amnaya stotram wth guidance
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Amnaya StotramTRANSCRIPT
आ�नाय�तोम ् �यानम ्
�ीनाथादगु��यं गणप�त ंपीठ�य ंभैरवं
�स�ौघं बतुक�यं पदयुगं दतूी"मं म#डलम।्
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�ीम(मा�लनी म(�राज सहत ंव(दे गुरोम6#डलम॥् The sloka ‘shrInAthAdi gurutrayaM’ invokes the gurumandala that is very
important in shrIvidyA kramA. It deals with the mantras of the AmnAyas of
shrIvidyA. It is said that from the five faces of Sri Parameshwara (aghora,
tatpurusha, vAmadeva, sadyojaAta, IshAna), the five Amnayas with their
various mantras originated. The Sixth secret face of Parameshwara is what is
termed 'Anuttara' and this is the seat of Parabrahma Shakti
Mahatripurasundari. It is highly subtle and not revealed easily to a Sadhaka.
The first four Amnayas (pUrva, dakshiNa, pashchima and uttara) are
applicable to pancadashi upasaka’s. The eligibility for the higher two Amnayas
i.e. Urdhwa and anuttara is initiation into ShoDashI and pUrnabhishekA. Explanation of the dhyana sloka �ीनाथा�द गु�यं - This refers to one's own guru (shrinAtha), parama guru and
parameshthi guru.
गणप�त ं- The mantra of mahAganapati and whose upasana is a must even
before initiation into pancadashi.
पीठय ं- The mantras for jAlandhara, pUrnagiri and kAmarUpa piThas, which
are the first three shakti piThas of amba and represent the trinity and their
shaktis – mahAkAmeshwarI, mahAvajreshwarI and mahAabhagamAlini. The
fourth pITha is mahoDyAna and is the seat of parabrahma shakti
mahAtripurasundarI, has to imagined in a state of transcendence over these
three pITha. The fourth represents the state of turIya and it is imagined as
existing in the state of absolute silence that exists between each of these
pIThas, which are actually states of citta.
भैरवं - The mantras for eight bhairavas starting with mahAmanthana bhairava
etc.
�स ौघं - The mantras for nine siddhas starting from mahAdurmanAmba
siddha etc.
वटुकयं - The mantras for the three vatukAs (brahmacArI’s or
bhairavA’s) - skanda and citra and virinci vatukas.
पदयुगं - The mantras for prakAsha carana and vimarsha carana of shridevI.
दतूी &मं - The nine (ten according to some tantras) dUti goddesses starting
from yonyAmbA and yonisiddhantAmba etc.
म'डलं - The mantras for agni and sUrya and candra mandalas.
वीर - The mantras for the ten vIra’s starting from shriShTi bhairava etc. Then
come the mantras for the 64 Siddhas starting with mangalanAtha etc.
नवकं - The nine mudra mantras starting from sarvasamkshobhiNi.
वीरावल* प+चकं - The mantras for brahma, viShNu, rudra , Ishwara and
Sadashiva virAvali’s.
मा�लनी - The mAtrika saraswatI mantra.
म-राज - mantrarAja nrisimha mantra according to our sampradAya. Others
follow devi tAraka in its place.
गु�म-डलं - The gurumaNdala proper includes mantras for Urdhwaugha,
paraugha, kAmarAjaugha, lopAmudraugha and parAparaugha, depending on
one’s sampradAya. Each of these again have divyaugha, siddhaugha and
mAnavaugha guru’s in them. Thus, this shloka invokes all these deities who
form the AmnAya parivAra and gurumaNDala of shrIvidya parAbhattArika.
The shloka 'pUrvam dakshiNa pashcimottarAmnAyaM' speaks about the 27
rahasyA’s or secrets. The above mantra’s along with a few other esoteric
additions and the numerous mantras of the 6 AmnAyas will constitute these
27 secrets of shrIvidya.
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