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TRANSCRIPT
A S o u r c e b o o k o f C l a s s i c a n d C o n t e m p o r a r y L e t t e r f o r m s
Cees W. de Jong
Alston W. Purvis
Friedrich Friedl
( R £ A T I V
Thames & Hudson
8 ForewordCees W. de Jong
10 Professional Typographers
18 Type etc...Cees W. de Jong
30 20th-century ExpressiveLetterforms: An ObservationAlston W. Purvis
66 From Rudolf Koch via David Carsoninto the New Millennium:Typography in the 20th CenturyFriedrich Friedl
92 Fonts and Type Designers
94 ITC Franklin, 2004David Berlow
100 Demos, 2004Praxis, 2004Gerard linger
HOZapfino, 2003Hermann Zapf
120 Kosmik, 2002Erik van Blokland
Beowolf, 1990Erik van Btokland,Just van Rossum
130 Sabon Next, 2002Jean Francois Porchez
140 Le Monde, 1997Jean Francois Porchez
148 Syntax, 2000Hans Eduard Meier
160 Aroma, 1999Tim Ahrens
166 Gianotten, 1999Milano, 2002Antonio Pace
186 Silvermoon, 1998Akira Kobayashi
192 Atomatic, 1997Johannes Plass
202 Finnegan, 1997Jiirgen Weltin
208 Spitz, 1997Oliver Brentzei
214Carumba, 1996Jill Bell
222 Filosofia, 1996Zuzana Licko
234 Tagliatelle, 1996Atessio Leonardi
240 LinoLetter, 1992
Linotype
248 Didot, 1991Linotype
256 Veto, 1994Marco Ganz
262 Sho, 1992Karlgeorg Hoefer
268 Caecilia, 1990Peter Matthias Noordzij
274 Officina, 1990Erik Spiekermann
280 Industria, 1989Insignia, 1989Neville Brody
290 Avenir, 1988Adrian Frutiger
296 Frutiger Next, 2001Adrian Frutiger
306 Stone, 1987Sumner Stone
326 Modern Classics: Fonts and ^ 'Type Designers ^
328 The Relationship Between J-QClassic and Contemporary ^Typography
330 Akzidenz Grotesk, 1969Giinter Gerhard Lange
336 Helvetica, 1957Max Miedinger
342 Futura, 1932Paul Renner
348 GillSans, 1928-30Eric Gill
354 Times New Roman, 1832Stanley Morison
360 Bodoni, 1790Giambattista Bodoni
368 Baskerville, 1754John Baskerville
374Caslon, 1725William Caslon
380 Stempel Garamond, 1543Claude Garamond
389 Typeface Index
398 Useful Websites
172 Markin, 1999Alfred Tilp
180 Scarborough, 1998Akira Kobayashi
314 Lucida, 1985Kris Holmes/Charles Bigelow
320 Optima nova, 2002Hermann Zapf