant performer of Kathakali and Mayur-bhanj Chhau, and a choreographer of repute, began his artistic journey with Kathakali in his vil lage Edakkalathur in Kerala, where he trained under Kalamandalam Padmanabhan Nair. He won a scholarship at the age of 9 that gave him the privilege of training under the great master of Kathakali — Kavungal Shankaran Kutty Paniker for a decade at the Rajah’s High School, Kozhikode.
He learnt Mayurbhanj Chhau from the great master, Guru Krishna Chandra Naik at Rangasri Ballet Troupe, Gwalior and Shriram Bharatiya Kala Kendra, Delhi. He has been associated with Shriram Bharatiya Kala Kendra for over two decades — as a dancer from 1982 to 1984, as a trainer from 1987 to 1990 and as a choreographer since 1990.
12
DANCE: BHARATANATYAM
JUSTIN McCARTHY studied Bharatanatyam at the Way of the Dance School in California, and with Subbarayan Pillai in Madras before spending a decade with Leela Samson at the Kendra. He joined the Kendra as a teacher in 1988.
He has imparted training to students from all over the world. He has created and choreographed many solo, duet and ensemble pieces which have met with critical acclaim. He has been honoured with Pt.Jasraj Cross-Cultural Understanding Award (2010).
13
DANCE: BHARATANATYAM
SUDHA JAGANNATH began her training in Bharatanatyam at the Shriram Bharatiya Kala Kendra in 1987 under the guidance of Leela Samson (1987-90) and later under Justin McCarthy. She has performed extensively in India and abroad, in solo, as well as with leading professional groups. At present she is assisting Justin McCarthy in conducting Bharatanatyam classes at the Shriram Bharatiya Kala Kendra.
14
DANCE: KATHAK
RAMMOHAN MISRA, born in the prestigious family of Kathak of Kalka-Bindadin Gharana, is the son of late legendary Padma Shree Pt. Sambhu Maharaj. His initiation in Kathak dance was under his father at the age of six, who taught him the exact style of Kathak and abhinaya. After his father, he was guided by Pt. Birju Maharaj.
Rammohan Misra is the seventh generation of this family. He has performed in several prestigious programmes in all major states of India. After Birju Maharaj, he is the tradition-bearer of this gharana. He has the style and expression acquired from his father, and various other styles from the ancestors in his family.
He is widely travelled and has been performing all over the world since 1979.
He has been awarded the Indira Gandhi Priyadarshini Award 2006, A rch o f Exce l l ence Award , Outstanding National Citizen Award, and Gems of India Award.
DANCE: KATHAK
SWATI SINHA started learning Kathak at the tender age of seven under Guru Rajendra Gangani at the Ka thak Kendra , where she completed her diploma. She received scholarships from t h e Ministry of Human Resource Development in 1998. As an empanelled artist with the ICCR, she has performed abroad; she is also an A-grade artist with Doordarshan.
Swati has performed in several dance festivals such as the Konark Festival, Swami Haridas Sangeet Samaroh, Kathak Mahotsava, Soorya Festival, and Nritya Pratibha. She has choreographed for the opening ceremony of the Youth Festival in Hyderabad in 2005, and World Dance Day in Patiala in 2006. She has also presented a fusion of K a t h a k , B h a r a t n a t y a m a n d Moh in ia t tam in San D iego , California, as well as a duet with Flamenco artist Bettina Castano.
Swati has conducted Kathak workshops in Delhi and Beijing, and has given lecture demonstrations for Spic-Macay. Presently, Swati Sinha is teaching at Shriram Bharatiya Kala Kendra.
15
DANCE: KATHAK
RAKSHA S INGH DAVID , a promising Kathak dancer, started learning at a very young age under the guidance of Smt. Sharmila Chatterjee. Thereafter, she pursued her M.A. from Khairagarh University under the tutelage of Prof. Rama Das. After her post-graduation, she underwent training at Shriram Bharatiya Kala Kendra under the guidance of Guru Shikha Khare.
At present, she is taking advance training under the guidance of Kathak Maestro Pt. Birju Maharaj for the past four years. She is also ‘Prabhakar’ in Classical Vocal and Junior Diploma holder in Light Classical Vocal.
She has rece ived Na t iona l Scholarship from the Ministry of Culture, and has also been awarded Nritya Ratna Samman by the Society for Action through Music (SAM). She has done many choreographic works such as ‘Yamuna Beech Shyam Chavi’, Dhruv’ and ‘Pakhi’. She has also written articles for various magazines and books.
She has performed at various festivals, and also in a TV serial, ‘Bharat Ke Sant Kavi’ on DD Bharti.
DANCE: KATHAK
MUNNA SHUKLA has been gifted with talent and rare-deep insight into the finer nuances of Kathak, a classical dance form of North India. He is the grandson of the great Kathak Maestro, late Achan Maharaj, and a nephew of the illustrious Birju Maharaj.
He received his initial training in Kathak from his father, late Sunder Lal Shukla, and later from Birju Maharaj under the Nat ional Scholarship Scheme offered by the Ministry of Culture. He has worked with the students of Film and TV Institute of India.
Guru Munna Shukla was at the Kathak Kendra from 1976 to 2006, and has trained several artistes. His works reveal a rare combination of technical competence and creativity.
He has been honoured with UPSN Akademi Award (1988), Sarangdeo Award by Sur Singar Samsad, Bombay (1989), Sahitya Kala Parishad Samman (2003), Sangeet Natak Akademi Award (2006), and Saraswati Music College Samman (2011).
14
DANCE: KATHAK
RAMMOHAN MISRA, born in the prestigious family of Kathak of Kalka-Bindadin Gharana, is the son of late legendary Padma Shree Pt. Sambhu Maharaj. His initiation in Kathak dance was under his father at the age of six, who taught him the exact style of Kathak and abhinaya. After his father, he was guided by Pt. Birju Maharaj.
Rammohan Misra is the seventh generation of this family. He has performed in several prestigious programmes in all major states of India. After Birju Maharaj, he is the tradition-bearer of this gharana. He has the style and expression acquired from his father, and various other styles from the ancestors in his family.
He is widely travelled and has been performing all over the world since 1979.
He has been awarded the Indira Gandhi Priyadarshini Award 2006, A rch o f Exce l l ence Award , Outstanding National Citizen Award, and Gems of India Award.
DANCE: KATHAK
SWATI SINHA started learning Kathak at the tender age of seven under Guru Rajendra Gangani at the Ka thak Kendra , where she completed her diploma. She received scholarships from t h e Ministry of Human Resource Development in 1998. As an empanelled artist with the ICCR, she has performed abroad; she is also an A-grade artist with Doordarshan.
Swati has performed in several dance festivals such as the Konark Festival, Swami Haridas Sangeet Samaroh, Kathak Mahotsava, Soorya Festival, and Nritya Pratibha. She has choreographed for the opening ceremony of the Youth Festival in Hyderabad in 2005, and World Dance Day in Patiala in 2006. She has also presented a fusion of K a t h a k , B h a r a t n a t y a m a n d Moh in ia t tam in San D iego , California, as well as a duet with Flamenco artist Bettina Castano.
Swati has conducted Kathak workshops in Delhi and Beijing, and has given lecture demonstrations for Spic-Macay. Presently, Swati Sinha is teaching at Shriram Bharatiya Kala Kendra.
15
DANCE: KATHAK
RAKSHA S INGH DAVID , a promising Kathak dancer, started learning at a very young age under the guidance of Smt. Sharmila Chatterjee. Thereafter, she pursued her M.A. from Khairagarh University under the tutelage of Prof. Rama Das. After her post-graduation, she underwent training at Shriram Bharatiya Kala Kendra under the guidance of Guru Shikha Khare.
At present, she is taking advance training under the guidance of Kathak Maestro Pt. Birju Maharaj for the past four years. She is also ‘Prabhakar’ in Classical Vocal and Junior Diploma holder in Light Classical Vocal.
She has rece ived Na t iona l Scholarship from the Ministry of Culture, and has also been awarded Nritya Ratna Samman by the Society for Action through Music (SAM). She has done many choreographic works such as ‘Yamuna Beech Shyam Chavi’, Dhruv’ and ‘Pakhi’. She has also written articles for various magazines and books.
She has performed at various festivals, and also in a TV serial, ‘Bharat Ke Sant Kavi’ on DD Bharti.
DANCE: KATHAK
MUNNA SHUKLA has been gifted with talent and rare-deep insight into the finer nuances of Kathak, a classical dance form of North India. He is the grandson of the great Kathak Maestro, late Achan Maharaj, and a nephew of the illustrious Birju Maharaj.
He received his initial training in Kathak from his father, late Sunder Lal Shukla, and later from Birju Maharaj under the Nat ional Scholarship Scheme offered by the Ministry of Culture. He has worked with the students of Film and TV Institute of India.
Guru Munna Shukla was at the Kathak Kendra from 1976 to 2006, and has trained several artistes. His works reveal a rare combination of technical competence and creativity.
He has been honoured with UPSN Akademi Award (1988), Sarangdeo Award by Sur Singar Samsad, Bombay (1989), Sahitya Kala Parishad Samman (2003), Sangeet Natak Akademi Award (2006), and Saraswati Music College Samman (2011).
16
DANCE: ODISSI
PRIYAMBADA PATTNAIK, a talented Odissi dancer, was born in a traditional art family of Orissa. The grand-daughter of the great Odissi maestro, late Pt. Chandrashekhar Pattnaik, she received her initial training from her father, late Indra Kumar Pattnaik and later with late Guru Mahadeo Raut for 10 years.
Priyambada moved to Bhubaneswar in 1993 to receive advance training from Guru Gandhadhar Pradhan and Guru Bichitrananda Swain. She was also trained for seven years at Nrityagram, Bangalore.
Priyambada has performed all over India and abroad.
INSTRUMENTAL MUSIC: SAROD/SITAR
BISWAJEET ROY CHOUDHARY is an accomplished Sarod player and an excellent teacher. He had his first lessons in Sitar and Sarod from his father as a child, and moved to Calcutta in 1974 to learn under Pandit Indranil Bhattacharya, a pupil of Ustad Allaudin Khan. In 1978, a scholarship to study under Ustad Amjad Ali Khan brought Biswajeet to Delhi. He had the privilege of being trained under the legendary vocalist, Pt. Mallikarjun Mansur from 1980 till 1992. Many of his students have bagged national scholarships. He thus has the benefit of being trained under distinguished teachers in both the major schools of Sarod-playing.
Over the years, Biswajeet has performed at various music festival and concerts all over India, broadcast regularly from All India Radio, and appeared on the television as well. He now lives in Delhi where he has been teaching both the Sitar and the Sarod at the Kendra since 1992.
17
MUSIC: VOCAL CLASSICAL
GUNDECHA BROTHERS, Umakant and Ramakant Gundecha are one of India’s leading exponents of the Dhrupad style of music. They are among the most active performers of Dhrupad in India and abroad. Born in Ujjain in Central India, both were initiated into music by their parents. They learned the Dhrupad vocal art under the renowned Dhrupad vocalist Ustad Zia Fariduddin Dagar and also under Ustad Zia Mohiuddin Dagar at Dhrupad Kendra, Bhopal.
The Gundecha Brothers have sung great Hindi poetry by Tulsidas, Kabir, Padmakar, Nirala in Dhrupad style. They have several cassettes and CDs to their credit. They have also performed over radio and television in India and abroad. They have also performed at several music festivals abroad, including Europe, USA, Australia, Japan, Egypt, Singapore, Bangladesh, UAE and Hong Kong.
Some of the many awards the Gundecha Brothers have received include the Sanskriti Award, Kumar Gandharva Award, Dagar Gharana Award, Rajat Kamal, National Film Award for Best Music Direction, and Padma Shree in 2012.
DANCE: KATHAK
PRERANA SHRIMALI, a senior dancer of Jaipur Gharana of Kathak received her training in dance from Guru Shri Kundanlal Gangani. Having mastered the grammar and the complexities of the Jaipur style, with her grace, innovativeness and imagination, she ranks among the most illustrious and reputed classical dancers of India today.
Equally competent in nritta and abhinaya, Prerana Shrimali has endeavoured to expand the Kathak repertoire by choreographing new and highly acclaimed compositions based on poetry – ancient, medieval, and modern. Widely travelled, both in India and abroad, Prerana has featured in all the major dance festivals in India.
She has been teaching Kathak in Delhi for many years and is currently engaged in writing and researching on ‘Kathak and Abstraction’ for which she got Senior Fellowship from Government of India. She has also worked as the repertory chief of Kathak Kendra Delhi for two years.
She is the recipient of the Rajasthan Sangeet Natak Akademi Award 1993 and the Sangeet Natak Akademi Award 2009.
16
DANCE: ODISSI
PRIYAMBADA PATTNAIK, a talented Odissi dancer, was born in a traditional art family of Orissa. The grand-daughter of the great Odissi maestro, late Pt. Chandrashekhar Pattnaik, she received her initial training from her father, late Indra Kumar Pattnaik and later with late Guru Mahadeo Raut for 10 years.
Priyambada moved to Bhubaneswar in 1993 to receive advance training from Guru Gandhadhar Pradhan and Guru Bichitrananda Swain. She was also trained for seven years at Nrityagram, Bangalore.
Priyambada has performed all over India and abroad.
INSTRUMENTAL MUSIC: SAROD/SITAR
BISWAJEET ROY CHOUDHARY is an accomplished Sarod player and an excellent teacher. He had his first lessons in Sitar and Sarod from his father as a child, and moved to Calcutta in 1974 to learn under Pandit Indranil Bhattacharya, a pupil of Ustad Allaudin Khan. In 1978, a scholarship to study under Ustad Amjad Ali Khan brought Biswajeet to Delhi. He had the privilege of being trained under the legendary vocalist, Pt. Mallikarjun Mansur from 1980 till 1992. Many of his students have bagged national scholarships. He thus has the benefit of being trained under distinguished teachers in both the major schools of Sarod-playing.
Over the years, Biswajeet has performed at various music festival and concerts all over India, broadcast regularly from All India Radio, and appeared on the television as well. He now lives in Delhi where he has been teaching both the Sitar and the Sarod at the Kendra since 1992.
17
MUSIC: VOCAL CLASSICAL
GUNDECHA BROTHERS, Umakant and Ramakant Gundecha are one of India’s leading exponents of the Dhrupad style of music. They are among the most active performers of Dhrupad in India and abroad. Born in Ujjain in Central India, both were initiated into music by their parents. They learned the Dhrupad vocal art under the renowned Dhrupad vocalist Ustad Zia Fariduddin Dagar and also under Ustad Zia Mohiuddin Dagar at Dhrupad Kendra, Bhopal.
The Gundecha Brothers have sung great Hindi poetry by Tulsidas, Kabir, Padmakar, Nirala in Dhrupad style. They have several cassettes and CDs to their credit. They have also performed over radio and television in India and abroad. They have also performed at several music festivals abroad, including Europe, USA, Australia, Japan, Egypt, Singapore, Bangladesh, UAE and Hong Kong.
Some of the many awards the Gundecha Brothers have received include the Sanskriti Award, Kumar Gandharva Award, Dagar Gharana Award, Rajat Kamal, National Film Award for Best Music Direction, and Padma Shree in 2012.
DANCE: KATHAK
PRERANA SHRIMALI, a senior dancer of Jaipur Gharana of Kathak received her training in dance from Guru Shri Kundanlal Gangani. Having mastered the grammar and the complexities of the Jaipur style, with her grace, innovativeness and imagination, she ranks among the most illustrious and reputed classical dancers of India today.
Equally competent in nritta and abhinaya, Prerana Shrimali has endeavoured to expand the Kathak repertoire by choreographing new and highly acclaimed compositions based on poetry – ancient, medieval, and modern. Widely travelled, both in India and abroad, Prerana has featured in all the major dance festivals in India.
She has been teaching Kathak in Delhi for many years and is currently engaged in writing and researching on ‘Kathak and Abstraction’ for which she got Senior Fellowship from Government of India. She has also worked as the repertory chief of Kathak Kendra Delhi for two years.
She is the recipient of the Rajasthan Sangeet Natak Akademi Award 1993 and the Sangeet Natak Akademi Award 2009.
18
MUSIC: VOCAL CLASSICAL
SONIA ROY, ‘A’ grade artist of All India Radio, started learning Hidustani Classical Music in her early childhood and got consistent training for 11 years from Dr. Anjoli Chakraborty (professor at Rabindra Bharati University, Calcutta) and achieved blessings of Pt. Ajoy Chakraborty (Patiala gharana) in Shruti Nandan, Calcutta. She received training in Dhrupad, Alap Ghar (Dagar Gharana) from Rudra Veenakar Pt. Asit Kumar Banerjee. She also learnt from the renowned classical artiste, Late Smt. Shanti Sharma of Kirana-Indore Gharana.
She has given performances in various cities in India and several countries in Europe. She has been teaching Hindustani Classical Vocal in Shriram Bharatiya Kala Kendra since 2004.
MUSIC: VOCAL CLASSICAL
MANJEET SINGH was introduced to the field of Hindustani Classical Vocal Music by Prof. B.S. Bali (retired Principal of Music & Fine Arts College, Jammu). He received guidance from Late Smt. Shanti Sharma, a renowned vocalist who had been a guru at the Kendra.
He has been honoured twice by the Governor of Jammu & Kashmir for his contribution to the field of Hindustani classical vocal music. He has also received the Swar Mani Award from Mumbai and the Sadbhawna Award f rom the Government of J&K. He has also been a recipient of a National Scholarship from the Department of Culture, Government of India.
MUSIC: VOCAL (LIGHT CLASSICAL)
CHARANJIT SONI completed her (M.A.) Sangit Praveen from Prayag Sangeet Samiti, Allahabad. She has been a teacher at the Shriram Bharatiya Kala Kendra for over ten years. A talented vocalist, she has trained in light classical vocal music from Smt. Shanti Hiranand for over seven years.
She has given performances all over India and is an ‘A’ grade artist with All India Radio and Doordarshan.
19
MUSIC: CLASSICAL VOCAL
JYOTIKA DAYAL was born in 1967 in Benares. An accomplished artist, she has completed her Post Diploma in the field of Hindustani Classical Vocal Music under the able guidance of Pandit Amarnath and Smt. Shanti Sharma at the Shri Ram Bharatiya Kala Kendra in New Delhi. She was a recipient of the Senior Scholarship from Ministry of Human Resource and Development, Government of India.
Jyot ika Dayal had her f i rs t performance abroad in Europe and Mauritius in 1995-1996. Since 1998, she has been a member of the Music Ensemble of Benares, where she plays an important part not only as a singer but also as a composer and choreographer.
18
MUSIC: VOCAL CLASSICAL
SONIA ROY, ‘A’ grade artist of All India Radio, started learning Hidustani Classical Music in her early childhood and got consistent training for 11 years from Dr. Anjoli Chakraborty (professor at Rabindra Bharati University, Calcutta) and achieved blessings of Pt. Ajoy Chakraborty (Patiala gharana) in Shruti Nandan, Calcutta. She received training in Dhrupad, Alap Ghar (Dagar Gharana) from Rudra Veenakar Pt. Asit Kumar Banerjee. She also learnt from the renowned classical artiste, Late Smt. Shanti Sharma of Kirana-Indore Gharana.
She has given performances in various cities in India and several countries in Europe. She has been teaching Hindustani Classical Vocal in Shriram Bharatiya Kala Kendra since 2004.
MUSIC: VOCAL CLASSICAL
MANJEET SINGH was introduced to the field of Hindustani Classical Vocal Music by Prof. B.S. Bali (retired Principal of Music & Fine Arts College, Jammu). He received guidance from Late Smt. Shanti Sharma, a renowned vocalist who had been a guru at the Kendra.
He has been honoured twice by the Governor of Jammu & Kashmir for his contribution to the field of Hindustani classical vocal music. He has also received the Swar Mani Award from Mumbai and the Sadbhawna Award f rom the Government of J&K. He has also been a recipient of a National Scholarship from the Department of Culture, Government of India.
MUSIC: VOCAL (LIGHT CLASSICAL)
CHARANJIT SONI completed her (M.A.) Sangit Praveen from Prayag Sangeet Samiti, Allahabad. She has been a teacher at the Shriram Bharatiya Kala Kendra for over ten years. A talented vocalist, she has trained in light classical vocal music from Smt. Shanti Hiranand for over seven years.
She has given performances all over India and is an ‘A’ grade artist with All India Radio and Doordarshan.
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MUSIC: CLASSICAL VOCAL
JYOTIKA DAYAL was born in 1967 in Benares. An accomplished artist, she has completed her Post Diploma in the field of Hindustani Classical Vocal Music under the able guidance of Pandit Amarnath and Smt. Shanti Sharma at the Shri Ram Bharatiya Kala Kendra in New Delhi. She was a recipient of the Senior Scholarship from Ministry of Human Resource and Development, Government of India.
Jyot ika Dayal had her f i rs t performance abroad in Europe and Mauritius in 1995-1996. Since 1998, she has been a member of the Music Ensemble of Benares, where she plays an important part not only as a singer but also as a composer and choreographer.
20
Annual Calendar of Events2012-2013
OPENING OF COLLEGE 1st July
AUDITIONS FOR NEW ADMISSIONS First week of July
KRISHNA First / Second week
a dance-drama based on the life of
of Lord Krishna
RAM October / November
a dance-drama based on the life (inauguration on the
of Lord Ram first day of Navratra)
PRESENTATION OF
SUMITRA CHARAT RAM AWARD 17 November
STUDENTS’ FESTIVAL 21 December
HALF-YEARLY EXAMINATIONS End December
FOUNDERS’ DAY / BASANT PANCHAMI January
SHRIRAM SHANKARLAL MUSIC FESTIVAL February
HOLI FESTIVAL March
SUMMER BALLET FESTIVAL May
ANNUAL EXAMINATIONS End May
SUMMER BREAK 1 – 30 June
August
21
INSTRUMENTAL MUSIC: TABLA
VIRENDRA MALVIYA (ex Senior Tabla Artist, Information and Broadcasting Ministry) was born in Allahabad and started learning and playing tabla after being inspired by his elder brother, Shri R. K. Malviya.
He became a gandha bandh shagirdh of Shri Someshwar Bhat (Kathak); later he found tutelage under Shri J. N. Chobe who himself was a gandha bandh shagirdh of the late Ustad Ahmadjaan Thirakwa and, finally, he learnt under Shri M. G. Godbole.
Shri V. Malviya is a modest human being who still practises regularly. Majoring in the Farukhabad style of tabla playing, he also acknowledges all the great Pakhawaj players whom he met and worked with as they have shaped certain aspects of his tabla playing which is completely unique and spiritual.
20
Annual Calendar of Events2012-2013
OPENING OF COLLEGE 1st July
AUDITIONS FOR NEW ADMISSIONS First week of July
KRISHNA First / Second week
a dance-drama based on the life of
of Lord Krishna
RAM October / November
a dance-drama based on the life (inauguration on the
of Lord Ram first day of Navratra)
PRESENTATION OF
SUMITRA CHARAT RAM AWARD 17 November
STUDENTS’ FESTIVAL 21 December
HALF-YEARLY EXAMINATIONS End December
FOUNDERS’ DAY / BASANT PANCHAMI January
SHRIRAM SHANKARLAL MUSIC FESTIVAL February
HOLI FESTIVAL March
SUMMER BALLET FESTIVAL May
ANNUAL EXAMINATIONS End May
SUMMER BREAK 1 – 30 June
August
21
INSTRUMENTAL MUSIC: TABLA
VIRENDRA MALVIYA (ex Senior Tabla Artist, Information and Broadcasting Ministry) was born in Allahabad and started learning and playing tabla after being inspired by his elder brother, Shri R. K. Malviya.
He became a gandha bandh shagirdh of Shri Someshwar Bhat (Kathak); later he found tutelage under Shri J. N. Chobe who himself was a gandha bandh shagirdh of the late Ustad Ahmadjaan Thirakwa and, finally, he learnt under Shri M. G. Godbole.
Shri V. Malviya is a modest human being who still practises regularly. Majoring in the Farukhabad style of tabla playing, he also acknowledges all the great Pakhawaj players whom he met and worked with as they have shaped certain aspects of his tabla playing which is completely unique and spiritual.
Some eminent past students trained at the Kendra
KATHAK
Bela Arnab
Bharati Gupta
Chitra Rao
Devi Lal
Durga Lal
Harish Rawat
Kamal Kirtikar
Keshav Kothari
Krishna Kumar
Krishna Mohan
Kumudini Lakhia
Maya Rao
Munna Shukla
Prabha Marathe
Pradeep Shankar
Pratap Pawar
Ram Mohan Misra
Rashmi Vajpeyi
Rina Singha
Surendra Kaur
Tirath Ajmani
Uma Dogra
Uma Sharma
Urmila Nagar
Usha Sharma
Vishnu Priya Pawar
ODISSI
Aloka Panikar
Kiran Sehgal
Ranjana Gauhar
Geeta Mahalik
CHHAU
Bharat Sharma
Madhuri Bhatia
Bhushan Lakhandri
Harish Rawat
Daksha Seth
Sharon Lowen
BHARATANATYAM
Justin McCarthy
Deepanjali Bedi
Parul Pandeya
Radhica Laukaran
VOCAL MUSIC
B.S. Bali
Ghulam Sadiq Khan
Ghulam Siraj Khan
Ghulam Taqui Khan
Irene Roy Choudhury
Laxman Bhatt Tailang
Nimai Chandra Boral
Roma Rani Bhattacharya
Shanti Sharma
Sulochana Yajurvedi
Urmil Shankar Bhargava
SITAR/SAROD/VIOLIN/ PAKHAWAJ
Bhagwat Upreti (Pakhawaj)
Biswajit Roy Chowdhury (Sarod)
Dinesh Prabhakar (Violin)
Firdaus Khan (Sarod)
Ghulam Dastagir Khan (Sitar)
Matloob Khan (Sitar)
Ram Lakhan (Pakhawaj)
Rehmat Ali Khan (Sarod)
Tej Prakash Tulsi (Pakhawaj)
22 23
Some eminent teachers on the faculty of the Kendra over the years
HINDUSTANI VOCAL MUSIC
Ustad Mushtaq Hussain Khan
Ustad Vilayat Hussain Khan
Prof. Dilip Chandra Vedi
Ustad Moinuddin Khan Dagar
Ustad Aminuddin Khan Dagar
Smt. Siddheswari Devi
Ustad Ishtiaq Hussain Khan
Ustad Munnawar Ali Khan
Smt. Naina Devi
Pandit Amarnath
Shanti Sharma
SAROD
Ustad Hafiz Ali Khan
Ustad Amjad Ali Khan
SITAR
Ustad Wahid Khan
Prof. Debabrata Chowdhury
RUDRA VEENA
Ustad Asad Ali Khan
PAKHAWAJ
Guru Purushottam Das
Shri Bhagwat Upreti
TABLA
Ustad Inam Ali Khan
Ustad Habibuddin Khan
Ustad Bundu Khan
Ustad Munnu Khan
Ustad Hasmat Ali Khan
Akram Khan
VOCAL MUSIC
(LIGHT CLASSICAL)
Shanti HiranandIndu Prakash
DANCE
KATHAK
Shri Shambhu Maharaj
Shri Sunder Prasad
Shri Birju Maharaj
Lachhu Maharaj
Shri Kundan Lal
Shri Devi Lal
Shri Durga Lal
Shri Bansi Lal
Smt. Vaswati Misra
Shri Ram Mohan Misra
ODISSI
Guru Mayadhar Raut
Smt. Aloka Panikar
BHARATANATYAM
Ms Leela Samson
Ms Deepanjali Bedi
CHHAU
Guru Krishna Chandra Naik
Olek Niranjan BisoiJJ Sai Babu
YOGA
Shri Subba Rao
Some eminent past students trained at the Kendra
KATHAK
Bela Arnab
Bharati Gupta
Chitra Rao
Devi Lal
Durga Lal
Harish Rawat
Kamal Kirtikar
Keshav Kothari
Krishna Kumar
Krishna Mohan
Kumudini Lakhia
Maya Rao
Munna Shukla
Prabha Marathe
Pradeep Shankar
Pratap Pawar
Ram Mohan Misra
Rashmi Vajpeyi
Rina Singha
Surendra Kaur
Tirath Ajmani
Uma Dogra
Uma Sharma
Urmila Nagar
Usha Sharma
Vishnu Priya Pawar
ODISSI
Aloka Panikar
Kiran Sehgal
Ranjana Gauhar
Geeta Mahalik
CHHAU
Bharat Sharma
Madhuri Bhatia
Bhushan Lakhandri
Harish Rawat
Daksha Seth
Sharon Lowen
BHARATANATYAM
Justin McCarthy
Deepanjali Bedi
Parul Pandeya
Radhica Laukaran
VOCAL MUSIC
B.S. Bali
Ghulam Sadiq Khan
Ghulam Siraj Khan
Ghulam Taqui Khan
Irene Roy Choudhury
Laxman Bhatt Tailang
Nimai Chandra Boral
Roma Rani Bhattacharya
Shanti Sharma
Sulochana Yajurvedi
Urmil Shankar Bhargava
SITAR/SAROD/VIOLIN/ PAKHAWAJ
Bhagwat Upreti (Pakhawaj)
Biswajit Roy Chowdhury (Sarod)
Dinesh Prabhakar (Violin)
Firdaus Khan (Sarod)
Ghulam Dastagir Khan (Sitar)
Matloob Khan (Sitar)
Ram Lakhan (Pakhawaj)
Rehmat Ali Khan (Sarod)
Tej Prakash Tulsi (Pakhawaj)
22 23
Some eminent teachers on the faculty of the Kendra over the years
HINDUSTANI VOCAL MUSIC
Ustad Mushtaq Hussain Khan
Ustad Vilayat Hussain Khan
Prof. Dilip Chandra Vedi
Ustad Moinuddin Khan Dagar
Ustad Aminuddin Khan Dagar
Smt. Siddheswari Devi
Ustad Ishtiaq Hussain Khan
Ustad Munnawar Ali Khan
Smt. Naina Devi
Pandit Amarnath
Shanti Sharma
SAROD
Ustad Hafiz Ali Khan
Ustad Amjad Ali Khan
SITAR
Ustad Wahid Khan
Prof. Debabrata Chowdhury
RUDRA VEENA
Ustad Asad Ali Khan
PAKHAWAJ
Guru Purushottam Das
Shri Bhagwat Upreti
TABLA
Ustad Inam Ali Khan
Ustad Habibuddin Khan
Ustad Bundu Khan
Ustad Munnu Khan
Ustad Hasmat Ali Khan
Akram Khan
VOCAL MUSIC
(LIGHT CLASSICAL)
Shanti HiranandIndu Prakash
DANCE
KATHAK
Shri Shambhu Maharaj
Shri Sunder Prasad
Shri Birju Maharaj
Lachhu Maharaj
Shri Kundan Lal
Shri Devi Lal
Shri Durga Lal
Shri Bansi Lal
Smt. Vaswati Misra
Shri Ram Mohan Misra
ODISSI
Guru Mayadhar Raut
Smt. Aloka Panikar
BHARATANATYAM
Ms Leela Samson
Ms Deepanjali Bedi
CHHAU
Guru Krishna Chandra Naik
Olek Niranjan BisoiJJ Sai Babu
YOGA
Shri Subba Rao
KRISHNAVATAR 1977Creative DanceChoreography: K. ShekharanMusic: Barun Gupta
JAGDEV 1977Chhau MayurbhanjChoreography: Krishna Chandra NaikMusic: Barun Gupta
KONARK 1978Chhau MayurbhanjChoreography: Krishna Chandra NaikMusic: Barun GuptaDirection: Shobha Deepak Singh
KATHAK SEQUENCES 1978KathakChoreography: Munna ShuklaMusic: Ishtiaq Hussain Khan & Barun Gupta
KALING VIJAY 1979Chhau MayurbhanjChoreography: Krishna Chandra NaikMusic: Barun GuptaDirection: Shobha Deepak Singh
KHAJURAHO 1980Chhau MayurbhanjChoreography: Krishna Chandra NaikMusic: Barun GuptaDirection: Shobha Deepak Singh
SHAN-E-MUGHAL 1981KathakChoreography: Munna ShuklaMusic: Ustad Amjad Ali Khan
YAYATI 1982Chhau MayurbhanjChoreography: Krishna Chandra NaikMusic: Sushil Das GuptaDirection: Shobha Deepak Singh
BAHUBALI 1982Creative DanceChoreography: K. ShekharanMusic: Barun Gupta
MASKS 1983Creative DanceChoreography: Bhushan LakhandriMusic: Atul DesaiDirection: Shobha Deepak Singh
SHAKUNTALA 1983Creative DanceChoreography: K. ShekharanMusic: B.K. Gupta & Partha DasDirection: Shobha Deepak Singh
KARNA 1984Chhau MayurbhanjChoreography: Krishna Chandra Naik & Bhushan LakhandriMusic: B.K. Gupta & Partha DasDirection: Shobha Deepak Singh
ANARKALI 1985KathakChoreography: Uma Sharma, assisted by Vaswati MishraMusic: Pt Shiv Prashad & Jwala PrashadDirection: Shobha Deepak Singh
CHAITRA PARV 1986Chhau MayurbhanjChoreography: Krishna Chandra Naik, assisted by Madan Solanki, Rekha Sharma & Olek Niranjan BisoiMusic: Partha DasDirection: Shobha Deepak Singh
KAMAYANI 1987KathakChoreography: Kumudini LakhiaMusic: Atul DesaiDirection: Shobha Deepak Singh
BUDDHA 1988Music: Partha DasDirection: Shobha Deepak Singh
MAHADEV 1989KathakChoreography: Vaswati MishraMusic: Barun GuptaDirection: Shobha Deepak Singh
HARI 1990Chhau Mayurbhanj, Bharatnatyam & KathakChoreography: Olek Niranjan Bisoi, Leela Samson & Ram Mohan MishraMusic: Partha DasDirection: Shobha Deepak Singh
TIRUPURANTAK 1991Chhau Choreography: Shashidharan NairMusic: Biswajeet Roy ChoudhuryDirection: Shobha Deepak Singh
CHAKRAVYUHA 1993Choreography: Shashidharan NairMusic: Barun GuptaDirection: Shobha Deepak Singh
PARIKRAMA 1994Choreography: Shashidharan NairMusic: Shubha MudgalDirection: Shobha Deepak Singh
24 25
Dance-dramas produced by the Kendra 1957-2012
RAMLILA 1957Creative DanceChoreography: Narendra SharmaMusic: Jyotindra Moitra & Sushil Das Gupta
KATHAK-KI-KAHANI 1957KathakChoreography: Shambhu Maharaj
MALTI MAHADEV 1958KathakChoreography: Lacchu Maharaj & Birju MaharajMusic: Dagar Bros.
KUMAR SAMBHAV 1958KathakChoreography: Birju MaharajMusic: Dagar Bros.
DALIA 1961KathakChoreography: Birju MaharajMusic: Satish Bhatia
SHAN-E-OUDHKathakChoreography: Birju MaharajMusic: Dagar Bros.
GITOPADESH 1965KathakChoreography: Birju MaharajMusic: Dagar Bros.
KRISHNAYAN 1966KathakChoreography: Birju MaharajMusic: Dagar Bros.
TAJ-KI-KAHANI 1968KathakChoreography: Krishna KumarMusic: Ustad Amjad Ali Khan
SITAYAN 1969Creative DanceChoreography: Krishnan NambudiriMusic: Barun Gupta
MEERA BAI 1970Creative DanceChoreography: Krishnan NambudiriMusic: Sushil Das Gupta
GEET GOVIND 1971OdissiChoreography: Mayadhar RautMusic: Barun Gupta
MEGHDOOT 1973Creative DanceChoreography: K. ShekharanMusic: Barun Gupta
AZADI-KE-ORE 1973Creative DanceChoreography: K. NambudiriMusic: Barun Gupta
URVASHI 1974Creative DanceChoreography: Krishnan NambudiriMusic: Barun Gupta
RAMCHARITMANAS 1974KathakChoreography: Uma SharmaMusic: Jyotindra Moitra & Barun Gupta
KATHAK SEQUENCES 1974KathakChoreography: Uma SharmaMusic: Barun Gupta
GLIMPSES FROM LORD KRISHNA’S LIFE 1975Creative DanceChoreography: Guru GopinathMusic: Barun Gupta
DHARTI-KA-VIVAH 1975Creative DanceChoreography: Durga LalMusic: Barun Gupta
KENOPANISHAD 1975Creative DanceChoreography: K. ShekharanMusic: Barun Gupta
MAHABIR 1976Creative DanceChoreography: K. ShekharanMusic: Barun Gupta
SURDAS 1976KathakChoreography: Uma SharmaMusic: Pt Shiv Prashad & Barun Gupta
KRISHNAVATAR 1977Creative DanceChoreography: K. ShekharanMusic: Barun Gupta
JAGDEV 1977Chhau MayurbhanjChoreography: Krishna Chandra NaikMusic: Barun Gupta
KONARK 1978Chhau MayurbhanjChoreography: Krishna Chandra NaikMusic: Barun GuptaDirection: Shobha Deepak Singh
KATHAK SEQUENCES 1978KathakChoreography: Munna ShuklaMusic: Ishtiaq Hussain Khan & Barun Gupta
KALING VIJAY 1979Chhau MayurbhanjChoreography: Krishna Chandra NaikMusic: Barun GuptaDirection: Shobha Deepak Singh
KHAJURAHO 1980Chhau MayurbhanjChoreography: Krishna Chandra NaikMusic: Barun GuptaDirection: Shobha Deepak Singh
SHAN-E-MUGHAL 1981KathakChoreography: Munna ShuklaMusic: Ustad Amjad Ali Khan
YAYATI 1982Chhau MayurbhanjChoreography: Krishna Chandra NaikMusic: Sushil Das GuptaDirection: Shobha Deepak Singh
BAHUBALI 1982Creative DanceChoreography: K. ShekharanMusic: Barun Gupta
MASKS 1983Creative DanceChoreography: Bhushan LakhandriMusic: Atul DesaiDirection: Shobha Deepak Singh
SHAKUNTALA 1983Creative DanceChoreography: K. ShekharanMusic: B.K. Gupta & Partha DasDirection: Shobha Deepak Singh
KARNA 1984Chhau MayurbhanjChoreography: Krishna Chandra Naik & Bhushan LakhandriMusic: B.K. Gupta & Partha DasDirection: Shobha Deepak Singh
ANARKALI 1985KathakChoreography: Uma Sharma, assisted by Vaswati MishraMusic: Pt Shiv Prashad & Jwala PrashadDirection: Shobha Deepak Singh
CHAITRA PARV 1986Chhau MayurbhanjChoreography: Krishna Chandra Naik, assisted by Madan Solanki, Rekha Sharma & Olek Niranjan BisoiMusic: Partha DasDirection: Shobha Deepak Singh
KAMAYANI 1987KathakChoreography: Kumudini LakhiaMusic: Atul DesaiDirection: Shobha Deepak Singh
BUDDHA 1988Music: Partha DasDirection: Shobha Deepak Singh
MAHADEV 1989KathakChoreography: Vaswati MishraMusic: Barun GuptaDirection: Shobha Deepak Singh
HARI 1990Chhau Mayurbhanj, Bharatnatyam & KathakChoreography: Olek Niranjan Bisoi, Leela Samson & Ram Mohan MishraMusic: Partha DasDirection: Shobha Deepak Singh
TIRUPURANTAK 1991Chhau Choreography: Shashidharan NairMusic: Biswajeet Roy ChoudhuryDirection: Shobha Deepak Singh
CHAKRAVYUHA 1993Choreography: Shashidharan NairMusic: Barun GuptaDirection: Shobha Deepak Singh
PARIKRAMA 1994Choreography: Shashidharan NairMusic: Shubha MudgalDirection: Shobha Deepak Singh
24 25
Dance-dramas produced by the Kendra 1957-2012
RAMLILA 1957Creative DanceChoreography: Narendra SharmaMusic: Jyotindra Moitra & Sushil Das Gupta
KATHAK-KI-KAHANI 1957KathakChoreography: Shambhu Maharaj
MALTI MAHADEV 1958KathakChoreography: Lacchu Maharaj & Birju MaharajMusic: Dagar Bros.
KUMAR SAMBHAV 1958KathakChoreography: Birju MaharajMusic: Dagar Bros.
DALIA 1961KathakChoreography: Birju MaharajMusic: Satish Bhatia
SHAN-E-OUDHKathakChoreography: Birju MaharajMusic: Dagar Bros.
GITOPADESH 1965KathakChoreography: Birju MaharajMusic: Dagar Bros.
KRISHNAYAN 1966KathakChoreography: Birju MaharajMusic: Dagar Bros.
TAJ-KI-KAHANI 1968KathakChoreography: Krishna KumarMusic: Ustad Amjad Ali Khan
SITAYAN 1969Creative DanceChoreography: Krishnan NambudiriMusic: Barun Gupta
MEERA BAI 1970Creative DanceChoreography: Krishnan NambudiriMusic: Sushil Das Gupta
GEET GOVIND 1971OdissiChoreography: Mayadhar RautMusic: Barun Gupta
MEGHDOOT 1973Creative DanceChoreography: K. ShekharanMusic: Barun Gupta
AZADI-KE-ORE 1973Creative DanceChoreography: K. NambudiriMusic: Barun Gupta
URVASHI 1974Creative DanceChoreography: Krishnan NambudiriMusic: Barun Gupta
RAMCHARITMANAS 1974KathakChoreography: Uma SharmaMusic: Jyotindra Moitra & Barun Gupta
KATHAK SEQUENCES 1974KathakChoreography: Uma SharmaMusic: Barun Gupta
GLIMPSES FROM LORD KRISHNA’S LIFE 1975Creative DanceChoreography: Guru GopinathMusic: Barun Gupta
DHARTI-KA-VIVAH 1975Creative DanceChoreography: Durga LalMusic: Barun Gupta
KENOPANISHAD 1975Creative DanceChoreography: K. ShekharanMusic: Barun Gupta
MAHABIR 1976Creative DanceChoreography: K. ShekharanMusic: Barun Gupta
SURDAS 1976KathakChoreography: Uma SharmaMusic: Pt Shiv Prashad & Barun Gupta
MEERA 1995Choreography: Shashidharan Nair Music: Shubha MudgalDirection: Shobha Deepak Singh
KRISHNA-KATHA 1996Choreography: Shashidharan Nair Music: Shubha MudgalDirection: Shobha Deepak Singh
THE FARCE OF DRUNKEN SPORT AND THE SAINT COURTESAN 1999BharatnatyamChoreography: Justin McCarthy
KIMAPI 2000BharatnatyamChoreography: Justin McCarthy
KARNA – A Life of Euphoric Sacrifices 2001Chhau MayurbhanjChoreography: Shashidharan NairMusic: B.K. GuptaDirection: Shobha Deepak Singh
THE MYSTIC BRIDE AND THE SACRED WITCH 2002Choreography: Justin McCarthy
MEERA 2002Choreography: Shashidharan NairMusic: Shubha MudgalDirection: Shobha Deepak Singh
BHARATANATYAM ENSEMBLE WORKS: 2003 Choreography: Justin McCarthy
KHAJURAHO 2003Choreography: Guru Krishna Chandra NaikMusic: Barun GuptaDirection: Shobha Deepak Singh
DANCE OF SHIVA 2003Choreography: Shashidharan NairMusic: Biswajit Roy ChowdhuryDirection: Shobha Deepak Singh
MAARGAM (Bharatanatyam) 2004Choreography: Justin McCarthy
KALIDASA’S RAGHUVAMSHAM AND ABHIGYANASHAKUNTALAM (Bharatanatyam) 2005Choreography: Justin McCarthy
KSHETRAYYA(Bharatanatyam) 2006Choreography: Justin McCarthy
SHREE DURGA 2007Choreography: Shashidharan NairMusic: Shanti SharmaDirection: Shobha Deepak Singh
ABHIMANYU 2010Choreography: Shashidharan NairMusic: Barun GuptaDirection: Shobha Deepak Singh
KAMAYANI 2011Choreography: Shobha Deepak SinghMusic: Atul DesaiDirection: Shobha Deepak Singh
KUMAR SAMBHAVA 2012Choreography: Bhushan LakandriMusic: Barun GuptaDirection: Shobha Deepak Singh
Presentations at Bindaadin Jayanti
GHAN GHATAChoreography: Baswati Misra
ALAAPINIChoreography: Baswati Misra
ANTAR HITATWAMChoreography: Baswati Misra
JEEWAN SOPAN Choreography: Baswati Misra
PURUSHARTHChoreography: Baswati Misra
ACHARYA BRAHASPATIChoreography: Baswati Misra
AAKARChoreography: Baswati Misra
DUI PAKHIChoreography: Baswati Misra
BANDISHChoreography: Baswati Misra
CHHAND O GATIChoreography: Pandit Durga Lal
NIRVANAChoreography: Shobha Deepak Singh
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